Renaissance Quarterly: Volume 71 - Issue 4

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 71 - Issue 4 - Winter 2018

Contents

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Reviews

Book Review

La démonstration de l’existence de Dieu: Les conclusions des cinq voies de saint Thomas d’Aquin et la preuve a priori dans le thomisme du XVIIe siècle. Igor Agostini. The Age of Descartes 1. Turnhout: Brepols, 2016. 704 pp. €105.
Thomas M. Osborne, Jr.
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14 January 2019, pp. 1546-1547
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Europäische Musikkultur im Kontext des Konstanzer Konzils. Stefan Morent, Silke Leopold, and Joachim Steinheuer, eds. Konstanzer Geschichts- und Rechtsquellen 47. Ostfildern: Jan Thorbecke Verlag, 2017. 266 pp. €45.
Martin Kirnbauer
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14 January 2019, pp. 1548-1549
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Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music. Jonathan E. Glixon. Oxford: Oxford University Press, 2017. xviii + 452 pp. $55.
Iain Fenlon
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14 January 2019, pp. 1549-1550
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Sources of Identity: Makers, Owners, and Users of Music Sources before 1600. Lisa Colton and Tim Shephard, eds. Collection “Épitome musical.” Turnhout: Brepols, 2017. 340 pp. €55.
Massimo Ossi
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14 January 2019, pp. 1551-1552
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The Guitar in Tudor England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2015. xx + 248 pp. $99.99.
Christopher Marsh
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14 January 2019, pp. 1552-1554
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Robert Armin and Shakespeare’s Performed Songs. Catherine A. Henze. London: Routledge, 2017. xii + 204 pp. $149.95.
Nikki Roulo
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14 January 2019, pp. 1554-1555
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The First and Seventh Joys of Our Lady: Bilingual Texts of Two Dutch Biblical Plays. Elsa Strietman and Peter Happé, eds. and trans. Medieval and Renaissance Texts and Studies 475; Early European Drama Translation Series 3. Tempe: Arizona Center for Medieval and Renaissance Studies, 2017. xvi + 216 pp. $56.
Alisa van de Haar
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14 January 2019, pp. 1555-1557
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Îles et Insulaires: (XVIe–XVIIIe siècle). Frank Lestringant and Alexandre Tarrête, eds. Cahiers V. L. Saulnier 34. Paris: Presses de l’université Paris-Sorbonne, 2017. 400 pp. €25.
Nicolas Lombart, Maya Boutaghou
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14 January 2019, pp. 1557-1558
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Visualizing the Text: From Manuscript Culture to the Age of Caricature. Lauren Beck and Christina Ionescu, eds. Newark, DE: University of Delaware Press, 2017. xliv + 324 pp. $110.
Giovanna Rizzarelli
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14 January 2019, pp. 1558-1560
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Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre. Cristina Dondi. Biblioteca di Bibliografia: Documents and Studies in Book and Library History 204. Florence: Olschki, 2016. xlviii + 708 pp. €95.
Sandra Hindman
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14 January 2019, pp. 1560-1561
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Le cronache volgari in Italia: Atti della VI Settimana di studi medievali (Roma, 13–15 maggio 2015). Giampaolo Francesconi and Massimo Miglio, eds. Nuovi studi storici 105. Rome: Istituto Storico Italiano per il Medio Evo, 2017. 398 pp. €30.
Ronald G. Musto
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14 January 2019, pp. 1562-1563
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The Routledge Research Companion to Early Modern Spanish Women Writers. Nieves Baranda and Anne J. Cruz, eds. London: Routledge, 2018. xvi + 368 pp. $240.
Jaclyn Cohen-Steinberg
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14 January 2019, pp. 1563-1564
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Du nom au genre: Lope de Vega, la tragedia et son public. Florence D’Artois. Bibliothèque de la casa de Velázquez 68. Madrid: Casa de Velázquez, 2017. xii + 360 pp. €29.
Sidney Donnell
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14 January 2019, pp. 1565-1566
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Luís de Camões: The Poet as Scriptural Exegete. John V. Fleming. Colección Támesis Serie A: Monografías 367. Woodbridge: Tamesis, 2017. xii + 220 pp. $99.
Hélio J. S. Alves
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14 January 2019, pp. 1566-1567
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Performing the King Divine: The Early Modern Spanish Aulic Festival. Lucas A. Marchante Aragón. Teatro del Siglo de Oro: Estudios de Literatura 128. Kassel: Edition Reichenberger, 2017. xii + 296 pp. €78.
Pablo González Tornel
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14 January 2019, pp. 1568-1569
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Día y noche de Madrid. Francisco Santos. Ed. Enrique García Santo-Tomás. Letras Hispánicas. Madrid: Cátedra, 2017. 364 pp. €15.30.
Nicolás Vivalda
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14 January 2019, pp. 1569-1570
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Correspondance. Jean Racine. Ed. Jean Lesaulnier. Bibliothèque des correspondances 92. Paris: Honoré Champion, 2017. 702 pp. €95.
Jennifer Tamas-Le Mentheour
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14 January 2019, pp. 1571-1572
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Élégies, chansons et autres poésies. Henriette de Coligny, comtesse de La Suze. Ed. Mariette Cuénin-Lieber. Masculin/féminin dans l’Europe moderne 10; Série XVIIe siècle 2. Paris: Classiques Garnier, 2017. 404 pp. €48.
Anne R. Larsen
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14 January 2019, pp. 1572-1573
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Memoires de Hollande. Nicolaas Lens, ed. Sources classiques 127. Paris: Honoré Champion, 2017. 470 pp. €95.
Nathalie Freidel
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14 January 2019, pp. 1573-1575
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La “Vision de Tondale” et ses versions françaises (XIIIe–XVe siècles): Contribution à l’étude de la littérature visionnaire latine et française. Mattia Cavagna. Nouvelle Bibliothèque du Moyen Âge 118. Paris: Honoré Champion, 2017. 674 pp. €85.
Keith Busby
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14 January 2019, pp. 1575-1576
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Page 5 of 7

