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This is Camden House’s general German studies series, in which numerous titles have appeared since the early 1980s. It welcomes a broad range of topics and approaches - from traditional, narrowly literary studies on one hand to forays into cultural studies and cultural history on the other, from approaches based on traditional close reading to those emphasizing theory, from feminist to postmodern to multicultural. All periods of German culture and literature are fair game, from medieval Spielmannsepen to currently emerging writers of the twenty-first century.

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253 results in Studies in German Literature Linguistics and Culture

Page 6 of 13

Johann Joachim Winckelmann on Art, Architecture, and Archaeology
  • Johann Joachim Winckelmann
  • Translated by David Carter
  • Published by:
    Boydell & Brewer
    Published online:
    05 March 2014
    Print publication:
    01 October 2013
  • Johann Joachim Winckelmann (1717-1768) has long been recognized as one of the founders of modern art history and a major force in the development of archaeology and the study of ancient Greek architecture. He also exerted an influence on the Weimar Classicism of Goethe and Schiller, for whom his description of Greek sculpture as evoking "edle Einfalt und stille Grösse" (noble simplicity and a calm greatness) became a watchword. He contributed to modern scientific archaeology through his application of empirically derived categories of style to the analysis of classical works of art and architecture, and was one of the first to undertake detailed empirical examinations of artefacts and describe them precisely in a way that enabled reasoned conclusions to be drawn about ancient societies and their cultures. Yet several of his important essays are not available in modern English translation. The present volume remedies this situation by collecting four of Winckelmann's most seminal essays on art along with several shorter pieces on the topic, two major if brief essays on architecture, and one longer essay on archaeology. Paired with this is an introduction covering Winckelmann's life and work. David Carter is retired as Professor of Communicative English at Yonsei University, Seoul, Korea, and is former Lecturer in German Studies at the University of Southampton, UK. Among his recently published translations from German are Klaus Mann's novel Alexander (2008) and On Cocaine (2011), a collection of Sigmund Freud's writings on the topic.

Translingual Identities
  • Language and the Self in Stefan Heym and Jakov Lind
  • Tamar Steinitz
  • Published by:
    Boydell & Brewer
    Published online:
    05 October 2013
    Print publication:
    03 September 2013
  • The works of translingual writers-those who write in a language other than their native tongue-present a rich field for study, but literary translingualism remains under-researched and under-theorized. In this work Tamar Steinitz explores the psychological effects of translingualism in the works of two authors: the German Stefan Heym (1913-2001) and the Austrian Jakov Lind (1927-2007). Both were forced into exile by the rise of Nazism; both chose English as a language of artistic expression. Steinitz argues that translingualism, which ruptures the perceived link between language and world as the writer chooses between systems of representation, leads to a psychic split that can be expressed in the writer's work as a schizophrenic existence or as a productive doubling of perspective. Movement between languages can thus reflect both the freedom associated with geographical mobility and the emotional price it entails. Reading Lind's and Heym's works within their postwar context, Steinitz proposes these authors as representative models, respectively, of translingualism as loss and fragmentation and translingualism as opportunity and mediation. Tamar Steinitz teaches English literature at Queen Mary and Goldsmiths colleges, University of London. She has also worked as a literary translator.

A Companion to the Works of Hermann Hesse
  • Edited by Ingo Cornils
  • Published by:
    Boydell & Brewer
    Published online:
    02 March 2023
    Print publication:
    30 August 2013
  • New essays on the works and themes of Hesse, one of the most perennially relevant and widely-read German authors.

