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A series of monographs on all aspects of classical learning: literature, philosophy, history and archaeology. Most of the books arise from work done at Cambridge University.
General Editors:
J. P. T. Clackson, University of Cambridge,
G. Betegh, University of Cambridge,
S. P. Oakley, University of Cambridge,
R. G. Osborne, University of Cambridge,
M. J. Squire, University of Cambridge,
C. Vout, University of Cambridge,
T. J. G. Whitmarsh, University of Cambridge
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What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece.
This book argues for a new approach to the intellectual history of the Hellenistic world. Despite the intense cross-cultural interactions which characterised the period after Alexander, studies of 'Hellenistic' intellectual life have tended to focus on Greek scholars and institutions. Where cross-cultural connections have been drawn, it is through borrowing: the Greek adoption of Babylonian astrology; the Egyptian scholar Manetho deploying Greek historiographical models. In this book, however, Kathryn Stevens advances a 'Hellenistic intellectual history' which is cross-cultural in scope and goes beyond borrowing and influence. Drawing on a wide range of Greek and Akkadian sources, she argues that intellectual life in the Greek world and Babylonia can be linked not just through occasional contact and influence, but also by deeper parallels in intellectual culture that reflect their integration into the same overarching imperial system. Tracing such parallels yields intellectual history which is diverse, multipolar and, therefore, truly 'Hellenistic'.
This is the first comprehensive account of the population of classical Athens for almost a century. The methodology of earlier scholars has been criticised in general terms but their conclusions have not been seriously challenged. Ben Akrigg reviews and assesses those methodologies and conclusions for the first time and thereby sets the historical demography of Athens on a firm footing. The main focus is on the economic impact of that demography, but new conclusions are presented which have profound implications for our understanding of Athenian society and culture. The book establishes that the Athenian population grew very large in the fifth century BC, before falling dramatically in the final three decades of that century. These changes had important immediate consequences but the city of the fourth century was shaped in fundamental ways by the demographic upheavals of its past.
This book offers a fresh analysis of the account of Peripatetic ethics in Cicero's On Ends 5, which goes back to the first-century BCE philosopher Antiochus of Ascalon. Georgia Tsouni challenges previous characterisations of Antiochus' philosophical project as 'eclectic' and shows how his reconstruction of the ethics of the 'Old Academy' demonstrates a careful attempt to update the ancient heritage, and predominantly the views of Aristotle and the Peripatos, in the light of contemporary Stoic-led debates. This results in both a hermeneutically complex and a philosophically exciting reading of the old tradition. A case in point is the way Antiochus grounds the 'Old Academic' conception of the happy life in natural appropriation (oikeiosis), thus offering a naturalistic version of Aristotelian ethics.
In this book, Muriel Moser investigates the relationship between the emperors Constantine I and his son Constantius II (AD 312–361) and the senators of Constantinople and Rome. She examines and contextualizes the integration of the social elites of Rome and the Eastern provinces into the imperial system and demonstrates their increased importance for the maintenance of imperial rule in response to political fragility and fragmentation. An in-depth analysis of senatorial careers and imperial legislation is combined with a detailed assessment of the political context - shared rule, the suppression of usurpations, Constantius' use of Constantine's memory. Using a wide range of literary, epigraphic, numismatic, and legal sources, some of which are as yet unpublished, this volume produces significant new readings of the history of the senates in Rome and Constantinople, of the construction of imperial rule and of historical change in Late Antiquity.
In the fifth century BCE, Melissus of Samos developed wildly counterintuitive claims against plurality, change, and the reliability of the senses. This book provides a reconstruction of the preserved textual evidence for his philosophy, along with an interpretation of the form and content of each of his arguments. A close examination of his thought reveals an extraordinary clarity and unity in his method and gives us a unique perspective on how philosophy developed in the fifth century, and how Melissus came to be the most prominent representative of what we now call Eleaticism, the monistic philosophy inaugurated by Parmenides. The rich intellectual climate of Ionian enquiry in which Melissus worked is explored and brought to bear on central questions of the interpretation of his fragments. This volume will appeal to students and scholars of early Greek philosophy, and also those working on historical and medical texts.
From its first adoption of writing at the beginning of the Late Bronze Age, ancient Cyprus was home to distinctive scripts and writing habits, often setting it apart from other areas of the Mediterranean and Near East. This well-illustrated volume is the first to explore the development and importance of Cypriot writing over a period of more than 1,500 years in the second and first millennia BC. Five themed chapters deal with issues ranging from the acquisition of literacy and the adaptation of new writing systems to the visibility of writing and its role in the marking of identities. The agency of Cypriots in shaping the island's literate landscape is given prominence, and an extended consideration of the social context of writing leads to new insights on Cypriot scripts and their users. Cyprus provides a stimulating case to demonstrate the importance of contextualised approaches to the development of writing systems.
