It is now generally accepted that the members of the Constituent Assembly who were charged with drafting the Constitution concentrated their efforts on formulating the ideals to be expressed in it at the expense of the institutional arrangements of the new Republic. This has generally been viewed as resulting from a combination of two factors: their weak grasp of the liberal principles underpinning liberal parliamentary democracy, and a concomitant error of judgement in assuming that sufficient stress on the ideals of the Constitution would guarantee the basis of a healthy democracy. This article sets out to examine the input of the most influential Catholic group, the dossettiani, and argues, against the error of judgement thesis, that in fact their rejection of the concept of the secular state was a more fundamental denial of important principles of a pluralist democracy than has usually been supposed. The article also places their contribution within the context of the Church's aim to create a ‘Christian civilization’, and further suggests that the model of Catholic Action which inspired its collateral vision of Catholic forces was corrosive of a pluralist vision of correct institutional arrangements. The article ends by suggesting that these factors may have weighed more heavily on subsequent distortions of Italian democracy than has so far been supposed.

This paper addresses the question of the demise or resilience of political subcultures in Italy today, focusing on two areas, Sesto San Giovanni and Erba, characterized until recently by a socialist/communist subculture and a Catholic/interclassist one. The voting behaviour and political values of key social groups, above all industrial workers, in these two towns provides evidence of the persistence and indeed revival of political subcultures in Italy. The paper argues that their function has changed, though. Whereas in the past a political subculture encompassed the whole spatial community, nowadays it appears to represent the interests and needs of specific groups within a territory, thus becoming one of many political instruments and choices open to social actors and voters.

This article explores the reasons for the failure of the Fascist attempts to raise the Italian birth rate through an examination of the pro-natalist campaign in the great industrial and commercial city of Milan and its surrounding province. It then considers one of the specific ways in which the birth rate was kept down - illegal abortion - focusing in particular on the dramatic events surrounding the arrest of an illegal abortionist in the small textile town of Rho in 1928.

This article charts the establishment and expansion of the ready-to-wear Max Mara label before the birth of the Max Mara group in 1967. Until recently, little consideration has been given to the evolution of Italian fashion, and few histories of dress or Italian culture even mention its presence before the 1970s. Still fewer acknowledge the crucial emergence of fashionable ready-to-wear in Italy in the 1960s, in which Max Mara played a key role, and which anticipated the international success of ‘Italian style’ in the 1970s and 1980s.

The southern question has been posed at the key moments in the history of the Italian state. Today we face a moment of comparable importance which urges that the southern question be re-thought. It is not an unchanging question, yet it concerns issues fundamental to the state and has been treated by the country's greatest intellectuals as a national issue. The meridionalisti have been Italy's critical conscience yet, at the same time, stereotypes of a uniformly backward South have taken hold. The post-war intervention in the Mezzogiorno should not be seen through such stereotypes as a wholly negative experience. Its successes and failures fit into an Italian pattern of state-led modernization and it cannot be understood in isolation from the Italian state's weaknesses. Today, a new pact between the weakest and strongest sectors is essential. The South's economic and political leadership will be a central object of study if intellectuals are to help inform new policy.

The satirical film, Un americano a Roma is examined as a commentary on the absorption by Italians, and especially Italian youth, of fads and fashions deriving from America during the economic boom. Although no masterpiece, the film is an important reflection on Italian identity at a time of rapid and bewildering change. It reveals that, while America became ‘everyone's second culture’, loyalty to domestic traditions and customs remained strong.