This paper presents both distributional and acoustic phonetic evidence for iambic stress in Tetsǫ́t'ıné (ISO: CHP), a Dene (Athapaskan) language with contrastive vowel length and four contrastive tones. In our acoustic study, we find that the primary correlate of stress in Tetsǫ́t'ıné is duration, whereas intensity plays a secondary but statistically significant role. There was no statistically significant effect on F0 in our results. We discuss our results in relation to several proposals regarding the typology of stress systems. Based on the Functional Load Hypothesis (Berinstein 1979) and Dispersion Theory (Flemming 1995, 2001), we find that our results are to some extent unexpected. We suggest that our results are most consistent with the Iambic–Trochaic Law (Hayes 1995), which predicts that iambic stress systems prefer to use duration as their primary stress correlate.

This paper develops a theory of footing in Harmonic Serialism (HS; Prince & Smolensky 1993/2004; McCarthy 2000, 2016) where Con contains only directionally evaluated constraints (Eisner 2000, 2002; Lamont 2019, 2022a, 2022b). Directional constraints harmonically order candidates by the location of violations rather than the total number of violations. A central result of adopting directional evaluation is that the constraint Parse($\sigma$) not only motivates iterative footing but also determines where feet surface. This obviates the need for alignment constraints (McCarthy & Prince 1993; McCarthy 2003; Hyde 2012a, 2016), which determine where feet are parsed in HS with constraints that count loci (Pruitt 2010, 2012). The theory uses fewer constraints, is empirically adequate, and makes more restrictive predictions than HS with counting constraints and parallel Optimality Theory (Prince & Smolensky 1993/2004) with directional constraints.

Primary word stress is typologically diverse. In some languages, the metrical structure of a word predicts the location of primary stress, while in other languages it does not. This diversity is considered through the lens of Harmonic Serialism (HS), a serial constraint-based theory, and it is argued that HS must incorporate a limited degree of parallelism to capture the typology. Namely, primary-stress assignment is simultaneous with foot-building and also mobile, being (re)assessed throughout a metrical derivation. But incorporating this parallelism into HS is both possible and desirable: the positive typological consequences of HS are preserved, and the implied formal divergence between the prosodic word and the foot with respect to parallelism echoes a fundamental distinction that is visible in a wide range of extant theoretical and empirical findings.

This paper argues that tone-driven epenthesis is possible in tonal languages. In Wamey, an epenthetic [ə] is inserted to host a high tone in two contexts: first, to host a tone which would otherwise be left floating due to a restriction on rising tones (/cv̀cⒽ/ maps to [cv̀cə́] due to a ban *[cv̌c]); and second, to host a tone which is introduced by word-level morphology but is restricted from associating across a stem boundary. These patterns cannot be attributed to syllable phonotactics, which freely allow all consonants in the coda position. We assemble the evidence for tone-driven epenthesis, focusing on the distribution of final [ə] in lexical stem structure and [ə]-alternating suffixes. A simple OT analysis derives [ə]-epenthesis, utilising common constraints (e.g. *Rise, OCP(H), etc.) together with constraints against associating tone across prosodic boundaries. In total, Wamey epenthesis exemplifies the cultivation of segmental environments for the purpose of realising pitch targets.