The work of modernist poet and visual artist David Jones provides a retrospective vantage of the central claims of Liturgy, Ritual, and Secularization in Nineteenth-Century British Literature. Jones saw the nineteenth century as a moment of breakage with the past. This rupture, according to Jones, threatens the work of the artist by depleting the sacramental meaning of reality – that is, the ability of concrete things to signify unseen spiritual depths. In both a dramatic biographical encounter with the Mass during his time on the front lines of World War I and in his subsequent art and poetry, Jones turns to liturgical forms to confront the breakage that began in the nineteenth century. Viewed from Jones’s perspective, the Romantic and Victorian interest in liturgy takes on new significance for the overarching genealogy of modernity and secularization. These liturgical fascinations intervene in – and resist – the long story of modernity’s separation of the material and spiritual, the natural and supernatural.

In Chapter 4, the third case study investigates how martyrdom discourse was deployed by Sikhs during World War I. It begins with an analysis of the social and cultural situation at the turn of the twentieth century in Punjab, from where the majority of Sikh sepoys hailed, and the resulting relationships with the imperialist British Raj. After examining the socioeconomic conditions that led Sikhs to enlist in the British Indian Army, I discuss how a military mindset constructed a particular idea of Sikh character. The chapter proceeds with an analysis of Sikh traditions of martyrdom and the way the British Empire was colored as a prophesized entity, and therefore actions in its service construed as a sacred duty. Simultaneously, I describe the antagonism felt for the British Empire by emigrant Sikh communities especially in North America, creating a bifurcation of perspectives reflected in approval or dismissal of the self-sacrifice of Sikh soldiers and the creation of anticolonial martyr forms. The chapter concludes with an examination of how the failed promises of the British government following the war marginalized those Sikh martyrs who fell in their ranks during World War I.

In December 1916, in the winter snow of New York State, while Americans busied themselves with Christmas shopping and prepared festivities, a skinny twelve-year-old boy, poorly dressed and in ragged shoes, shouted at the top of his lungs: “Buy a Mirror fer a kid in France!” Every evening after school, James Prendergast Jackson Jr. stood on a street corner and sold copies of the newspaper to earn enough money to sponsor a French child whose father had been killed in the war in France. One of six children in a working-class family, James was determined to assist a child across the ocean who, as he had learned in school, desperately needed food and clothing. Ten cents each day would secure those necessities, and James promised himself he would get those 10 cents selling newspapers. He sold seventy copies of the paper a day, for which he earned 35 cents. From Greenville, New York, James wrote to the secretary of the Junior Committee of the Fatherless Children of France Society (FCFS) – the Franco-American organization matching American “godparents” with French children whose fathers had been killed in the war – and announced his intention of “adopting” a brother in France. With candor and determination, James announced his choice of child to support with his earnings: “I wood like a boy between ten and twelve if it is the same to you.” Attached to the letter was 85 cents that he had been given for his birthday. James was assigned André Leblanc, aged eleven, rue Dautancourt, Paris.

No foreign humanitarian organization garnered more support from Americans during (and after) World War I than did the Fatherless Children of France Society. From New York City, the Franco-American private philanthropic organization rapidly raised a wave of humanitarian response for the children of France’s war dead, doing so through strategic communication and tireless networking. Members of the FCFS toured US cities, states, and territories, opening chapters and addressing assembled crowds, constantly collecting funds. Speakers vividly described the plight of starving babies in devastated France and invited those who had witnessed the trauma of children to testify. Much of the campaigning was done by women representing local committees. Americans were offered a choice on how to spend their humanitarian dollars. From the moment they became sponsors, they could be involved in the process of selecting their orphans. Most importantly, the FCFS reached the wealthy, middle, and working classes alike. In involving school children, laborers, and members of churches, clubs, and associations, the FCFS encouraged a spirit of cooperative – and sometimes competitive – humanitarianism. As a result, the FCFS mobilized large sections of US society to “adopt” some 300,000 French children who were victims of war and kept the aid flowing from 1915 to 1921.

This second historical chapter provides some important episodes in ICRC history between about 1910 (the death of both Dunant and Moynier) and the end of the Cold War (which is when the rest of the book takes off). Thus the chapter introduces the ICRC through a selected review of its history, emphasizing: the development of international humanitarian law and the global Red Cross network, helping to apply that law and Red Cross Fundamental Principles through assistance and protection in the field, and related activities such as protection of political prisoners. All of this sets the stage for a close analysis of the ICRC since the end of the Cold War and particularly since about 2012. If one wants to know if the ICRC is now in demise, one needs a picture of what it was and did in the past.