Good Girls, Good Germans
  • Girls' Education and Emotional Nationalism in Wilhelminian Germany
  • Jennifer Drake Askey
  • Published by:
    Boydell & Brewer
    Published online:
    05 August 2013
    Print publication:
    01 August 2013
  • The age of nationalism in nineteenth-century Germany generally conjures up images of the Prussian military, Fürst Otto von Bismarck, and Hohenzollern kings who welded together a nation out of disparate principalities through war and domestic social policy. Good Girls, Good Germans looks at how girls and young women became "national" during this period by participating in the national community in the home, in state-sponsored Töchterschulen, and in their reading of Mädchenliteratur. By learning to subordinate desires for individual agency to the perceived needs of the national community -- what Askey calls "emotional nationalism" -- girls could fulfill their class- and gender-specific roles in society and discover a sense of their importance for the progress of the German nation. Informed by recent historical research on nineteenth-century nationalism, Good Girls, Good Germans demonstrates how the top-down construction of a national identity, especially in girls' education, came to be experienced by reading girls. Chapters in this book examine literature published for and taught to girls that encouraged readers to view domestic duties -- and even romance -- as potential avenues for national expression. By aligning her heart with the demands of the nation, a girl could successfully display her national involvement within the confines of the private sphere. Jennifer Drake Askey is Coordinator of Academic Program Development at Wilfrid Laurier University.

Remembering Africa
  • The Rediscovery of Colonialism in Contemporary German Literature
  • Dirk Göttsche
  • Published by:
    Boydell & Brewer
    Published online:
    05 July 2013
    Print publication:
    03 June 2013
  • In the late 1990s, in the wake of German unification, multiculturalism, and globalization, a surge of historical novels about German colonialism in Africa and its previously neglected legacies hit the German literary scene. This development, accelerated by the centenary in 2004 of Germany's colonial war in South-West Africa, has continued to the present, making colonialism an established theme of literary memorialization alongside Germany's dominant memory themes - National Socialism and the Holocaust, the former GDR and its demise in the '"Wende", and, more recently, "1968." This is the first comprehensive study of contemporary German literature's intense engagement with German colonialism and with Germany's wider involvement in European colonialism. Building on the author's decade of research and publication in the field, the book discusses some fifty novels by German, Swiss, and Austrian writers, among them Hans Christoph Buch, Alex Capus, Christof Hamann, Lukas Hartmann, Ilona Maria Hilliges, Giselher W. Hoffmann, Dieter Kühn, Hermann Schulz, Gerhard Seyfried, Thomas von Steinaecker, Uwe Timm, Ilija Trojanow, and Stephan Wackwitz. Drawing on international postcolonial theory, the German tradition of cross-cultural literary studies, and on memory studies, the book brings the hitherto neglected German case to the international debate in postcolonial literary studies. Dirk Göttsche is Professor of German at the University of Nottingham.

Representing the "Good German" in Literature and Culture after 1945
  • Altruism and Moral Ambiguity
  • Edited by Pól O Dochartaigh, Christiane Schönfeld
  • Published by:
    Boydell & Brewer
    Published online:
    05 June 2013
    Print publication:
    01 April 2013
  • In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick.

Religion in Contemporary German Drama
  • Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss
  • Sinéad Crowe
  • Published by:
    Boydell & Brewer
    Published online:
    05 May 2013
    Print publication:
    15 March 2013
  • Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland.

The World as Metaphor in Robert Musil's 'The Man without Qualities'
  • Possibility as Reality
  • Genese Grill
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 December 2012
  • Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, 'The Man without Qualities.' This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, and the Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. The first study to utilize the newly published Klagenfurt Edition of Musil's literary remains (a searchable annotated text), 'The World as Metaphor' offers a close reading of variations and text genesis, shedding light not only on Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world. Genese Grill holds a PhD in Germanic Literatures and Languages from the Graduate School and University Center of the City University of New York.

Nomadic Ethics in Contemporary Women's Writing in German
  • Strange Subjects
  • Emily Jeremiah
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 December 2012
  • How can postmodern subjectivity be ethically conceived? What can literature contribute to this project? What role do 'gender' and 'nation' play in the construction of contemporary identities? 'Nomadic Ethics' broaches these questions, exploring the work of five women writers who live outside of the German-speaking countries or thematize a move away from them: Birgit Vanderbeke, Dorothea Grünzweig, Antje Rávic Strubel, Anna Mitgutsch, and Barbara Honigmann. It draws on work by Rosi Braidotti, Sara Ahmed, and Judith Butler to develop a nomadic ethics, and examines how the writers under discussion conceptualize contemporary German and Austrian identities - especially but not only gender identities - in instructive ways. The book engages with a number of critical issues in contemporary German studies: globalization; green thought; questions of gender and sexuality; East (and West) German identities; Austrianness; the postmemory of the Holocaust; and Jewishness. In this way, 'Nomadic Ethics' offers a valuable contribution to debates about the nature of German studies itself, as well as insightful readings of the individual authors and texts concerned. Emily Jeremiah is Lecturer in German, Royal Holloway, University of London.

