Sound and Sense in British Romanticism

doi:10.1017/9781009277839

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Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik

Publisher:: Cambridge University Press
Online publication date:: August 2023
Print publication year:: 2023
Online ISBN:: 9781009277839
DOI:: https://doi.org/10.1017/9781009277839
Creative Commons:: This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/creativelicenses

Subjects:: Literature, Music, English Literature 1700-1830, Eighteenth-Century Music
Series:: Cambridge Studies in Romanticism

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A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture. This title is also available as Open Access on Cambridge Core.

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