The Yorkshire novelist Storm Jameson wrote that her work tended to ‘sag beneath my great ideas’, as she fought to reconcile her own frustrations with a world of isms and inconsistencies. This chapter explores In the Second Year (1936) Storm Jameson’s dystopian vision of fascist Britain and what this might look like. Like many of her other novels is waterlogged with dialogues and monologues which seek to unpack and explore the great ideas of the age - modernity; capitalism; materialism; individualism - and the ways in which they inform and underpin the attractions of a particularly British fascism, one fashioned in a crucible of class prejudices, the public school system and growing inequality.

This essay revisits the relationship between Clare’s mental and physical health and his writings by considering the importance of taking him on his own terms. Appraising the critical history of diagnostic approaches towards Clare’s mental and physical distress, it suggests that such categoric approaches to the poet’s psychophysiological life are unsatisfactory. It turns instead to a key term that Clare used repeatedly to describe his varied forms of disorder – his ‘indisposition’ – and argues that it remains important to Clare and to us as readers of him because of its dislocating and indecisive potential. Considering his unsettled position within the medical and literary culture in which he lived, and broadening the range of his medical encounters and vocabulary beyond the narrow context of the asylum, the essay discuss Clare’s symptoms and his poetic representations of them as entangled with his mobility across, and unstable status within, different places, social worlds, and identities.

Chapter 2 argues that syncretism, a form of eclectic union, is temporal as well as spatial. As a temporal form, syncretism consolidates historical events, daily individual experiences, and social practices onto a shared plane. This chapter analyzes syncretism in Risorgimento Florence, examining how the city adapts to serve modern Italy while maintaining its historical significance. I read Florence through the travel narratives of Susan Horner, two guidebooks (Walks in Florence, which Horner coauthored with her sister Joanna; and Mornings in Florence by John Ruskin), and a forgotten novel (Isolina, which I attribute to Susan Horner). Across these genres, syncretism emerges as a temporal form capable of defining liberty democratically so that Florence potentially serves as a model of egalitarianism internationally in response to nineteenth-century revolutions and wars.

The Vicar of Wakefield is a tale with marriage at its core. This chapter puts that preoccupation in historical and cultural context, accounting for the importance of the Whistonian controversy and Hardwicke Marriage Act of 1753 as backdrops to a novel which does not merely reflect its time, but anticipates subsequent treatments of the institution of marriage in fiction.

This chapter explores contexts for Goldsmith’s career as a playwright, such as competition between Covent Garden and Drury Lane theatres that were factors in the moderate success of The Good Natur’d Man in 1768 and the surprise runaway hit that was She Stoops to Conquer five years later. These plays are considered in the light of how the Seven Years’ War, which greatly expanded the British empire, challenged conceptions of Britishness at home and abroad. Goldsmith’s comedies respond to the perceived effeminization of culture in the 1770s, associated with the possibility corrupting influence of luxury and commerce as a result of imperial expansion. This influence was manifested in new kinds of fashionable sociability such as the masquerade with its uppity women, and the phenomenon of the male ‘macaroni’. Goldsmith also tests the conventions of the comedy of manners in how he deploys minor characters in The Good Natur’d Man and the cross-class appeal of Tony Lumpkin in She Stoops to Conquer.

This chapter explains why the topic of Mexican American culture became especially urgent during the 1960s and 1970s, and shows why this emphasis on culture came under question during the 1980s. Arellano describes how the Chicano literary intervention was crucial for exposing reductive caricatures by providing more nuanced characterizations of Mexican Americans. This focus on nuanced characterization, however, ultimately risked obfuscating the damaging effects of class struggle. Referencing the competing visions of Tomás Rivera and Richard Rodriguez, concerning the value of culture, Arellano analyzes literary case studies by José Antonio Villarreal and Arturo Islas, showing how their emphasis on a shared ethnic identity occluded class inequality. Arellano concludes by analyzing Rolando Hinojosa’s novel We Happy Few, which reconsiders the legacy of Chicano activism, demonstrating how Hinojosa disarticulates the novel’s meaning from cultural unity and reconnects it to the needs of workers. The novel thus highlights a view of literature that takes Mexican American humanity as a given and directs readers’ critical attention toward the problems that arise from a society organized by class

Two widespread narratives attempt to account for the decline of social democratic parties over the past decades. The economic narrative points to these parties’ centrist positioning as the key cause and the Radical Left and Right as the key beneficiaries. By contrast, the cultural narrative focuses on the liberal positions of social democratic parties on new issues relating to cultural issues such as immigration, gender equality, and European integration and points to the Radical Right as key beneficiaries. What links these two narratives is the idea that Social Democrats have alienated the working class. In this chapter, we use individual-level survey data from eight countries to show that although social democratic parties have seen losses among all electoral groups, the voters who left social democratic parties were disproportionately centrist and educated. Second, we find that only a small share of former social democratic voters defected directly to parties of the Radical Right. Instead, social democratic parties lost most voters to moderate right, green, and left-libertarian parties. We additionally show that cultural attitudes play only a small role for choosing between moderate right and social democratic parties. By contrast, they are strongly linked to choices between social democratic and green/left-libertarian parties. These findings cast doubt on both predominant narratives of social democratic decline.