Heinrich von Kleist and Jean-Jacques Rousseau
  • Violence, Identity, Nation
  • Steven Howe
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 December 2012
  • Heinrich von Kleist is renowned as an author who posed a radical challenge to the orthodoxies of his age. Today, his works are frequently seen to relentlessly deconstruct the paradigms of Idealism and to reflect a Romantic, even postmodern, perspective on the ambiguities of the world. Such a view fails, however, to do full justice to the more complex manner in which Kleist articulates the tensions between the securities of Enlightenment thought and the anxieties of the revolutionary age. Steven Howe offers a new angle on Kleist's dialogue with the Enlightenment by reconsidering his investment in the philosophy of Jean-Jacques Rousseau. Where previous critics have trivialized this as intense but fleeting and born of personal identification, Howe here establishes Rousseau's importance as a lasting source of inspiration for the violent constellations of Kleist's fiction. Taking account of both Rousseau's critique of modernity and his later propositions for working toward the Enlightenment promise of emancipation, the book locates a mode of discourse which, placed in the historical context of the French Revolution and Napoleonic Wars, sheds new light on the political and ethical issues at play in Kleist's work. Steven Howe is Associate Research Fellow at the University of Exeter, UK. He is co-editor, with Ricarda Schmidt and Seán Allan, of 'Heinrich von Kleist: Konstruktive und Destruktive Funktionen von Gewalt' (forthcoming, 2012).

Violent Women in Print
  • Representations in the West German Print Media of the 1960s and 1970s
  • Clare Bielby
  • Published by:
    Boydell & Brewer
    Published online:
    05 April 2013
    Print publication:
    29 November 2012
  • As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull.

Ghetto Voices in Contemporary German Culture
  • Textscapes, Filmscapes, Soundscapes
  • Maria Stehle
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 November 2012
  • Accounts of how Germany has changed since unification often portray the Berlin Republic as a new Germany that has left the Nazi past and Cold War division behind and entered the new millennium as a peaceful, worldly, and cautiously proud nation. Closer inspection, however, reveals tensions between such views and the realities of a country that continues to struggle with racism, provincialism, and fear of the perceived Other. Mainstream media foster such fears by describing violence in ghetto schools, failed integration, and the loss of society's core values. The city emerges as a key site not only of ethnic and political tension but of social change. Maria Stehle illuminates these tensions and transformations by following the metaphor of the ghetto in literary works from the 1990s by Feridun Zaimoglu, in German ghettocentric films from the late 1990s and the early twenty-first century, and in hip-hop and rap music of the same periods. In their representations of ghettos, authors, filmmakers, musicians, and performers redefine and challenge provincialism and nationalism and employ transcultural frameworks for their diverging political agendas. By contextualizing these discussions within social and political developments, this study illuminates the complexities that define Germany today for scholars and students across the disciplines of German, European, cultural, urban, and media studies. Maria Stehle is Assistant Professor of German at the University of Tennessee, Knoxville.

Metamimesis
  • Imitation in Goethe's 'Wilhelm Meisters Lehrjahre' and Early German Romanticism
  • Mattias Pirholt
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 November 2012
  • Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.

