This article aims to analyze traces of Aztec cultural memory recorded in sixteenth-century cultural sources of Central Mexico. It is a study of the particular case of an Aztec hero named Tlacahuepan, whose glorious death was commemorated in many songs and chronicles. The texts in question reveal highly symbolic language, as well as clearly established narrative patterns. The study of their discursive tools can cast considerable light on the ideological background that underlies the oral tradition on which these stories have been based. It can also contribute to a better understanding of the methods and strategies employed by the Aztecs to memorize the past and explain the present.

This article recounts the story of the Seventh-day Adventists’ success in Puno, Peru, between 1900 and 1925, from a grassroots perspective. Retracing the footsteps of prominent indigenous converts, the article presents the discovery that most of the church's native leaders were army veterans. These men had spent years away from their communities and, upon their return, discovered the numerous challenges of reintegration into rural society. In almost every aspect of communal life, veterans encountered obstacles to their reintegration: their lands had been usurped, they lacked the necessary social and political outreach, and they were ridiculed and marginalized because of the cultural—apparently mestizo—habits and practices they had adopted while away. In their quest for alternatives, these veterans left the Catholic Church and converted to Seventh-day Adventism. Conversion, I argue, offered an answer to the difficulties of their reintegration. It provided new opportunities for social and economic mobility and possibilities for veterans to reinterpret their Indian racial identity in a way that would include the seemingly mestizo traits they had adopted while in the barracks and on the coast. Thus, this paper sheds light on how religious conversion served to ameliorate some of the difficulties that veterans faced as they attempted to re-enter rural life.

This article discusses the role played by the production of sugar and cane liquor (aguardente) in the seventeenth and early eighteenth-century Amazon region. It shows how the development of sugar production had a double significance: sugar plantations had to produce a commodity that could be exported so as to generate revenues for the Royal Treasury, but they also had to produce aguardente for domestic consumption (including by those Indians who worked for the Portuguese). This domestic production provoked distrust on the part of the Crown, since it was believed to threaten sugar production overall. Nevertheless, aguardente production became a central element in the Portuguese dominion of the sertões (or sertão, the hinterland), while continuing to increase the revenues of the royal treasury.

In 1912, a small department store called Harrods opened in Buenos Aires, one that by the 1920s expanded to almost a city block. Although named after the founder of the London store, the manager of Harrods London, Richard Burbidge, his son Woodman, and a few board members planned the purchase of land and opened the business, and then presented it to the entire London board. Unfamiliar with Buenos Aires, believing that women consumed more than men, and presuming that upper-class women there had the same consumer desires of those in England, the store opened catering to the upper-class female population and focused on readymade dresses. And, to the great surprise of the local manager, women of all classes did not want these dresses because they preferred to purchase cloth and take it to their dressmakers.

The dilemma facing Harrods Buenos Aires, detailed in company reports in the archive of Harrods London and in scans of Buenos Aires Harrods archives in the possession of British bookseller Jennifer Wilton-Williams, show that sales reports, rather than studies of the Argentine market like those published by the US Department of Commerce, shaped the new department store's response. Until the 1940s, Harrods Buenos Aires focused on the sale of less expensive articles that came from its dining room, its cosmetics department, and infants’ and children's clothing. Furthermore, employees purchased more than 40 percent of the clothing. Originally imagined as the flagship of the upper-class female shopper, it ended up as a store for the middle class, especially women who bought gifts and enjoyed being seen in the dining room. It closed in 1998.

This article examines the early history of the Hospital de San Hipólito in Mexico City, which delivered charitable care and basic medical services to a vulnerable category of colonial subjects known as “pobres dementes,” or mad paupers. In spite of the vast and robust literature on the history of madness and its institutions, surprisingly little is known about this institution, which, founded in 1567, holds a claim to being the first hospital of the Americas to specialize in the care and custody of the mentally disturbed. The article draws on archival sources and biographies of the hospital's founder to reconstruct San Hipólito's origins, activities, patient population, and interior life. It asks how the hospital registered the transfer and adaptation of institutions, ideas, and practices from the Old World to the New. It argues, ultimately, that San Hipólito served as an imperfect tool of colonial governance—and that it did so less through exerting control over a multiracial, recalcitrant, and marginal group of colonial society than through the reproduction of charitable practices and ideas that lent legitimacy to Catholicism and Hapsburg models of paternal authority.

