This article presents the Vita Aristotelis (1429) as an extension of Bruni's campaign to win acceptance for his new view of Aristotle as an independently valid guide to the secular life. The dynamics and structure of the Vita are traced to Brum's attempt to counter the impact of the imminent publication of the Lives of Diogenes Laertius in a Latin translation by Ambrogio Traversari. In refuting the negative aspects of the portrait offered by Diogenes, Bruni developed and defended a selective, rhetorically based approach to biography that was novel in relation to classical and medieval interpretations of the genre.

Two small nude horsemen located in the armorial decoration of Donatello's Gattamelata yield new insights about the use of Greek sources in Renaissance art. Here it is speculated that Donatello was informed by a drawing or carved gemstone provided by Ciriaco d'Ancona that represented riders in the Panathenaic frieze on the Parthenon. Donatello may have included the figures as a learned reference to delight a circle of intellectuals in Padua, including Ciriaco and Francesco Barbaro, who wrote dedicatory texts for the monument. It is subsequently argued that Leon Battista Alberti's treatise De equo animante (ca. 1444-47) and Donatello's Gattamelata appear to have been mutually influential.

Following the format of a catalogue manuscript description, this study analyses the design and contents of a manuscript presented to king Henry VII of England about 1492-93. Featuring an epic account of the 1492 English invasion of France and a pastoral dialogue praising the domestic peace imposed by the Tudor regime, the five poems are the work of a little-known Italian writer “Johannes Opicius, “ in a stylishly written and decorated copy. Like other contemporary presentations, especially the works of the early Tudor laureate Bernard Andre”, the verse is as classicizing as the design is Italianate and humanist, innovative features for English literary culture. Like other cognate products, however, Opicius’ performance lacks properties usually associated with literature. The work was not for reading nor for recirculation, owing its inspiration solely to a wish to gratify the monarch. The presentation was chiefly a matter of performing the magnificence of the king.

This essay analyzes vernacular texts on reproduction from sixteenth-century Germany. It examines religious texts, including sermons and devotional treatises for pregnant women, as well as medical texts, such as midwifery manuals, books on the “secrets of nature,” and anatomical treatises. Vernacular authors, both medical and clerical, ascribed enormous spiritual and symbolic significance to human generation. Conception, pregnancy, and birth were linked to the biblical account of the creation and fall of mankind. In the creation of the child in the womb, sixteenthcentury Germans saw an echo of the original divine act of creation. And in the sufferings of a woman in labor they saw a reenactment of Christ's Passion. Discussions of reproduction thus served as a starting point for meditations on original sin, human mortality, and the relationship between body and soul.

The teatro all'italiana, or Italian opera house with boxes, was one of the most successful building types invented during the Renaissance, but fragmentary and ambiguous evidence has made locating its origins difficult. This article proposes that those origins are to be found in two theaters for commedia dell'arte built in Venice in 1580 and destroyed by order of the Council of Ten in 1585 (m.v.). The history of these two theaters is sketched here for the first time by means of documents recently found in the Archivio di Stato, Venice, that also include new information related to Palladia's Teatro Olimpico in Vicenza. The role the two Venetian theaters played in the economic, political and social history of the city is suggested.

This essay proposes that Fulke Greville structured A Dedication to Sir Philip Sidney according to the principles of the Ancient Constitution. Greville departs from the standard view of Sidney in the early seventeenth century as a primarily literary figures by constructing his late friend as an avatar of the Ancient Constitution, and views Elizabeth and Essex in the same light. Greville’s redefinition of all three as exemplars of English constitutionalism directly results from the controversies surrounding James’ increasing absolutism. However, the question remains as to why in 1652 a Royalist would publish such a text, and the answer lies in how shifting political circumstances alters the interpretation of texts.

This study argues that the parish clergy of the northern Italian diocese of Novara benefited from a dramatic increase in educational institutions in the decades following the Council of Trent (1545- 63) and that their formation was rooted in the humanist program of grammar, letters, poetry, history, rhetoric, and moral philosophy, inculcated through the reading of classical authors. Employing the acts of visitations conducted between 1616 and 1663, it is based on comments made by the priests themselves about their education and on an analysis of the secular books in their personal libraries. It concludes that a number of the Novarese priests developed a lifelong interest in humanist and secular works, while some of them employed their humanist training as schoolmasters in the towns and villages of the diocese.