This chapter examines the response of five prominent Swedish economists, David Davidson, Gustav Cassel, Eli Heckscher, Knut Wicksell and Bertil Ohlin, to John Maynard Keynes’s The Economic Consequences of the Peace and to the German reparations in the 1920s. When Keynes’s book appeared, Davidson and Cassel strongly endorsed it. Heckscher also agreed with Keynes in a long review entitled “Too Bad to Be True”. Inspired by his Malthusian view, Wicksell found the reparations feasible if only German population growth was arrested. The contacts between the Swedes and Keynes became close after Keynes’s book, in particular between Cassel and Keynes. The exchange of views took a new turn when Bertil Ohlin responded to an article by Keynes in The Economic Journal in 1929 on the transfer problem. The famous Keynes–Ohlin discussion laid the foundation for the analysis of the transfer problem, bringing Ohlin international recognition. We also trace how Davidson, Cassel and Heckscher changed their appreciation of Keynes in the 1930s with the publication of the General Theory while Ohlin viewed the message of Keynes in the 1930s as consistent with the policy views of the Stockholm school of economics.

Just over a century old, John Maynard Keynes’s The Economic Consequences of the Peace (1919) remains a seminal document of the twentieth century. At the time, the book was a prescient analysis of political events to come. In the decades that followed, this still controversial text became an essential ingredient in the unfolding of history. In this essay, we review the arc of experience since 1919 from the perspective of Keynes’s influence and his changing understanding of economics, politics, and geopolitics. We identify how he, his ideas, and this text became key reference points during times of turbulence as actors sought to manage a range of shocks. Near the end of his life, Keynes would play a central role in planning the world economy’s reconstruction after World War II. We argue that the “global order” that evolved since then, marked by increasingly polarized societies, leaves the community of nations ill prepared to provide key global public goods or to counter critical collective threats.

In Chapter 4, I address humanism as a moral foundation for capitalism by discussing the lives and writings of Karl Polanyi and John Maynard Keynes. The narrowing of political economy by nineteenth-century classical economists was challenged on two fronts. Some economists fought to maintain a broad social and moral perspective, but some economists turned the narrowing theory of classical economists into a stinging rebuke of capitalism itself. I begin by discussing the rising influence of humanism in the twentieth century. Next, I discuss the Hungarian-Austrian political economist Karl Polanyi and his critique of capitalism based on humanism. Although he was initially attracted to Marx’s moral critique, Polanyi eventually rejected Marxism on similar grounds as Tawney. In his search for a moral foundation for capitalism, Polanyi rediscovered the moral theory behind Adam Smith’s writings. I then discuss the British political economist John Maynard Keynes. Similar to Polanyi, Keynes rejected the narrow utilitarianism of both Marx and the classical economists in forming his moral foundation for capitalism based on responsibility and duty. This sets up a discussion of humanism as a moral foundation for capitalism based on Polanyi’s and Keynes’s seminal works.

Bonds’s setting of the Du Bois Credo continues and extends the series of musical appeals for racial justice that had led to The Montgomery Variations, just as the revised version of Credo published at the head of his first autobiography, Darkwater: Voices from within the Veil, in 1920 extends the ideas that had led to the original 1904 version of Du Bois’s text. This chapter frames both the Du Bois Credo and Bonds’s musical setting thereof as articulations of the themes and issues of the works’ respective biographical contexts and, taken together, a dyadic lens into their creators’ perspectives on the societal upheavals of the most turbulent years of the twentieth century. Then, after demonstrating why, and how, the Credo was effectively silenced during Margaret Bonds’s lifetime despite its obvious importance, timeliness, and musical genius – including conversation with the publisher who insisted that the work could not be published unless its text were altered – the chapter closes by exploring the work’s first posthumous performances and documenting the ringing endorsement of Shirley Graham Du Bois, widow of the poet, for this “work of art that is eternal.”

The First World War was a fundamental watershed in the history of Europe and the world, causing deep and long-lasting shifts in politics, society, the economy, and the cultural sphere. The human costs were enormous. More than 70 million soldiers were mobilized between 1914 and 1918, of whom up to 9.3 million died. Many more were hurt and often had to live with their injuries and psychological scars for the rest of their lives. The civilian casualties were unprecedented, too: almost 8 million non-combatants fell victim to the direct and indirect consequences of the war, including displacement, captivity, and forced labor, but also starvation and epidemics. The experience of loss and destruction, of economic decline and social deprivation, traumatized whole generations for many years to come.