Modern German Thought from Kant to Habermas
  • An Annotated German-Language Reader
  • Edited by Henk de Berg, Duncan Large
  • With contributions by Immanuel Kant , G. W. F. Hegel , Ludwig Feuerbach , Karl Marx , Arthur Schopenhauer , Friedrich Nietzsche , Sigmund Freud , Martin Heidegger , Walter Benjamin , Georg Lukács , Max Horkheimer , Theodor Adorno and Jürgen Habermas
  • Published by:
    Boydell & Brewer
    Published online:
    05 September 2014
    Print publication:
    01 October 2012
  • German-language thinkers such as Kant, Marx, Nietzsche, and Freud are central to modernity. Yet their reception in the English-speaking world has largely depended on translations, a situation that has often hampered full engagement with the rhetorical and philosophical complexity of the German history of ideas. The present volume, the first of its kind, is a response to this situation. After an introduction charting the remarkable flowering of German-language thought since the eighteenth century, it offers extracts -- in the original German -- from sixteen major philosophical texts, with extensive introductions and annotations in English. All extracts are carefully chosen to introduce the individual thinkers while allowing the reader to pursue broader themes such as the fate of reason or the history of modern selfhood. The book offers students and scholars of German a complement to linguistic, historical, and literary study by giving them access to the wealth of German-language philosophy. It represents a new way into the work of a succession of thinkers who have defined modern philosophy and thus remain of crucial relevance today. The philosophers: Immanuel Kant, G. W. F. Hegel, Ludwig Feuerbach, Karl Marx, Arthur Schopenhauer, Friedrich Nietzsche, Sigmund Freud, Martin Heidegger, Walter Benjamin, Georg Lukács, Max Horkheimer and Theodor Adorno, Jürgen Habermas. Henk de Berg is Professor of German at the University of Sheffield. Duncan Large is Professor of German at Swansea University.

Housebound
  • Selfhood and Domestic Space in Contemporary German Fiction
  • Monika Shafi
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 October 2012
  • In life and in fiction, houses are compelling objects that shape an impressive range of personal and public affairs. A house embodies experiences often intensely emotional, and it also represents both a major financial investment and a material reality embedded in architectural, aesthetic, and social traditions. The house, the place where we try to be at home, can be regarded - as theorists from Gaston Bachelard to Edward S. Casey have argued - as the key space for our constructions of selfhood and belonging. A host of contemporary German narratives featuring houses highlight this relationship between selfhood and domestic space. Beginning with a historical and theoretical overview of the house in German literature, 'Housebound' analyzes the shelters - often highly ambivalent spaces - that writers such as Katharina Hacker, Arno Geiger, Walter Kappacher, Monika Maron, Jenny Erpenbeck, Judith Hermann, Barbara Honigmann, and Emine Sevgi Özdamar build in their texts and what these reveal about contemporary selfhood in Germany and its relationship to the social world. The concluding comparative analysis of Katharina Hacker's 'Die Habenichtse' and the English novelist Ian McEwan's 'Saturday' reveals these developments in another national literature and makes a case for the global appeal of the domestic as a major site of identity politics. Monika Shafi is the Elias Ahuja Professor of German and Chair of the Department of Women and Gender Studies at the University of Delaware.

Literary Studies and the Pursuits of Reading
  • Edited by Eric Downing, Jonathan M. Hess, Richard V. Benson
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    17 September 2012
  • Thirty years ago, when theory emerged as integral to literary studies, investigations into the nature of reading dominated academic criticism. Since then, as cultural studies and historical approaches have gained ascendancy, critical focus on reading has waned. This collection of new essays by leading scholars of German and comparative literature, inspired by the work of the long-time and influential scholar of reading Clayton Koelb, puts the study of reading back at center stage, considering current theory on reading, emotion, and affect alongside historical investigations into cultural practices of reading as they have changed over time. Topics addressed include ancient practices of magic reading; Christian conversionary reading; the emergence of silent reading in the Middle Ages; Renaissance ekphrastic reading; homeopathy, reading and Romanticism; and German-Jewish reading cultures in the nineteenth century. The volume will be of interest to scholars and students of literary criticism, German Studies, comparative literature, and European history. Contributors: Richard V. Benson, Stanley Corngold, Eric Downing, Darryl Gless, Ruth V. Gross, Jonathan Hess, Janice Hewlett Koelb, Alice Kuzniar, Ann Marie Rasmussen, Jeffrey L. Sammons, Gary Shapiro, Kathryn Starkey, Christopher Wild. Eric Downing is Hanes Distinguished Term Professor of German, English, and Comparative Literature at the University of North Carolina-Chapel Hill. Jonathan M. Hess is Professor of German and Moses M. and Hannah L. Malkin Distinguished Term Professor of Jewish History and Culture at the University of North Carolina at Chapel Hill. Richard V. Benson is Visiting Assistant Professor of German at Valparaiso University.