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5
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Last

Renaissance Quarterly

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Volume 71 - Issue 4 - Winter 2018

Reviews

Book Review

La démonstration de l’existence de Dieu: Les conclusions des cinq voies de saint Thomas d’Aquin et la preuve a priori dans le thomisme du XVIIe siècle. Igor Agostini. The Age of Descartes 1. Turnhout: Brepols, 2016. 704 pp. €105.

Europäische Musikkultur im Kontext des Konstanzer Konzils. Stefan Morent, Silke Leopold, and Joachim Steinheuer, eds. Konstanzer Geschichts- und Rechtsquellen 47. Ostfildern: Jan Thorbecke Verlag, 2017. 266 pp. €45.

Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music. Jonathan E. Glixon. Oxford: Oxford University Press, 2017. xviii + 452 pp. $55.

Sources of Identity: Makers, Owners, and Users of Music Sources before 1600. Lisa Colton and Tim Shephard, eds. Collection “Épitome musical.” Turnhout: Brepols, 2017. 340 pp. €55.

The Guitar in Tudor England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2015. xx + 248 pp. $99.99.

Robert Armin and Shakespeare’s Performed Songs. Catherine A. Henze. London: Routledge, 2017. xii + 204 pp. $149.95.

Îles et Insulaires: (XVIe–XVIIIe siècle). Frank Lestringant and Alexandre Tarrête, eds. Cahiers V. L. Saulnier 34. Paris: Presses de l’université Paris-Sorbonne, 2017. 400 pp. €25.

Visualizing the Text: From Manuscript Culture to the Age of Caricature. Lauren Beck and Christina Ionescu, eds. Newark, DE: University of Delaware Press, 2017. xliv + 324 pp. $110.

Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre. Cristina Dondi. Biblioteca di Bibliografia: Documents and Studies in Book and Library History 204. Florence: Olschki, 2016. xlviii + 708 pp. €95.

Le cronache volgari in Italia: Atti della VI Settimana di studi medievali (Roma, 13–15 maggio 2015). Giampaolo Francesconi and Massimo Miglio, eds. Nuovi studi storici 105. Rome: Istituto Storico Italiano per il Medio Evo, 2017. 398 pp. €30.

The Routledge Research Companion to Early Modern Spanish Women Writers. Nieves Baranda and Anne J. Cruz, eds. London: Routledge, 2018. xvi + 368 pp. $240.

Du nom au genre: Lope de Vega, la tragedia et son public. Florence D’Artois. Bibliothèque de la casa de Velázquez 68. Madrid: Casa de Velázquez, 2017. xii + 360 pp. €29.

Luís de Camões: The Poet as Scriptural Exegete. John V. Fleming. Colección Támesis Serie A: Monografías 367. Woodbridge: Tamesis, 2017. xii + 220 pp. $99.

Performing the King Divine: The Early Modern Spanish Aulic Festival. Lucas A. Marchante Aragón. Teatro del Siglo de Oro: Estudios de Literatura 128. Kassel: Edition Reichenberger, 2017. xii + 296 pp. €78.

Día y noche de Madrid. Francisco Santos. Ed. Enrique García Santo-Tomás. Letras Hispánicas. Madrid: Cátedra, 2017. 364 pp. €15.30.

Correspondance. Jean Racine. Ed. Jean Lesaulnier. Bibliothèque des correspondances 92. Paris: Honoré Champion, 2017. 702 pp. €95.

Élégies, chansons et autres poésies. Henriette de Coligny, comtesse de La Suze. Ed. Mariette Cuénin-Lieber. Masculin/féminin dans l’Europe moderne 10; Série XVIIe siècle 2. Paris: Classiques Garnier, 2017. 404 pp. €48.

Memoires de Hollande. Nicolaas Lens, ed. Sources classiques 127. Paris: Honoré Champion, 2017. 470 pp. €95.

La “Vision de Tondale” et ses versions françaises (XIIIe–XVe siècles): Contribution à l’étude de la littérature visionnaire latine et française. Mattia Cavagna. Nouvelle Bibliothèque du Moyen Âge 118. Paris: Honoré Champion, 2017. 674 pp. €85.

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Volume 71 - Issue 4 - Winter 2018

Reviews

Book Review