Over the course of the sixteenth century in Mexico (New Spain), alphabetic writing replaced pictography as the chosen form of written expression in indigenous communities. A new social role, that of the native language escribano (notary), emerged, eventually to become a principal cultural broker in the colonial period. Despite the indigenous escribano's importance, his origins and the source of his authority within the native sphere are poorly understood. This article offers a close reading of a corpus of hybrid pictographic-alphabetic documents, written in Nahuatl and created between 1553 and 1572 in the indigenous cabildo (town council) of Mexico-Tenochtitlan. Within this important body, escribanos appear early in the documentary record; it was within the established indigenous ecosystem of governance that escribanos first found a niche.

Here, pictography flourished, as did performances unique to the indigenous sphere. The corpus reveals how escribanos worked side by side with indigenous tlahcuilohqueh, or painters, who drew on a long-established tradition of manuscript painting and cartography to create property maps. These maps adhered to established codes, both social and visual. Initially preeminent in itself, the work of the tlahcuilohqueh came to supply meaning and public authority to the work of the escribano in this crucial formative period.

This article examines the sylvan political ecology of late colonial New Spain and the colonial government's attempt to address deforestation through the Council on Forests, the first body in the kingdom's history dedicated to the conservation of natural resources. Drawing primarily from the corpus of documents produced by and remitted to the council, this article gives a trans-regional perspective on colonial forest use and argues that the Spanish crown's usurpation of indigenous communities’ eminent domain over forests was the first step in a process that over centuries progressively severed the cultural ties that bound communities and forests by converting common-pool resources into open-access commons. The catastrophic mortality of the Spanish invasion was the second step, which rendered conservation measures seemingly unnecessary among both woodcutters and officials. But it was during the eighteenth century that older Habsburg notions of protectionism intersected with economic and political changes associated with Bourbon rule to further compel this cultural severance. While previous works have studied the ecological impacts of mining, ranching, and flood control, this article moves beyond the study of a single industry to suggest some of the larger ecological consequences of Spanish colonialism.

This article investigates the use of coca by the Bolivian Army during the Chaco War of 1932–35. I present research that reveals the surprising extent to which the Bolivian Army provisioned coca to its soldiers as a substitute for adequate nutrition; as a morale booster; as a stimulant; and as a medicine. The article explores the social and cultural implications of mass coca consumption by Bolivian soldiers, many of whom were mestizos who had never before chewed the leaf. Ultimately, I argue that the pervasiveness of coca within the traumatic popular experience of the Chaco War sowed the seeds of a historic transformation of the politics of coca in Bolivia. The Chaco War initiated a process by which coca in Bolivia was transformed from a neo-colonial marker of the Indian caste to a material and symbolic element of an emergent interethnic working class. Through a comparative analysis of the Bolivian army's use of coca in the Chaco War with the German army's use of methamphetamine during World War II, this article concludes with a consideration of the ways in which the present case study expands our understanding of the crucial but under-studied historical relationship between drugs and warfare.

In 1941, the well-known international Cold War actor Serafino Romualdi traveled to South America for the first time. As a representative of the New York-based Mazzini Society, Romualdi sought to grow a robust anti-fascist movement among South America's Italian communities, finding the most success in Uruguay. As Romualdi conducted his tour of South America, he began writing a series of reports on local fascist activities, which caught the attention of officials at the Office of the Coordinator for Inter-American Affairs (OCIAA), a US government agency under the direction of Nelson Rockefeller. The OCIAA would eventually tap Romualdi and his growing connections in South America to gather intelligence concerning Italian and German influence in the region. This investigation sheds light on the critical function that Romualdi and his associates played in helping the US government to construct the initial scaffolding necessary to orchestrate various strategies under the umbrella of OCIAA-sponsored cultural diplomacy. Despite his limited success with Italian anti-fascist groups in Latin America, Romualdi's experience in the region during the early 1940s primed him to become an effective agent for the US government with a shrewd understanding of the value in shaping local labor movements during the Cold War.

