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Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti and John Nádas, eds., The End of the Ars Nova in Italy: The San Lorenzo Palimpsest and Related Repertories, La Tradizione Musicale 21. Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2020. xv + 313 pp. €54. ISBN 978 88 9290 046 2. Also freely available as Open Access at www.sismel.info/books/TM21_The_End.pdf.

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Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti and John Nádas, eds., The End of the Ars Nova in Italy: The San Lorenzo Palimpsest and Related Repertories, La Tradizione Musicale 21. Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2020. xv + 313 pp. €54. ISBN 978 88 9290 046 2. Also freely available as Open Access at www.sismel.info/books/TM21_The_End.pdf.

Published online by Cambridge University Press:  08 February 2022

LUCIA MARCHI
LUCIA MARCHI*
Affiliation:
(lmarchi@depaul.edu)
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Plainsong & Medieval Music , Volume 30 , Issue 2 , October 2021 , pp. 179 - 181
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Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 Günther, Ursula, ‘Das Ende der Ars Nova’, Die Musikforschung, 16 (1963), 105–20CrossRefGoogle Scholar.

2 The San Lorenzo Palimpsest. Florence, Archivio del Capitolo di San Lorenzo, Ms. 2211. Introductory Study and Multispectral Images, ed. Andreas Janke and John Nádas (Lucca, 2016); reviewed by Margaret Bent in Plainsong & Medieval Music, 26 (2017), 186–98.

3 For example, in Lopatin, Mikhail, ‘Metapoesis in Trecento Song: “Divisio” at the Intersection of Love, Poetic Form, and Music’, Music and Letters, 99 (2018), 511–50CrossRefGoogle Scholar.

4 For example, Vivarelli, Carla, ‘Di una pretesa scuola napoletana: Sowing the Seeds of the Ars Nova at the Court of Roberto d'Anjou’, Journal of Musicology, 24 (2007), 272–96CrossRefGoogle Scholar.