Theatre Research International: Volume 17 - Issue 3

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 17 - Issue 3 - Autumn 1992

Contents

Page 2 of 3

Reviews

Canadian Theatre Review. Edited by Alan Filewod, Associate Editors Natalie Rewa, Ann Wilson. Nos. 61–64, Winter 1989–Fall 1990.
David Bradby
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23 January 2009, p. 258
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The Masks of Menander: Sign and Meaning in Greek and Roman Performance. By David Wiles. Cambridge: Cambridge University Press, 1991. pp. xv + 261. £35.
Simon Goldhill
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23 January 2009, pp. 258-259
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The Roman Theatre and its Audience. By Richard C. Beacham. London: Routledge, 1991. Pp. xii + 267. £35.00.
Susan H. Braund
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23 January 2009, p. 259
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Inszenierung der Antike: Das Griechische Drama auf der Buhne der Neuzeit 1585–1990. By Hellmut Flashar. München: C. H. Beck, 1991. Pp. 407 + illus.
Fiona Macintosh
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23 January 2009, pp. 259-260
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Shakespeare Survey, Volume 44: Shakespeare and Politics. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1992. Pp. viii + 268 + illus. £35/ $54.95.
David Ian Rabey
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23 January 2009, pp. 260-261
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Racine: Theatre et Poesie. Edited by Christine M. Hill. Leeds: Francis Cairns, 1991. Pp. 222.
James J. Supple
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23 January 2009, pp. 261-262
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Racine: A Theatrical Reading. By David Maskell. Oxford: Clarendon Press, 1991. Pp. 272 + illus.
James J. Supple
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23 January 2009, pp. 261-262
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Theatre and Disorder in Late Georgian London. By Marc Baer. Oxford: Clarendon Press, 1992. Pp. 291 + illus. £37.50.
Ian A. Bell
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23 January 2009, p. 262
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Richard Wagner: Theory and Theatre. By Dieter Borchmeyer, translated by Stewart Spencer. Oxford: Clarendon Press, 1991. Pp. 423. £50.00.
David Rudkin
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23 January 2009, pp. 262-263
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The Correspondence of Edward Gordon Craig and Sándor Hevesi (1908–1933). Edited by György Székely. Budapest: Hungarian Theatre Institute & Museum, 1991. Pp. 203 + 4.
Zsuzsa Berger
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23 January 2009, pp. 263-264
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Bertolt Brecht and the Theory of Media. By Roswitha Mueller. Lincoln: University of Nebraska Press, 1989. Pp. xiii + 149. $25.
Susan Bennett
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23 January 2009, pp. 264-265
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Modern British Drama, 1890–1990. By Christopher Innes. Cambridge: Cambridge University Press, 1992. Pp. xxiii + 484 + illus. £40; £12.95.
David Ian Rabey
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23 January 2009, pp. 265-266
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Gycklaren och Vanmakten: Studier I Lars Forssells ‘Kabarédramatik’ (with a summary in English: THe Jester and Powerlessness: Studies in Lars Forssell's ‘Cabaret Drama’). By Gunnar Syréhn. Stockholm: Almqvist & Wiksell International. Pp. 233 + illus. SEK 144:
Lars Burman
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23 January 2009, pp. 266-267
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The Reluctant President: A Political Life of Vaclav Havel. By Michael Simmons. London: Methuen, 1991. Pp. xxiii + 229 + illus. £16.99.
Michael Quinn
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23 January 2009, p. 267
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Magdalena: International Women's Experimental Theatre. By Susan Bassnett. Oxford/New York/Munich: Berg/St. Martin's, 1989. Pp. 134 + illus.
Meri Wells
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23 January 2009, pp. 267-268
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The Citizens' Theatre Season, Glasgow 1990. Edited by Jan McDonald and Claude Schumacher. Glasgow: Theatre Studies Publications, 1991. Pp. 162 + illus. £12.99.
Lisa Lewis
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23 January 2009, pp. 268-269
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The Methuen Book of Theatre Verse. Compiled and edited by Jonathan and Moira Field. London: Methuen, 1991. Pp. 320 + illus. £15.99.
Michael Mangan
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23 January 2009, p. 269
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Approaching Theater. Edited by André Helbo. Bloomington: Indiana University Press, 1991. xi + 226.
Michael Quinn
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23 January 2009, pp. 269-270
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The Right to Speak. By Patsy Rodenburg, with an introduction by Ian McKellen. London: Methuen, 1992. Pp. 299. £7.99.
Harriet Walter
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23 January 2009, pp. 270-271
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Not in Front of the Audience: Homosexuality on Stage. By Nicholas de Jongh. London: Routledge, 1992. Pp. 214 + illus. £35.00; £10.99.
Ian Lucas
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23 January 2009, p. 271
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Page 2 of 3

