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From the middle of the eighteenth century, with the growth of travel at home and abroad and the increase in leisure for the wealthier classes, the arts became the subject of more widespread appreciation and discussion. The rapid expansion of book and periodical publishing in this area both reflected and encouraged interest in art and art history among the wider reading public. This series throws light on the development of visual culture and aesthetics. It covers topics from the Grand Tour to the great exhibitions of the nineteenth century, and includes art criticism and biography.

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131 results in Cambridge Library Collection - Art and Architecture

Page 7 of 7

The Life and Letters of Sir John Everett Millais
  • President of the Royal Academy
  • Volume 1
  • John Guille Millais
  • Published online:
    05 May 2013
    Print publication:
    20 September 2012
    First published in:
    1899
  • A prodigiously talented artist, Sir John Everett Millais (1829–96) co-founded the Pre-Raphaelite Brotherhood with Rossetti and others, helping to revolutionise the Victorian art world. The minute realism of paintings like Christ in the House of his Parents, and his high-profile marriage to Ruskin's ex-wife Effie, were gradually accepted, and the iconic Ophelia was widely admired. Success as an illustrator also put him in the public eye, with the engravings market bringing him new wealth. With popularity came a return to more traditional forms in portraiture and landscape, inspired by Reynolds, Velázquez and the Old Masters, although he also played off Whistler and the aesthetic movement. He became president of the Royal Academy in the last year of his life. His son, John Guille Millais (1865–1931), published this highly illustrated and acclaimed two-volume biography in 1899. Volume 1 provides an account of Millais' most influential years up to 1867.

My Autobiography and Reminiscences
  • Further Reminiscences
  • Volume 3
  • William Powell Frith
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1888
  • The celebrated Victorian narrative painter William Powell Frith (1819–1909) was a born raconteur. His two-volume autobiography of 1887 ran to three editions in the same year. The third edition is reissued here, together with its supplementary volume of 1888. Frith was an ideal commentator on his age. He never lost his early interest in literary and historical subjects, and moved in the highest artistic and literary circles. Yet he also saw himself as a man of the people. His most famous works were his 'modern-life' panoramas, Ramsgate Sands (1854), Derby Day (1858) and The Railway Station (1862). Discussing such projects, he reflects on everything from costume to portraiture, art dealers to female artists, and even picture frames. In particular, Volume 3 records the breakdown of the talented Richard Dadd, Frith's admiration for Daniel Maclise, John Tenniel and George du Maurier, and reflections on the vagaries of fashions in art.

Sacred and Legendary Art
  • Volume 1
  • Anna Jameson
  • Published online:
    05 May 2013
    Print publication:
    19 July 2012
    First published in:
    1848
  • Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794–1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 1, which is richly illustrated, covers the literary origins of the legends and surveys the representation of angels and archangels, the Four Evangelists, the Twelve Apostles, the Doctors of the Church, and a number of significant saints, including Mary Magdalene.

Brick and Marble in the Middle Ages
  • Notes of a Tour in the North of Italy
  • George Edmund Street
  • Published online:
    05 May 2013
    Print publication:
    16 August 2012
    First published in:
    1855
  • An architect and architectural theorist, George Edmund Street (1824–81) was one of the key proponents of the 'High Victorian' Gothic style in nineteenth-century Britain. He is best known as the mind behind London's Royal Courts of Justice. Elected an associate of the Royal Academy in 1866, Street became its professor of architecture in 1880. In 1874 he received the gold medal of the Royal Institute of British Architects after John Ruskin declined it, and he served as the Institute's president in 1881. Street's Gothic architecture was influenced by continental examples: this book, first published in 1855, serves as an important source for interpreting his output. It is copiously illustrated, arranged as a travelogue of mostly pointed-arch architecture seen in Italy, and covers exterior and interior elevations, sculptural details, metalwork and furniture.

Remarks on the Architecture of the Middle Ages
  • Especially of Italy
  • Robert Willis
  • Published online:
    05 May 2013
    Print publication:
    12 July 2012
    First published in:
    1835
  • Professor of natural and experimental philosophy at the University of Cambridge, Robert Willis (1800–75) mostly lectured on mechanism, and was elected an honorary member of the Institution of Civil Engineers in 1838. But Willis's interests also included Italian Gothic architecture, and his observations on the style, amassed in 1832–3 while travelling in France, Italy and Germany, were presented in this book, first published in 1835. The work is a pioneering study of Italian Gothic, a mode overlooked by his contemporaries, and key examples are brought together. It places Italian Gothic architecture within a European context and argues that the style represents an evolutionary assemblage of architectural motifs from different places and earlier periods. Willis's narrative refocused attention on Italian Gothic, winning the approval of the Institution of British Architects, which made him an honorary member in the year of its publication.

A Dictionary of Irish Artists
  • Volume 1, A to K
  • Walter Strickland
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1913
  • First published in 1913, this highly illustrated two-volume work was intended to give as full an account as possible of the lives and works of painters, sculptors and engravers in Ireland from the earliest times to the nineteenth century. Until then, the history of Irish art had been largely neglected, so this project was an extensive undertaking for Walter George Strickland (1850–1928), who became Director of the National Gallery of Ireland. It took him two decades to compile, and involved accessing private collections, corresponding with experts, meeting with the artists' descendants, and consulting letters, diaries and notes relating to their works. Volume 1 covers artists with surnames beginning A to K. Each entry contains biographical information on the artist and details of their works, with portraits and examples provided in hundreds of plates. This unique reference work remains of great interest to art historians and historians of Ireland.

