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Archival research at the British Library and the National Archives of Zambia was funded by Churchill College and British Academy, respectively. I cherished the opportunity to present a version of this article at the African Print Cultures Network meeting at the University of Birmingham. Another version greatly benefited from close readings by Emma Hunter and the anonymous readers for CSSH, one of whom made particularly pertinent connections between my work and that of Aijaz Ahmad. David Akin's editorial skills were indispensable.