The jíbaro—the emblematic figure of Puerto Rico—has long been at the center of the archipelago's political and professional discussions. Building on the work of scholars who have traced the jíbaro's history, this article complicates the tension between the politically nationalistic definition of humble jíbaros working in the countryside and scientific observations of jíbaros within the confines of the criminal-legal system. By the mid twentieth century, mainstream understandings of jíbaros were increasingly fashioned by psychiatry, social science, and social work, all of which connected jíbaros to other rural identities. These projections of the jíbaro powerfully materialized in Puerto Rico's premier biosocial laboratory, the Insular Penitentiary at Río Piedras (popularly known as Oso Blanco). An analysis of the work of penitentiary psychiatrists and social health professionals with prison inmates reveals a more complex, troubling image of redeemable Puerto Rican men with rural roots and sensibilities than the idyllic representations of jíbaros circulating at the time suggest. Oso Blanco health practitioners pathologized the jíbaro to identify and mend his perceived psychosocial shortcomings, and to diminish any defiance he harbored. In so doing, they reinforced the notion that jíbaros were racialized living artifacts central to colonial-populist designs and constituency-building.

Founded in 1947 by a Catholic priest, Acción Cultural Popular (ACPO) was a pioneer in radio education. Offering a radio station (Radio Sutatenza), study manuals, and a newspaper, ACPO provided basic education and encouraged campesinos to seek personal development and to “vivir mejor”--to live better. From 1947 to 1994, it attracted over four million subscribers and became a model in 13 Latin American countries. In this article I show how ACPO's approach to rural development and communication style evolved between 1960 and 1980. As a consequence of technological, economic, and cultural developments, Radio Sutatenza, a station with a more or less captive audience of illiterate peasants, changed as it was forced to respond to rural Colombians’ shifting aspirations and competition from commercial radio. While the organization's founding principles remained constant throughout this period, its articulation of what it meant to “live better” changed over time, reflecting the struggles of a religious organization to remain relevant in a rapidly changing world. While ACPO saw itself as the bearer of modernity, it was often confronted by independent processes of change already occurring in rural communities.

This article analyzes in depth the history of Petrona, an enslaved woman sold in Santa Fe (Argentina), sent to Buenos Aires and later possibly to Montevideo (Uruguay). By reconstructing her case, the article demonstrates how the legal status of enslaved persons was affected by the redefinitions of jurisdictions and by the forced or voluntary crossings between political units. This study also shows the circulation and uses of the Free Womb law in Argentina and Uruguay and traces legal experts’ debates over its meaning. At the same time, it reflects on the knowledge enslaved people had of those abolitionist norms and how they used them to resist forced relocations, attempt favorable migrations, or achieve full freedom. The article crosses analytical dimensions and historiographies—legal, social, and political— and articulates them by reflecting more broadly on these factors: the impact of the revolution of independence on enslaved persons’ lives, the scarce circulation of abolitionist public discourse in Río de la Plata, the gendered bias of the process, and the central yet untold uses of antislavery rhetoric in the national narratives.

The year 1976 was a violent one in Nicaragua. In an effort to quash the Sandinista guerrillas, the dictator Anastasio Somoza Debayle had declared a state of siege, suspending constitutional guarantees, muzzling the press, and unleashing the Guardia Nacional. Despite the dangers of dissent, thousands of students across the country walked off their secondary school campuses that year to protest poor funding, inept teachers, and oppressive administrators. This article examines this series of strikes to uncover the ways in which teenagers managed to organize their schools and communities in spite of the repression that marked the final years of the Somoza regime. Analyzing student documents, Ministry of Education records, and newspaper reports, this article argues that in the context of a decades-long dictatorship, student demands for more democratic schools opened a relatively safe pathway for cross-generational activism that forced concessions from the Somoza regime. By the 1970s, secondary schools had come to reflect the state's authoritarianism and mismanagement, and widespread educational deficiencies brought students and parents together in a joint project to demand better schools. Battles over the quality of education, thus, showcased the power of an organized citizenry and laid the groundwork for the revolutionary mobilizations that were to come.

