Dr Ernest Beaumont in his new book examines the ways in which two major Christian poets relate human love to the salvation of the soul, so that the former appears as a means, under divine grace, to the latter. Of such interrelating Dr Beaumont is rather suspicious; he smells heresy in it. He finds excuses however for Dante, reserving most of his disapproval for Paul Claudel, who is blamed both for misrepresenting (in his Ode Jubilaire for the Dante centenary, 1921) the role of Beatrice in Dante’s work, and for adding, in his own dramas, a series of more or less explicit expressions of a false idea of human love. The falsehood seems to consist chiefly in Claudel’s thinking (a) that if human (erotic) love could be ‘satisfied’ with its object, God would be ‘excluded’; (b) that since it cannot be so satisfied, this love implies a longing which only God can satisfy; and (c) that, this being so, lovers who refrain from carnal satisfaction may become, providentially, grace-bearers to one another and so, in a sense, mutually ‘necessary’ in a process of producing, reciprocally, ‘the child of God in each other’. This last ‘error’ is the more glaring in that the love in question is made to contrast with married love to the disadvantage of the latter.
Since I am far less acquainted than Dr Beaumont with the dramatic work of Claudel, my feeling that his critique of the French poet is somewhat partial is not in itself of much interest.