Biocalcification is a naturally occurring mineralisation phenomenon resulting from the urease produced by microorganisms inhabiting soil environments. This process, often referred to as microbially induced calcite precipitation (MICP), is primarily exploited in an engineering context for soil stabilisation and the repair of concrete structures. MICP represents an emerging area of research in architecture and design. In this paper, we discuss the appropriation of MICP on Papier Plume, a foam made of paper waste used in the context of ImpressioVivo: a design-led research project exploring the conception and fabrication of 3D-printed and bacterially induced bio-sourced materials for a circular design framework. In the light of a previous study based on two strategies of calcification: (1) direct inoculation (2) spraying, we – a team of two designers and a microbiologist – discuss the relevance of an immersion strategy applied to the dry paper foam substrate. By doing so, we reflect on the relevance of MICP as a material design process underpinned by sustainable and circularity concerns, from a design perspective, but also into an attempt to embrace the perspective of the bacteria supporting these experiments; namely Sporosarcina pasteurii.

Environmental concerns surrounding textile production have increased the need and interest in developing material innovations and interdisciplinary approaches to offset this ecological impact. Bacterial cellulose is present in several industries, and its biologically produced form has shown potential use within fashion. Within the emerging field of biodesign, research surrounding bacterial cellulose textiles generally focuses on the initial sheeted growth, while alternative outputs and working methods remain scarce. Here, fibre reassembly is analysed by fully integrating broken down BC fibres with knitted structures. Material selection and working methods take a practice-led approach to experiment formulation in order to observe material behaviour as central to development. This project aims to create biocomposite textiles that enhance the properties of bacterial cellulose and expand its designable characteristics through low-tech working methods accessible from designerly backgrounds. The results are intended to inform further research in footwear design contexts, as basis to develop BC-based components. Experimentation shows BC fibres reassembled around the knitted structures, varying according to yarn choice and fermenting environment alteration. This demonstrates potential for material and methodology development while exploring co-design with living organisms. In the context of future applications, BC-based composite textiles can self-assemble at different growth stages, offering the possibility of material-driven approaches to spaces intersecting biology and design.

This paper describes novel computational design, simulation and fabrication techniques employed in the production of a large sound-absorbing sculpture called Phoenix, made entirely from mycelium-composite materials (myco-materials). Myco-materials are composites made of lignocellulosic agricultural waste fibers bound by fungal mycelium and are produced at commercial scale as alternatives for plastics, insulation foam, or styrene. Mycelium composite materials have known acoustical properties that can be tuned according to variables such as growing time, substrate type, substrate size and density. The fabrication method for producing the Phoenix sculpture revisits how we build performative and formal complexity in the most economic and sustainable way. The results indicate the potential for grown materials to be used in retrofit projects, allowing rooms to be customized in various acoustical situations, such as music or speech.

Urban inhabitants spend upwards of 90% of their time indoors where building design and mechanical air-handling systems negatively impact air quality, microbiome diversity and health outcomes. Urban bioremediation infrastructure designed to improve indoor environmental quality by drawing air through photosynthesizing plants and metabolically diverse rhizospheres have been investigated since the 1960s; however, in-depth analysis of the potential impacts on indoor environments is required: (1) although recent evidence has illustrated human microbiome alteration and associated health benefits related to exposure to green wall systems, the mechanism(s) of diversification have not yet been established, (2) microbial metabolism and airborne chemical dynamics are extraordinarily complex and hypotheses pertaining to rhizosphere microorganisms metabolizing pollutants require more attention. To explore these areas, we applied a shotgun metagenomic approach to quantify microbial diversity and establish preliminary metabolic profiles within active green wall modules spanning a range of growth media and plant selections. Results indicate that fundamental design decisions, including hydroponic vs. organic growth media, support rhizosphere microbiomes with distinct diversity and metabolic profiles which could impact system performance. The described relationships indicate fundamental green infrastructure design represents an opportunity to “grow” indoor microbial diversity and metabolisms with potential benefits for human pollutant exposure and health outcomes.

