This article is about the seminar held at Luiss University in Rome on 17 June 2024. The seminar focused on ‘The End of Christian Democracy: A New Direction for Research’ and was the first milestone and official launch of the PRIN research project ‘The End of Christian Democracy: The Collapse of a Political Dream – Voices from the Margins’, led by a consortium of four universities: Luiss, Roma Tre, Bologna and Suor Orsola Benincasa, Naples.

In contemporary Italy, media and public actors frame the exploitation of migrant agricultural labourers as the outcome of caporalato. This concept – translated as labour brokerage or gang mastery – connotes the violent treatment of workers and their exploitation by powerful individuals, who are today increasingly racialised and understood as being Black and immigrants. However, our fieldwork in Apulia and Sicily uncovered a more complicated picture. This article considers a variety of sources to explore how caporalato is constructed and to what effect. Our argument is that, though rooted in real dynamics, caporalato is also a reductive, sensationalised, and racialising framing device that transposes historic tenets of Italy's ‘Southern Question’ onto ‘othered’ migrant workers. It affects policy by creating categories of people who are made ‘illegal’ and ‘deportable’. In also reinforcing derogatory stereotypes about the Italian South, it makes visible further South(s) of the Italian South(s) – offering insight into how and where borders are created and what their effects are.

This article explores the socio-ecological impacts of Fascist hydropower extraction in the Alpine valleys of Italy, focusing on the Toce river basin during the interwar period. It investigates the conflicts between local communities and hydropower initiatives by private energy companies under Fascism, thereby revealing the regime's communication strategies rooted in its political ecology. By analysing newspaper articles, propaganda outlets and communal archival documents, the study uncovers statal and local perspectives on infrastructure development and its enduring consequences. How the political ecology of Fascism in a high-altitude hydropower construction site became an expression of Fascist modernity will thereby be shown. Despite objections from valley inhabitants, Fascist hydropower projects persisted, perpetuating socio-ecological inequalities after 1945. Even postwar efforts for compensation failed to address the long-lasting impacts on mountain communities. This research reveals the intersection of political ecology and modernist infrastructure development in Mussolini's Italy, and thus also highlights the legacies of Fascist resource extraction policies on the country's peripheral Alpine regions.

In 1912, the Italian parliament approved the extension of male suffrage, making it ‘almost’ universal. This process of revising representation transformed the very idea of the relationship between citizens and the state and shaped a profoundly different Italy. The aim of this article is to trace both the process leading to the approval of universal suffrage and its impact on the party system. With a compilation and analysis of data developed from scratch for the elections of 1909 and 1913, it was possible to analyse the main dimensions of the two rounds in a disaggregated manner. Three aspects make 1913 a year of transition. First, the degree of competition in the electoral process, especially in the South, increased considerably. Second, the decline of liberal formations was not transformed into defeat, thanks only to the Catholic vote. Third, the birth of the Popular Party and the failure to create a mass party of conservatives were causes of the imbalance in the party structure.

Italy's prison overcrowding became world news in early March 2020, when the COVID-19 outbreak sparked riots in prisons across the country, causing the death of 13 inmates. As a crisis narrative, the COVID-19 pandemic made visible the deep, ongoing crisis of Italy's prison system and disclosed new conditions for critical thought on the restorative potential of the penitentiary system. This article first describes the impact of COVID-19 on Adriano Sofri's ‘no prison’ writings, starting from his column in Il Foglio on the prison uprisings in March that followed the announcement of the anti-COVID measures; it subsequently analyses the Italian response to the pandemic from an internal, practitioner-led perspective. By offering both a dialectic and an immanent perspective, it aims to develop new ways of understanding the detention system and enhance the social credibility of the penitentiary system in Italy beyond the constraints of COVID and the emergency logic.

The political messaging of Leoluca Orlando, who served five terms as mayor of Sicily's capital, Palermo (most recently, until 2022), articulates a cosmopolitan vision of local identity. Orlando seeks to emphasise Palermo's ‘tolerant’ values, invoking the city's history to foster this image, as well as using a variety of rhetorical strategies. He portrays Palermo as having a true ‘essence’, which is necessarily multicultural. I analyse Orlando's pronouncements on his official Facebook page, as well as observing his audience's reactions to his messaging, both supportive and critical. I examine how Orlando articulates the narrative that Palermo has historically been a ‘mosaic’ of various cultural influences, proposing that the contemporary city is the ‘true’, welcoming face of the Mediterranean. As well as exploring the political utility Orlando sees in such arguments, I analyse the risks inherent in this essentialising project.

This article examines the first tour of Buffalo Bill's Wild West in Italy and the so-called ‘sfida dei butteri’ (the challenge of the Italian cowboys of the Pontine marshes), which took place in Rome in March 1890. Analysing nineteenth-century Italian newspapers and photographs, I demonstrate that populist, anti-capitalist, and anti-American sentiments marked the Italian media's responses to the American show. In the historical context of Italy's socioeconomic crisis and of the first phase of colonial expansion in Africa (1870–1922), the mixed reception of Buffalo Bill's Wild West, amplified by the media event of the sfida, shaped the fate of the western genre in Italy.