The radical Right has turned to the Left’s iconic hero Antonio Gramsci for inspiration and guidance on how to launch a counter-hegemonic struggle against liberal cultural and political domination. Gramsci provides a powerful way to understand the globalisation of the Right, and many of Gramsci’s ideas, particularly cultural hegemony, historic blocs, and counter-hegemonic movements have been self-consciously and strategically appropriated by the Right. What radical Right intellectuals call ‘metapolitics’ provides them with a global sociological, ideological, and political framing, as well as a political economy with capitalism and class at its centre. It provides a strategic direction that seeks to mobilise social forces produced and marginalised by liberalism and globalisation by bringing them to self-consciousness, turning them from classes in themselves to politically aware and active classes for themselves. The global Right is not ideologically unified, nor does it have centralised controlling institutions. Instead, their counter-hegemonic ideologies enable diverse actors and agendas to find common cause despite their differences.

To support experiential learning, HLVC data are available for research (by permission, and with protections for the participants). This chapter illustrates the integration of research and community-engaged learning, which is critical to the success of the project. It presents activities that support critical and creative thinking, enable theoretical knowledge to be empirically tested, and facilitate and enhance quantitative reasoning, information literacy, and the communication of research. It includes a section on how to best conduct and teach research methods to support the vitality of the languages being examined and one on ethical practices. Sociolinguistics trails other subfields in analyzing data outside the majority language (English). With these supports, students can change this situation. The exercises exemplify tasks that students have undertaken and can help others get started. Exercises provide prompts and show how to gain access to instruments and data. In addition, the course Exploring Heritage Languages, which has modules that can be (adapted and) used, is introduced. The HLVC corpus and these modules provide instructional infrastructure to scaffold undergraduate and graduate class assignments teaching relevant theory and research skills.

“’Flung out of Space’: Class and Sexuality in American Literary History" explores the relationship between class and queer sexuality in American literary history, suggesting how neither of these histories can be understood without accounting for the other. Reading literary texts such as Patricia Highsmith’s The Price of Salt and Richard Bruce Nugent’s “Smoke, Lilies and Jade” alongside queer theory and LGBTQ history, Lecklider suggests how class structures queer literature throughout American history, particularly since the 19th century. Particularly emphasizing how labor structures desire, this chapter argues that working-class sexualities – and their intersections with race and gender – must be taken seriously in order to fully appreciate both the contributions of queer literature and the legibility of labor in American history.

This essay considers the impact of the Supreme Court’s decision in Lawrence v. Texas (2003) on the production of a particular kind of queer subject, a subject coded by the court as a part of heteronormative queer couple. After tracking the court’s representation, I turn to fiction published since this decision, demonstrating that fiction offers the nuanced and complex sense of queer subjectivity that is erased in the Lawrence representation. Contemporary queer fiction, I demonstrate, disrupts the court’s representation by offering representations of kin formations that are far more complex than a homonormative assimilative couple. These depictions explore the worlds inhabited by characters who more closely resemble Lawrence and Garner—kept out of the public view—than the metropolitan, privileged queer subjects of the Lawrence ruling. The representations of contemporary fiction disrupt the homogenizing national implications of the Supreme Court as well, by locating queer subjectivity in both diasporic and transnational subjects. Finally, the growth of queer speculative fiction challenges the concept of the normative more broadly, in both form and content.

Chapter 5 details the workings of social estates of eighteenth-century Germany. Many of Goethe’s works of prose and drama either directly depict his own society, or transpose significant features of that social world to a different historical setting. The chapter highlights the differences in the social organisation of rural areas on the one hand, and of towns and cities on the other. Further, it distinguishes between the social structure of Frankfurt, Goethe’s birthplace and a large city, and Weimar, a small residence town with the duke at the top of its hierarchy.

This chapter reviews the study of variation in gesture and its theoretical underpinnings in the field of gesture studies. It questions the use of culture, language, or nationality as the default unit of analysis in studies of gesture variation. Drawing on theoretical developments in sociolinguistics and recent anthropologial analyses of gesture, it argues for the possibility that social factors and divisions other than linguistic/cultural boundaries may provide a more robust and comprehensive theoretical account for variation in gesture.

The second chapter considers the Inns of Court in their relationship to the broader city, both the people who lived, worked, or visited central London and the governing bodies responsible for regulating the capital. The chapter highlights the societies’ struggle to maintain their local autonomy while fulfilling obligations to the public good and, increasingly, to public opinion. The Inns were geographically and legally separate from the rest of the capital, but they connected with the central London populace via efforts to promote citizens’ physical, moral, and cultural well-being. At the same time, the societies clashed with newly created, centralized metropolitan bodies designed to order the metropolis in the name of public health. Disputes between the Inns and entities like the Metropolitan Board of Works represented a conflict between an ancient system of local authority and processes of urban rationalization, a tension that defined metropolitan modernity in Britain. As competing strains within liberalism pushed institutions to engage in philanthropy in ways that could undermine institutional authority, the Inns found themselves unable to fully salvage their autonomy.

This chapter opens up a fuller discussion of how sites of socialisation outside the family reworked the meaning of stories about the past. Looking at Huddersfield, it focuses on the consequences of selective grammar schooling for disrupting ‘traditional’ attachments to working-class cultures of politics, shifting people’s class- and place-based identities and weakening the political status of memory. It explores these issues from the perspectives of both socially mobile grammar school leavers and their parents left in Huddersfield. It also highlights cases in which parents and their children concurred about these issues.