Luxurious dress and jewelry were important in public self-representation in Perso-Anatolian and Etruscan cultures. What distinguishes jewelry use in these societies is that jewelry was equally significant for elite males as it was for females. In fact, most of the visual evidence for jewelry in the East comes from ornaments worn by soldiers, court officials, and kings. Persian, Anatolian, and Lydian women are rarely represented in the surviving art, making it unusually difficult to reconstruct the jewelry styles and types they favored. Etruscan men, too, showed themselves with rings, bracelets and armbands, necklaces, and earrings. This chapter examines the male adoption of jewelry and explores the meanings of personal ornaments in both cultures.

Little thought per se has been given to women as agents of violence in antiquity, let alone to the role of the royal harem as the site of revenge-fuelled violence and murder. This chapter addresses this gap by exploring how royal women in the Persian Empire could be instruments of violence. While acknowledging the Greek obsession with this topos, it goes beyond the Western preoccupation with the harem as a site of Oriental decadence and attempts to put stories of women’s violence against women into its ancient Near Eastern context. It explores the mutilation of the body and is particularly focused on the Herodotean tale (which has genuine Persian roots) of the revenge mutilations of Amestris, wife of Xerxes I.