Fictions from an Orphan State
  • Literary Reflections of Austria between Habsburg and Hitler
  • Andrew Barker
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 August 2012
  • The literary flair of fin-de-siècle Vienna lived on after 1918 in the First Austrian Republic even as writers grappled with the consequences of a lost war and the vanished Habsburg Empire. Reacting to historical and political issues often distinct from those in Weimar Germany, Austrian literary culture, though frequently associated with Jewish writers deeply attached to the concept of an independent Austria, reflected the republic's ever-deepening antisemitism and the growing clamor for political union with Germany. Spanning the two momentous decades between the fall of the empire in 1918 and the Nazi 'Anschluss' in 1938, this book explores work by canonical writers such as Schnitzler, Kraus, Roth, and Werfel and by now-forgotten figures such as the pacifist Andreas Latzko, the arch-Nazi Bruno Brehm, and the fervently Jewish Soma Morgenstern. Also taken into account are Ernst Weiss's 'Hitler' novel 'Der Augenzeuge' and 1930s works about First Republic Austria by the German Communist writers Anna Seghers and Friedrich Wolf. Andrew Barker's book paints a varied and vivid picture of one of the most challenging and underresearched periods in twentieth-century cultural history. Andrew Barker is Emeritus Professor of Austrian Studies at the University of Edinburgh, Scotland.

A Companion to Friedrich Nietzsche
  • Life and Works
  • Edited by Paul Bishop
  • With contributions by Ruth Abbey , Keith Ansell-Pearson , Rebecca Bamford , Thomas Brobjer , Daniel Conway , Adrian Del Caro , Carol Diethe , Michael Gillespie , Laurence Lampert , Duncan Large , Martin Liebscher , Martine Prange and Alan Schrift
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    16 July 2012
  • Nietzsche looms over modern literature and thought; according to Gottfried Benn, 'everything my generation discussed, thought through innerly; one could say: suffered; or one could even say: took to the point of exhaustion - all of it had already been said . . . by Nietzsche; all the rest was just exegesis.' Nietzsche's influence on intellectual life today is arguably as great; witness the various societies, journals, and websites and the steady stream of papers, collections, and monographs. This ‘Companion’ offers new essays from the best Nietzsche scholars, emphasizing the interrelatedness of his life and thought, eschewing a superficial biographical method but taking seriously his claim that great philosophy is 'the self-confession of its author and a kind of unintended and unremarked ‘memoir’.' Each essay examines a major work by Nietzsche; together, they offer an advanced introduction for students of German Studies, philosophy, and comparative literature as well as for the lay reader. Re-establishing the links between Nietzsche's philosophical texts and their biographical background, the volume alerts Nietzsche scholars and intellectual historians to the internal development of his thought and the aesthetic construction of his identity as a philosopher. Contributors: Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Paul Bishop, Thomas H. Brobjer, Daniel W. Conway, Adrian Del Caro, Carol Diethe, Michael Allen Gillespie and Keegan F. Callanan, Laurence Lampert, Duncan Large, Martin Liebscher, Martine Prange, Alan D. Schrift. Paul Bishop is Professor of German at the University of Glasgow.

The German Bestseller in the Late Nineteenth Century

Luise Gottsched the Translator
  • Edited by Hilary Brown
  • Published by:
    Boydell & Brewer
    Published online:
    14 February 2023
    Print publication:
    01 July 2012
  • By focusing on Luise Gottsched's extraordinary volume and range of translations, Hilary Brown sheds an entirely new light on Gottsched and her oeuvre.

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