Ancient Greek and Roman philosophy is often characterised in terms of competitive individuals debating orally with one another in public arenas. But it also developed over its long history a sense in which philosophers might acknowledge some other particular philosopher or group of philosophers as an authority and offer to that authority explicit intellectual allegiance. This is most obvious in the development after the classical period of the philosophical 'schools' with agreed founders and, most importantly, canonical founding texts. There also developed a tradition of commentary, interpretation, and discussion of texts which itself became a mode of philosophical debate. As time went on, the weight of a growing tradition of reading and appealing to a certain corpus of foundational texts began to shape how later antiquity viewed its philosophical past and also how philosophical debate and inquiry was conducted. In this book leading scholars explore aspects of these important developments.
This book focuses on the development of Platonic philosophy at the hands of Roman writers between the first century BCE and the early fifth century CE. It discusses the interpretation of Plato's Timaeus by Cicero, Apuleius, Calcidius, and Augustine, and examines how these authors created new contexts and settings for the intellectual heritage they received and thereby contributed to the construction of the complex and multifaceted genre of Roman Platonism. It takes advantage of the authors' treatment of Plato's Timaeus as a continuous point of reference to illustrate the individuality and originality of each writer in his engagement with this Greek philosophical text; each chooses a specific vocabulary, methodology, and literary setting for his appropriation of Timaean doctrine. The authors' contributions to the dialogue's history of transmission are shown to have enriched and prolonged the enduring significance of Plato's cosmology.
Propertius re-invents Latin love-elegy in his third collection. Nearly a decade into the Augustan principate, the early counter-cultural impulse of Propertius' first collections was losing its relevance. Challenged by the publication of Horace's Odes, and by the imminent arrival of Virgil's Aeneid, in 23 BCE Propertius produced a radical collection of elegy which critically interrogates elegy's own origins as a genre, and which directly faces off Horatian lyric and Virgilian epic, as part of an ambitious claim to Augustan pre-eminence. But this is no moment of cultural submission. In Book 3, elegy's key themes of love, fidelity, and political independence are rebuilt from the beginning as part of a subtle critique of emerging Augustan mores. This book presents a series of readings of fourteen individual elegies from Propertius Book 3, including nostalgic love poems, an elegiac hymn to Bacchus, and a lament for Marcellus, the recently-dead nephew of Augustus.
In this book, Chad Jorgenson challenges the view that for Plato the good life is one of pure intellection, arguing that his last writings increasingly insist on the capacity of reason to impose measure on our emotions and pleasures. Starting from an account of the ontological, epistemological, and physiological foundations of the tripartition of the soul, he traces the increasing sophistication of Plato's thinking about the nature of pleasure and pain and his developing interest in sciences bearing on physical reality. These theoretical shifts represent a movement away from a conception of human happiness as a purification or flight of the soul from the sensible to the intelligible, as in the Phaedo, towards a focus on the harmony of the individual as a psychosomatic whole under the hegemonic power of reason.
Founded upon more than a century of civil bloodshed, the first imperial regime of ancient Rome, the Principate of Caesar Augustus, looked at Rome's distant and glorious past in order to justify and promote its existence under the disguise of a restoration of the old Republic. In doing so, it used and revisited the history and myth of Rome's major success against external enemies: the wars against Carthage. This book explores the ideological use of Carthage in the most authoritative of the Augustan literary texts, the Aeneid of Virgil. It analyses the ideological portrait of Carthaginians from the middle Republic and the truth-twisting involved in writing about the Punic Wars under the Principate. It also investigates the mirroring between Carthage and Rome in a poem whose primary concern was rather the traumatic memory of Civil War and the subsequent subversion of Rome's Republican institutions through the establishment of Augustus' Principate.
The satirist Juvenal remains one of antiquity's greatest question marks. His Satires entered the mainstream of the classical tradition with nothing more than an uncertain name and a dubious biography to recommend them. Tom Geue argues that the missing author figure is no mere casualty of time's passage, but a startling, concerted effect of the Satires themselves. Scribbling dangerous social critique under a historical maximum of paranoia, Juvenal harnessed this dark energy by wiping all traces of himself - signature, body, biographical snippets, social connections - from his reticent texts. This last major ambassador of a once self-betraying genre took a radical leap into the anonymous. Juvenal and the Poetics of Anonymity tracks this mystifying self-concealment over the whole Juvenalian corpus. Through probing close readings, it shows how important the missing author was to this satire, and how that absence echoes and amplifies the neurotic politics of writing under surveillance.