Theatre Research International

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Volume 17 - Issue 3 - Autumn 1992

Reviews

Canadian Theatre Review. Edited by Alan Filewod, Associate Editors Natalie Rewa, Ann Wilson. Nos. 61–64, Winter 1989–Fall 1990.

The Masks of Menander: Sign and Meaning in Greek and Roman Performance. By David Wiles. Cambridge: Cambridge University Press, 1991. pp. xv + 261. £35.

The Roman Theatre and its Audience. By Richard C. Beacham. London: Routledge, 1991. Pp. xii + 267. £35.00.

Inszenierung der Antike: Das Griechische Drama auf der Buhne der Neuzeit 1585–1990. By Hellmut Flashar. München: C. H. Beck, 1991. Pp. 407 + illus.

Shakespeare Survey, Volume 44: Shakespeare and Politics. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1992. Pp. viii + 268 + illus. £35/ $54.95.

Racine: Theatre et Poesie. Edited by Christine M. Hill. Leeds: Francis Cairns, 1991. Pp. 222.

Racine: A Theatrical Reading. By David Maskell. Oxford: Clarendon Press, 1991. Pp. 272 + illus.

Theatre and Disorder in Late Georgian London. By Marc Baer. Oxford: Clarendon Press, 1992. Pp. 291 + illus. £37.50.

Richard Wagner: Theory and Theatre. By Dieter Borchmeyer, translated by Stewart Spencer. Oxford: Clarendon Press, 1991. Pp. 423. £50.00.

The Correspondence of Edward Gordon Craig and Sándor Hevesi (1908–1933). Edited by György Székely. Budapest: Hungarian Theatre Institute & Museum, 1991. Pp. 203 + 4.

Bertolt Brecht and the Theory of Media. By Roswitha Mueller. Lincoln: University of Nebraska Press, 1989. Pp. xiii + 149. $25.

Modern British Drama, 1890–1990. By Christopher Innes. Cambridge: Cambridge University Press, 1992. Pp. xxiii + 484 + illus. £40; £12.95.

Gycklaren och Vanmakten: Studier I Lars Forssells ‘Kabarédramatik’ (with a summary in English: THe Jester and Powerlessness: Studies in Lars Forssell's ‘Cabaret Drama’). By Gunnar Syréhn. Stockholm: Almqvist & Wiksell International. Pp. 233 + illus. SEK 144:

The Reluctant President: A Political Life of Vaclav Havel. By Michael Simmons. London: Methuen, 1991. Pp. xxiii + 229 + illus. £16.99.

Magdalena: International Women's Experimental Theatre. By Susan Bassnett. Oxford/New York/Munich: Berg/St. Martin's, 1989. Pp. 134 + illus.

The Citizens' Theatre Season, Glasgow 1990. Edited by Jan McDonald and Claude Schumacher. Glasgow: Theatre Studies Publications, 1991. Pp. 162 + illus. £12.99.

The Methuen Book of Theatre Verse. Compiled and edited by Jonathan and Moira Field. London: Methuen, 1991. Pp. 320 + illus. £15.99.

Approaching Theater. Edited by André Helbo. Bloomington: Indiana University Press, 1991. xi + 226.

The Right to Speak. By Patsy Rodenburg, with an introduction by Ian McKellen. London: Methuen, 1992. Pp. 299. £7.99.

Not in Front of the Audience: Homosexuality on Stage. By Nicholas de Jongh. London: Routledge, 1992. Pp. 214 + illus. £35.00; £10.99.

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Volume 17 - Issue 3 - Autumn 1992

Reviews