Set in the midst of the quotidian anti-Black terrorism that circumscribed Black life in Jim Crow America, the HBO series Lovecraft Country seamlessly combines Black history and graphic horror to tell a story through a distinctly Black creative and reflective lens. A reading of the journey of Hippolyta Freeman in episode 7, “I Am,” reveals how the means of embodiment, speculative fiction, and elements of Black feminist Afrofuturism are used as a fulcrum to shift the critical weight away from the grim reality of oppression and towards the possibility of escape and liberation. The episode offers a revolutionary representation of the Black body as a conduit for self-discovery, a tool for circumventing anti-Blackness, and ultimately a vehicle for affirming a broader spectrum of Black aliveness that reverberates far beyond the realm of speculative fiction.

General Faidherbe founded the École normale William Ponty in Saint-Louis to train the sons of colonial chiefs and assimilate them in French culture. In the early twentieth century, the school was moved from Saint-Louis to Gorée, then to Sébikotane, just beyond Rufisque. During the colonial era, the school educated many African students hailing from all over Afrique-Occidentale Française, several of whom went on to lead their countries into independence and became their first presidents. President Abdoulaye Wade was one of the Ponty students. This chapter examines Wade’s initiative to establish the University of the African Future on the same site where the ruins of the Ponty School stand today. It looks at the architecture of the campus, the envisioned curriculum, and its stated aim to stop the brain drain from Africa. Conceived as a Pan-African institution, the university was placed alongside the Ponty School as its postcolonial incarnation. However, as the funding for the project fell through due to changing international politics, the site now houses the ruins of two educational infrastructures standing side by side. This chapter examines how both infrastructures were conceived as Afro-utopias and generated Afro-nostalgia for futures to come.