Keith Hopkins was a sociologist and Professor of Ancient History at Cambridge from 1985 to 2001. He is widely recognised as one of the most radical, innovative and influential Roman historians of his generation. This volume presents fourteen of Hopkins' essays on an impressive range of subjects: contraception, demography, economic history, slavery, literacy, imperial power, Roman religion, Early Christianity, and the social and political structures of the ancient world. The papers have been re-edited and revised with accompanying essays by Hopkins' colleagues, friends and former students. This volume brings Hopkins' work up to date. It sets his distinctive and pioneering use of sociological approaches in a wider intellectual context and explores his lasting impact on the ways that ancient history is now written. This volume will interest all those fascinated by Rome and its empire, and particularly those eager to experience challenging and controversial ways of understanding the past.
This book provides the first edition with an extensive introduction and full commentary of a unique land survey written on papyrus in Greek which derives from that area of southern (Upper) Egypt known as the Apollonopolite (or Edfu) nome and is now preserved in Copenhagen. Dating from the late second century BC, this survey provides a new picture of both landholding and taxation in the area which differs significantly from that currently accepted. The introduction sets this new evidence in its contemporary context, drawing particular attention to what it reveals about the nature of the relations of the Ptolemaic royal administration with local grandees, Egyptian temples and the army. No student of Hellenistic Egypt can afford to ignore this text, which importantly extends our knowledge of Upper Egypt under the Ptolemaic kings and involves some modification to the prevailing picture of landholding in Hellenistic Egypt.
This book demonstrates that we need not choose between seeing so-called Presocratic thinkers as rational philosophers or as religious sages. In particular, it rethinks fundamentally the emergence of systematic epistemology and reflection on speculative inquiry in Hesiod, Xenophanes and Parmenides. Shaul Tor argues that different forms of reasoning, and different models of divine disclosure, play equally integral, harmonious and mutually illuminating roles in early Greek epistemology. Throughout, the book relates these thinkers to their religious, literary and historical surroundings. It is thus also, and inseparably, a study of poetic inspiration, divination, mystery initiation, metempsychosis and other early Greek attitudes to the relations and interactions between mortal and divine. The engagements of early philosophers with such religious attitudes present us with complex combinations of criticisms and creative appropriations. Indeed, the early milestones of philosophical epistemology studied here themselves reflect an essentially theological enterprise and, as such, one aspect of Greek religion.
This book offers a series of studies of the idea and practice of reperformance as it affects ancient lyric poetry and drama. Special attention is paid to the range of phenomena which fall under the heading 'reperformance', to how poets use both the reality and the 'imaginary' of reperformance to create a deep temporal sense in their work and to how audiences use their knowledge of reperformance conditions to interpret what they see and hear. The studies range in scope from Pindar and fifth-century tragedy and comedy to the choral performances and reconstructions of the Imperial Age. All chapters are informed by recent developments in performance studies, and all Greek and Latin is translated.
This book examines a type of object that was widespread and very popular in classical antiquity - votive offerings in the shape of parts of the human body. It collects examples from four principal areas and time periods: Classical Greece, pre-Roman Italy, Roman Gaul and Roman Asia Minor. It uses a compare-and-contrast methodology to highlight differences between these sets of votives, exploring the implications for our understandings of how beliefs about the body changed across classical antiquity. The book also looks at how far these ancient beliefs overlap with, or differ from, modern ideas about the body and its physical and conceptual boundaries. Central themes of the book include illness and healing, bodily fragmentation, human-animal hybridity, transmission and reception of traditions, and the mechanics of personal transformation in religious rituals.
Ascanius is the most prominent child hero in Virgil's Aeneid. He accompanies his father from Troy to Italy and is present from the first book of the epic to the last; he is destined to found the city of Alba Longa and the Julian family to which Caesar and Augustus both belonged; and he hunts, fights, makes speeches, and even makes a joke. In this first book-length study of Virgil's Ascanius, Anne Rogerson demonstrates the importance of this character not just to the Augustan family tree but to the texture and the meaning of the Aeneid. As a figure of prophecy and a symbol both of hopes for the future and of present uncertainties, Ascanius is a fusion of epic and dynastic desires. Compelling close readings of the representation and reception of this understudied character throughout the Aeneid expose the unexpectedly childish qualities of Virgil's heroic epic.
What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.