Taking the Myx Sail displayed at the Danish Design Museum as a case study, this article investigates the room acoustics of an architectural installation made of Mycelium Textiles. Mycelium Textiles represent a novel typology of mycelium-based composites (MBC). The Myx Sail absorbers are grown on a composition of different layers of plant fibres combining woven jute textile with hemp mat and loose wood wool substrate enhancing the mechanical and acoustic properties of the composite. Two complementary acoustic tests were conducted to measure the absorbing properties of the mycelium material and its effects on the acoustics of the exhibition hall. The results show that the sail acts effectively as an acoustic absorber especially in higher range of frequencies, reducing the reverberation time and improving speech intelligibility. The effect of the sail on the overall room acoustics is especially effective, if the sound source is placed directly underneath the sail. The results of a complementary survey amongst visitors on their subjective perception of comfort and well-being however indicate that the degree to which a grown surface (and by extension, a grown building) is perceived positively or negatively depends on the relationship the individual has with Nature.

This research investigates a novel method for cultivating mycelium-based leather substitutes using a carefully formulated paste consistency substrate. The primary objectives are to enhance nutrient availability, facilitate scalability, and streamline cultivation processes. The study spans a 21-day cultivation period, during which a flower-based medium is employed, eliminating the need for labor-intensive harvesting techniques. Two fungal species, Ganoderma lucidum (rishi) and Pleurotus djamor (pink oyster) are tested to assess their compatibility with the growth method. These species were chosen based on their rapid colonization rates and inherent resilience. The investigation delves into various combinations of crosslinking agents, including glycerol (a plasticizer), commercial tanner, citric acid, and magnesium sulfate. The effects of these agents on tensile strength are compared and qualitative data is analyzed through the use of scanning electron microscopy (SEM) and stereo microscopy. Furthermore, the study explores the fabrication potential of non-woven textiles derived from mycelium, emphasizing their suitability as eco-friendly leather alternatives. Scaled prototypes are highlighted to demonstrate their feasibility. Post-treatment processes, such as dyeing with bio-based dyes and acrylic leather paint, are evaluated for their aesthetic impact. The research contributes a biodegradable material alternative that addresses the environmental challenges of high textile consumption. The findings add to the growing body of sustainable design methods in the realm of leather-like materials in bio-design.

This study investigates an ancestral Biodesign technique associated with the fruits of the Amazonian tree Crescentia cujete. For centuries, Amazonian artisans have transformed these fruits into objects named cuias, which serve mainly as containers. Despite the continued practice of cuias production, a specific shaping technique discovered in historical accounts remains unknown and unused by contemporary artisans. The paper reports the recreation of this technique considering the ancestral ethos underpinning these traditions. A mixed-method approach has combined historical and museum research, direct interaction with trees in a bioeconomy context, and participatory observation of traditional artisans’ production. The findings reveal the ancient practice of “Growing Design” with that tree and other practices that resonate with Biodesign, establishing a connection between this field and indigenous knowledge. This study highlights the underappreciation of indigenous objects and techniques, emphasizing the potential that emerges from understanding the alignment of certain ancestral wisdom with Biodesign principles, such as amplifying indigenous heritage and opening new possibilities in design.

Bio-Futures for Transplanetary Habitats (BFfTH) is a Special Interest Group within the Hub for Biotechnology in the Built Environment that aims to explore and enable interdisciplinary research on transplanetary habitats and habitats within extreme environments through an emphasis on the biosocial and biotechnological relations. BFfTH organized the online and onsite networking symposium BFfTH to examine how emerging biotechnologies, living materials, and more-than-human life can be implemented in habitat design and mission planning. The two-day symposium aimed to serve as a catalyst in establishing an international network and to support the development of novel methodologies to move beyond discipline-specific approaches. The symposium consisted of five sessions, including Mycelium for Mars and Novel Biotechnologies for Space Habitats. This opinion paper presents key outcomes and trends from these sessions, a moderated panel, and informal discussions. The identified research trends explored the use of biotechnology and biodesign to enhance safety, sustainability, habitability, reliability, crew efficiency, productivity, and comfort in extreme environments on Earth and off-world. Beyond design and engineering, the symposium also examined sociotechnical imaginaries, focusing on desired experiences and characteristics of life and technology in transplanetary futures. Some of the specific topics included innovative material-driven processes for transplanetary habitat design, socio-political and ethical implications, and technology transfer for sustainable living on Earth. The outcomes emphasize the necessity for advancing biosocial and biotechnological research from an interdisciplinary perspective in order to ethically and meaningfully enable transplanetary futures. Such a focus not only addresses future off-world challenges but also contributes to immediate ecological and architectural innovations, promoting a symbiotic relationship between space exploration and sustainability on Earth.

