Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-26T04:51:22.947Z Has data issue: false hasContentIssue false

Michael Bernhard and Klaus-Jürgen Sachs (eds.), Musiklehre zwischen Mittelalter und Renaissance: Das Studienkonvolut des Stephan Roth (Zwickau, Ratsschulbibliothek 24.20.26), Studien zur Geschichte der Musiktheorie 14. Hildesheim: Georg Olms Verlag, 2019. xii + 401 pp. €68. ISBN 978 3 487 15834 1.

Published online by Cambridge University Press:  15 September 2020

JOSEPH DYER*
Affiliation:
(Joseph.Dyer@umb.edu)

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press, 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Bernhard, Michael and Witkowska-Zaremba, Elżbieta, Traditio Iohannis Hollandrini, Veröffentlichungen der Musikhistorischen Kommission 19–26 (Munich, 2010–16)Google Scholar; Meyer, Christian and Nishimagi, Shin, Tractatuli, excerpta et fragmenta de musica, Atelier de recherches sur les textes médiévaux 14 (Turnhout, 2011)CrossRefGoogle Scholar.

2 For further diagrams of this type see my Speculative Musica and the Medieval University of Paris’, Music and Letters, 90 (2009), 177204CrossRefGoogle Scholar.

3 Copied by Roth's younger brother, Lauretius, onto a blank space at that end of the very brief treatise C there is a diagram with successive divisions of musica practica, ending with plana and mensuralis (C 17-app.).