This article analyzes the impact that religion had on the act of lynching and its legitimation in postrevolutionary Mexico. Basing its argument on the examination of several cases of lynching that took place after the religiously motivated Cristero War had ended, the article argues that the profanation of religious objects and precincts revered by Catholics, the propagation of conservative and reactionary ideologies among Catholic believers, and parish priests’ implicit or explicit endorsement of belligerent forms of Catholic activism all contributed to the perpetuation of lynching from the 1930s through the 1950s. Taking together, these three factors point at the relationship between violence and the material, symbolic, and political dimensions of Catholics’ religious experience in postrevolutionary Mexico. The fact that lynching continued well into the 1940s and 1950s, when Mexican authorities and the Catholic hierarchy reached a closer, even collaborative relationship, shows the modus vivendi between state and Church did not bring an end to religious violence in Mexico. This continuity in lynching also illuminates the centrality that popular – as opposed to official or institutional - strands of Catholicism had in construing the use of violence as a legitimate means to defend religious beliefs and symbols, and protect the social and political orders associated with Catholic religion at the local level. Victims of religiously motivated lynchings included blasphemous and anticlerical individuals, people that endorsed socialist and communist ideas, as well as people that professed Protestant beliefs and practices.

This article traces resistance among members of the armed forces who opposed the military dictatorship in Brazil during the first four years of the regime, 1964–67. I show that despite scholars’ efforts to depict the 1964 coup as a project supported by the armed forces as a strategic and ideological unit, there were battle lines within those forces along which hard-liners and moderate interventionists battled for government control. There were, in fact, hundreds of officers and soldiers who opposed the coup and organized against it. To contain resistance efforts inside the armed forces, the generals who orchestrated the coup labeled opponents to intervention as communists and expelled them from the institution, in many cases under considerable duress. This article discusses the first opposition efforts of officers and soldiers, particularly the Nationalist Armed Resistance (RAN) and the Caparaó Guerrilla Movement. Members of the military who were opposed to the coup shared an anti-interventionism and nationalism that united them against the regime. After 1964, their efforts to oppose military interventionism, previously carried out inside the military barracks, became the fight of all its opponents, members of the armed forces and civilians alike.

This article analyzes a 1969 education reform in Mexico that resulted in the closure of 14 of the then 29 escuelas normales rurales (rural teacher-training colleges) and the annihilation of their internal student organizing structures. I argue that the reform was politically motivated and impelled by the anxieties produced by student politics in the Cold War era. I show also how the Secretaría de Educación Pública (SEP) participated in the authoritarian surveillance of students during the presidency of Díaz Ordaz and in a long campaign to delegitimize the Federación de Estudiantes Campesinos Socialistas de México (FECSM), the federation that united the students from these schools.

The Cartilla para enseñar a leer (1569), attributed to Flemish Franciscan Pedro de Gante, was one of the most important primers from the early years of the viceroyalty of New Spain. Nevertheless, the primer's importance during the process of cultural contact has been largely ignored. As did other primers of the period, the Cartilla contained the most important prayers, but what sets the Cartilla aside is that its selection of prayers is presented in a trilingual version, in Castilian, Latin, and Nahuatl. The content of the Cartilla invites the question as to why Gante, a missionary focused on writing doctrinal works in Nahuatl, would compose a primer that is trilingual, but raises another that is perhaps more perplexing: Why were most of the prayers in Castilian? In this article, I intend to shed a light on Gante's decision to create a complex tool that could be employed by a mixed audience of Castilian, creole, mestizo and Nahua children. By doing this, Gante unwittingly started a process of cultural contact in which language played a pivotal role. The Cartilla thus presents itself as a multifaceted tool that helped shaped the culture of the Basin of Mexico during the early years of the viceroyalty.