A Treatise on the Decorative Part of Civil Architecture
  • With Illustrations, Notes, and an Examination of Grecian Architecture
  • Volume 1
  • William Chambers
  • Edited by Joseph Gwilt
  • Published online:
    05 May 2013
    Print publication:
    16 August 2012
    First published in:
    1825
  • Sir William Chambers (1722–96), architect and furniture designer, wished to further his career in the 1750s by publishing on architecture. He also became the Prince of Wales' architectural tutor, architect to the office of works, then head of the royal works (comptroller and surveyor-general from 1782). Notably, he remodelled Buckingham House (1762–73) and designed Somerset House (1775–96), but Chambers' reputation rests also on his Treatise on Civil Architecture (1759), which he revised and expanded in 1791 as A Treatise on the Decorative Part of Civil Architecture. It is regarded as one of the standard English texts on classical architecture, and remains essential reading. This reissue is of the two-volume edition of 1825, annotated by the architect and writer Joseph Gwilt (1784–1863). Volume 1 contains Gwilt's prefatory material, including an analysis of Grecian architecture's development, followed by Chambers' systematic treatment of the orders of architecture.

A History of the Gothic Revival
  • An Attempt to Show How the Taste for Medieval Architecture which Lingered in England during the Two Last Centuries Has since Been Encouraged and Developed
  • Charles Locke Eastlake
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1872
  • Charles Locke Eastlake (1833–1906), an interior, furniture and industrial designer, showed talent as an architect and was awarded a Silver Medal in 1854 by the Royal Academy. He is known for influencing the style of later nineteenth-century 'Modern' Gothic furniture with his Hints on Household Taste (1868), but his passion for medieval architecture developed much earlier while he was in Europe during the 1850s. In 1866 he became Secretary to the Royal Institute of British Architects, and it was in 1872 that this work was published. The book is notable for being released at the height of the Gothic Revival movement in the later nineteenth century. It includes detailed comments on the architects, societies, literature and buildings that formed the cornerstones of the Gothic Revival, primarily in Britain, from around 1650 to 1870. A valuable mine of information, it remains a key source on the topic.

Sketches of the History of Christian Art
  • Volume 2
  • Alexander William Crawford Lindsay
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1847
  • Alexander Lindsay (1812–80) was the head of an aristocratic family who owned vast coalfields in Lancashire, generating enormous wealth. Educated at Eton and Trinity College, Cambridge, he spent the majority of his time travelling in Italy, collecting, and writing on a variety of subjects, including art, the Indo-Aryan race and the Etruscans. This important work, published in three volumes in 1847, surveys Christian painting and sculpture. Addressing Romance literature of the Middle Ages, iconography and legends of the saints, the book's historical narrative is infused with the author's strong moral approach to the subject. Volume 2 covers Gothic architecture; the art of the Lombards; Pisano and Giotto, and their schools and followers. Though derided by John Ruskin, the work strongly influenced aristocratic collecting, and remains relevant to readers interested in the Victorian construction of morals and artistic taste.

My Autobiography and Reminiscences
  • Volume 2
  • William Powell Frith
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1887
  • The celebrated Victorian narrative painter William Powell Frith (1819–1909) was a born raconteur. His two-volume autobiography of 1887 ran to three editions in the same year. The third edition is reissued here, together with its supplementary volume of 1888. Frith was an ideal commentator on his age. He never lost his early interest in literary and historical subjects, and moved in the highest artistic and literary circles. Yet he also saw himself as a man of the people. His most famous works were his 'modern-life' panoramas, Ramsgate Sands (1854), Derby Day (1858) and The Railway Station (1862). Discussing such projects, he reflects on everything from costume to portraiture, art dealers to female artists, and even picture frames. In Volume, 2 Frith discusses his Hogarthian subjects, 'Dickens and his Beard' (the story behind the famous portrait), and his last great crowd scene, A Private View at the Royal Academy (1883).

G. F. Watts
  • Reminiscences
  • Emilie Barrington
  • Published online:
    07 October 2011
    Print publication:
    09 December 2010
    First published in:
    1905
  • G. F. Watts was one of the major artistic figures of the nineteenth century. In this work published in 1905, only a year after Watts' death, Emilie Barrington (1841–1933) reflects on the close friendship she and her husband had with the renowned artist. Her aim in writing her volume of reminiscences was to accurately record her knowledge of Watts' life. She describes her first impressions, when she first met him in Dante Gabriel Rossetti's studio. Chapters also cover Watts' aims as an artist, his relationships and his genius. This fascinating book is highly illustrated throughout, including Watts' sketches, symbolical paintings and portraits. The reader will gain an intriguing insight into the life and work of this complex character, widely considered to be the greatest painter of the Victorian age. For more information on this author, see http://orlando.cambridge.org/public/svPeople?person_id=barrem

Page 7 of 7