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Considering the filmmaker: Intensified continuity, narrative structure, and the Distancing-Embracing model

Published online by Cambridge University Press:  29 November 2017

Kacie L. Armstrong  and
James E. Cutting
Kacie L. Armstrong
Affiliation:
Department of Psychology, Cornell University, Ithaca, NY 14853-7601. kla78@cornell.edujames.cutting@cornell.eduhttps://www.researchgate.net/profile/Kacie_Armstronghttp://people.psych.cornell.edu/~jec7/
James E. Cutting
Affiliation:
Department of Psychology, Cornell University, Ithaca, NY 14853-7601. kla78@cornell.edujames.cutting@cornell.eduhttps://www.researchgate.net/profile/Kacie_Armstronghttp://people.psych.cornell.edu/~jec7/
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Abstract

Menninghaus et al. pose two open-ended questions: To what extent do formal elements of art elicit negative affect, and do artists try to elicit this response in a theory-based or intuitive manner? For popular movies, we argue that the consideration of their construction is prior to the consideration of the experience that they evoke.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 40 , 2017 , e349
Copyright
Copyright © Cambridge University Press 2017 

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