Manufacturing of mycelium-based composites is an emerging biorefinery technology toward the development of environmentally positive materials within the circular economy: it benefits from waste and industrial by-products upcycling while excelling in biodegradability. This study investigates the compressive behavior of materials repurposed from local agricultural wastes (tree nuts and crop wastes in California’s Central Valley), using the fungal mycelium of Pleurotus ostreatus and Ganoderma lucidum, well-known edible and medicinal species. We also explore the hybridization of these mycelium-based composites with local textile waste fibers as reinforcements. Following guidelines from several ASTM standards, the compressive behavior of these composites is analyzed to determine the impact of biomass processing, composition, fungal species used, and post-processing strategy. We propose a post-processing strategy based on a short exposure to sodium chloride solutions in ambient conditions, to de-activate mycelium and prevent its fruiting, replacing the established energy-intensive heat-based post-processing. This work aims at contributing to the decarbonization of the built environment and the construction industry in particular, through materials designed with upcycled waste (agricultural and textile), fungal mycelium and low-carbon footprint processes.

To realize the potential of materials comprising living organisms, bioengineers require a holistic understanding of the reciprocal relationship between environmental conditions and the biochemical and biophysical processes that influence development and behaviour. Mathematical modelling has a critical part to play in managing the complexity of biological dynamical systems and attaining higher degrees of control over their trajectories and endpoints. To support the development of mycelium-based engineered living materials, this paper reviews the literature of growth models for filamentous fungi with emphasis on the connection between morphogenesis and metabolism.

This paper describes an early-stage research and experiments exploring methods of co-cultivation of the fungal strain Ganoderma lucidum and the bacterial strain Sporosarcina pasteurii within the field of architecture. Co-cultivating these species within a bio-based compound, forming a living material, shows that the binding abilities of both microbial partners can be harnessed through multistep production techniques. As the mycelial network of the fungus spreads through the inoculated wood substrate, bacterial cells disperse and multiply on this same network and release the enzyme urease throughout the now-forming compound bound by the fungus. The enzyme is one of the key actors in the biocementation process, which is activated with the addition of a calcium source to the material. Calcium carbonate minerals form and attach on the hyphae, as well as in between the network, inside the wood sawdust pieces and around void spaces within the composite. While additional data collection is required, the current state of this research suggests that properties of both living materials can be expanded, for example, fire resistance and compressive strength compared to traditional mycelium-based composites, as well as the increased ability of the bacteria to homogeneously distribute and exist in unfavorable environments compared to mono-cultured bacterial communities.

Migrating reefs, unprecedented species assemblages, neophytes, toxicities, pollutants, aquatic ruins – The future of coral reefs in the Anthropocene is likely to look different from anything we have experienced so far. While the classic conservation debate on coral reef restoration still treats these ecosystems as “sick patients,” a radically different view of convivial conservation is beginning to challenge exclusive human control over these endangered habitats. Putting aside notions of natural “purity” and adopting a much more humble and highly interconnected perspective on marine habitats, we can begin to see reefs as transformative, sympoïetic and blasted seascapes for a convivial future. The discipline of biodesign has been primarily focussed on researching ecological relationships with regard to new materials and products. The emerging interest in shaping the multi-layered ecological relationships of habitats for other-than-human lives, however, is steering design practice towards terraforming or, in the case of marine environments, “aquaforming.” This paper argues for taking convivial conservation practices in marine environments as a starting point for the development of a new design methodology that focuses on the design of living systems in open environments: a proposed methodology called Sympoïetic Design.

Synthetic textiles, such as polyester, are resistant to natural degradation and constitute approximately 65% of global circulating textile fibers, posing a significant environmental challenge due to their persistence in ecosystems. The global textile industry is responsible for nearly 10% of total global carbon emissions annually and increasing environmental waste. One emerging solution to the industry’s negative environmental impacts is bio-based textile materials that are biodegradable and low-carbon to reduce dependencies on petroleum oil. This paper presents the evolutionary design journey and novel development of earth- and bio-based wearable textiles, coined as BioMud Fabrics, which consist entirely of geo- and bio-based materials. The qualitative and quantitative research-by-design methodological toolkit includes material characterization analysis, microstructural analysis using scanning electron microscopy (SEM) and macro-scale structural characterization using tearing tests following ASTM D5587. The developed fabrics were then applied in a series of speculative design demonstrations with fashion design serving as a central case study. This research uniquely combines material science and engineering with exploratory fashion design and architectural practices with the goal of offering radically innovative biomaterials in an effort to shift towards a more circular material paradigm.

Responsive materials can transform their visual appearance in reaction to environmental stimuli. One example of such responsiveness involves the use of plant-based anthocyanins as pH-mediated allochroic pigments. Despite the increasing interest and applications of this pigment, its applications in urban contexts are very limited. By using pH-mediated colour change as a phenomenon to trial a colourimetric quantitative framework, this study seeks to bridge smart material design with colour science approaches to enable future scale-up applications. The colour values of anthocyanins immobilised in sodium alginate-based hydrogel discs and yarns were measured in response to varying pH values. The colourimetric measurements in CIELAB colour space provided a device for setting independent colour values that demonstrated a clear pattern across the pH range of 1–12. The colour difference (ΔE00) of mean colour values was perceivably different across the pH scale, with a minimum value of 2.7. Key variables of the process have been summarised, and their relationships have been discussed. Finally, a proof-of-concept small-scale textile prototype encompassing anthocyanin-laden hydrogel yarns was developed. The findings of this study contribute towards the integration of non-destructive means of colour measurement as a quantitative tool for biochemical process evaluation.

BioForms integrates sacrificial formworks, agent-based computational algorithms and biological growth in the generation of biodegradable internal wall panel systems. These wall panel systems are intended to minimize material waste, utilize local botany and generate a symbiosis between the artificially made and the naturally grown. This is achieved by utilizing local waste as a structural compressive core, mycelium as the binder, and recycled pellets as the architectural skin. Leveraging mycelium’s structural, acoustic and thermal properties, this exploration delves into unique methods of incorporating fungi and waste into architectural construction. The motivations for this research stem from the need to address the building industry’s contribution to climate change, by considering the lifecycle of our materials. BioForms aims to retrofit existing buildings by replacing foam insulation and MDF (medium-density fiberboard) wall panels with biodegradable and recyclable 3D-printed skins embedded with a mycelium core. Analysing mycelium’s reaction to BioForms I, the second iteration, BioForms II, evolves in design complexity and materiality. BioForms II explored robotically fabricated wood-based polylactic acid plastic (PLA) composite materials. Within the second iteration of this research stream, mycelia was both embedded within the compressed fabricated skins and on the external surface. Whilst BioForms explored the generation of biodegradable wall panel systems, the broader aims of this research is aimed at infiltrating biological matter into human-occupied spaces, completely omitting the use of synthetic building materials within the construction industry and advancing the architects relationship to nature in the generation of form.

Combining tradition and innovation, timber plays essential roles in building structures for architecture and engineering. Tree branching geometries and timber in its natural state often serve as sources of inspiration. However, the mechanical properties of naturally grown timber, inherently inconsistent and geometrically varied, remain insufficiently studied, particularly for construction and simulations. This knowledge gap perpetuates the prevalent use of straight, uniformly harvested timber while neglecting curved and bifurcated elements with smaller cross-sections.

This research investigates the potential of naturally grown timber in structural design, emphasizing the importance of understanding the natural characteristics and growth patterns of trees to optimize timber use. The developed methodology leverages noninvasive technologies, such as computerized tomography (CT), to precisely capture the geometrical and material properties of wood. These data sources are then integrated to visualize cross-sectional geometries and material properties, forming the basis for our analytical approach. Utilizing generalized scaled boundary isogeometric analysis, the methodology enhances the accuracy and efficiency of simulations, aligning structural design with natural growth principles. This approach not only fosters sustainable resource practices by promoting the use of major tree parts but also transforms discarded materials into valuable resources. The paper concludes with a demonstration of this methodology applied in a practical construction scenario.

Biodesign is emerging as a radical design approach with great potential for the ecological turn, finally endorsed by some first academic courses providing designers with hybrid skills to embrace scientific disciplines. However, the resulting professional figure, the biodesigner, still needs to be better defined in the academic and grey literature, also considering the different and multiple facets that working between design and science may entail. This study presents four case studies of research through design (RTD), addressed by the author as an autoethnographic form of inquiry to clarify the roles a biodesigner could assume, emphasising the differences in methods, tools and workplaces, which inevitably affect the Biodesign outcomes. The author analyses her role as a biodesigner and designer in lab, working in teams and environments requiring different degrees of interdisciplinarity. Far from adopting a speculative approach, the RTDs focus on sustainable Material Design and Biodesign solutions that might be feasible in the short run, aiming to test the designer’s abilities in enriching scientific research and investigating the role and contribution designers can play in scientific contexts of different intensities. The study demonstrates the possibility of a reciprocal knowledge transfer between design and science, highlighting the potential of the designerly way of knowing in bringing innovation to the scientific field.