Brennan Breed’s “The Reception History of Isaiah: Unsealing the Book” takes a single theme attested in just a few verses (Isa 8:16; 29:11; and 30:8) and shows how it has been reinterpreted by readers ceaselessly across the centuries, all the way from later biblical authors to modern times, in response to everything from sectarian divisions to African-American slavery to the trauma of the Holocaust. These verses refer to the words of the prophet being sealed, especially to those who are ignorant, until the time comes for their meaning to be revealed. This theme brings into focus the ways in which Isaiah has been used polemically, and it also points to the text’s power as a seemingly inexhaustible well of meaning.

This chapter looks at what the Geniza archives tell us about Cairo’s community’s relationship with the Nile. Since its discovery by scholars in the late nineteenth century, this large and unique corpus of medieval and early modern manuscripts has allowed scholars to access part of the quotidian experience of Cairo’s – and to a wider degree Egypt’s – Jewish communities over centuries. It also documents their integration within transnational and diasporic webs that, just like Egypt’s agricultural surpluses, extended to Palestine and the wider Mediterranean. As is shown, the letters preserved in the Geniza complement, and at times disrupt, literary evidence. They notably do so by evoking a medieval world in which real disaster was perhaps never far away, and where the Nile, its waters, floods and promises or denial of sustenance, were always in view.

Macedonian conqueror, in both Jewish and Christian sources, was a composite and of complicated design. It was constantly created and recreated, using varied techniques and inspirations, which resulted in a number of disparate, fragmentary projections. The dominant features of these projections were selected according to the immediate need and agenda of the text in which the figure of Alexander appeared. There is a certain continuity between the development of Alexander stories and legends in the Jewish milieu and those of the Greek and Roman pagan traditions, but there are significant innovations as well. As for the Christian authors, as much as they were familiar with Classical writings on Alexander, they would also exploit the Jewish corpus of Alexander legends, some of which have no direct parallel in Greco-Roman pagan writings.

1 Introduction

2 Digital Religion: History and Context

3 Digital Religious Practice as Contemporary Lived Religion

4 Challenges of Digital Religion to Offline Religious Practice

 4.1 Shifts in Religious Authority Online and Offline

 4.2 Digital Ritual: Transforming Traditional Religious Practice

5 Religious Community in the Digital Age

6 Future Developments in Digital Religion

This chapter introduces the contents of this volume and provides a critical overview of medieval pharmacology with a focus on the Mediterranean from the ninth/tenth century to the fifteenth. It emphasises the importance of drawing evidence from various cultures (Byzantine, Islamicate, Jewish, Latin) and disciplines (history, art history, manuscript studies, and archaeology) in order to discuss topics of broader significance for the global Middle Ages, such as the transfer of medical and pharmacological knowledge. It also shows how our understanding of medieval pharmacology can be significantly expanded by the study of evidence from other areas, such as alchemy, cooking, diplomacy, magic, religion, and philosophy.

This chapter deals with the idiosyncratic works of two key authors from the Mad magazine generation: Harvey Kurtzman and Jules Feiffer. It addresses more specifically the distinctive satirical styles of both authors, who criticized and reconfigured, from a leftist and Jewish immigrant background, the standard signifiers of American mainstream culture. Although both authors contributed equally to the tradition of American cartooning, their work in the graphic novel field is highly divergent. Kurtzman started at EC in the war comics subgenre, but rapidly turned to humor magazines, before introducing an important stand-alone comics paperback with original material, Harvey Kurtzman’s Jungle Book, whose incongruous humor relied on clever, repetitive panel layouts. Like Kurtzman, Feiffer is adept at transmedial appropriation, but his work, which started under Will Eisner’s tutelage, is less focused on citational humor and both more personal and more political. Instead, Feiffer developed singular forms of graphic narratives targeting conformism. The chapter offers close readings of Kurtzman’s Jungle Book and Feiffer’s noir trilogy: Kill My Mother, Cousin Joseph, and The Ghost Script (all from the 2010s).

Volume 2 of The Cambridge History of Global Migrations presents an authoritative overview of the various continuities and changes in migration and globalization from the 1800s to the present day. Despite revolutionary changes in communication technologies, the growing accessibility of long-distance travel, and globalization across major economies, the rise of nation-states empowered immigration regulation and bureaucratic capacities for enforcement that curtailed migration. One major theme worldwide across the post-1800 centuries was the differentiation between “skilled” and “unskilled” workers, often considered through a racialized lens; it emerged as the primary divide between greater rights of immigration and citizenship for the former, and confinement to temporary or unauthorized migrant status for the latter. Through thirty-one chapters, this volume further evaluates the long global history of migration; and it shows that despite the increased disciplinary systems, the primacy of migration remains and continues to shape political, economic, and social landscapes around the world.

This chapter focuses on the series of conflicts between the Roman government and the Jewish population of the Roman empire during the first and second centuries CE. Modern theories on this relationship are as elaborate and convoluted as the corpus of primary sources available for it. Both will be analyzed here through the scope of genocide, in an attempt to determine whether there ever existed a Roman intent to destroy the Jewish group or parts of it, and the extent to which actual destruction ultimately occurred.

Part introduction to the frame around 1933, part initial case study, the first chapter introduces Kurt Weill’s Symphony No. 2, the symphony-in-progress he carried in his suitcase as he escaped Nazi Berlin for exile in Paris in March 1933. The chapter explores its 1934 premiere in Amsterdam, where critics took issue with both the popular-sounding music and with Weill himself – neither seeming suitable for the symphonic genre – to introduce the book’s central concerns: how, at this uncertain and turbulent political moment, the specific cultural anxieties that emerge around symphonies can generate insights into how people thought about both subjectivity and about political and aesthetic notions of space. If previous scholarship on the genre has largely been wedded to nation-states and grand political narratives, this chapter instead argues for a transnational approach and lays out the symphonic genre’s long history of entanglement with Germanic philosophies of subjectivity and space, from E. T. A. Hoffmann to Paul Bekker.

The evacuation of Jewish children from Europe to Palestine through the Youth Aliyah programme drew global attention. Chapter 4 considers the fundraising activities in the Australian and Jewish community around the organisation of Youth Aliyah, which attracted leading humanitarians such as Aileen Fitzpatrick, Jessie Street, Ruby Rich and Camilla Wedgewood. Youth Aliyah was founded in Germany in 1932 by Recha Freier, a committed Zionist, who was also active during the 1930s in Women’s International Zionist Organisation. At the time, there was resistance to the idea of uprooting children and taking them to Palestine to receive an agrarian, socialist education. As it became clear the Nazi resolve was to eradicate the Jewish population, Youth Aliyah became a fully fledged child rescue effort. From 1933 to 1945, it evacuated 11,000 Jewish children, relocating them to Palestine. There has been little work on the global dimension of this campaign. By focusing on these fundraising efforts and other attempts to support Jewish children in Australia, Chapter 4 explores Youth Aliyah as a transnational global movement.

The chapter focuses on religious and ethnic affiliation as social factors that influence the structure of variation in several Arabic-speaking communities. We go beyond the simplistic correlations between religious/ethnic groupings and language, and seek to uncover the histories and social meanings of variation based on such groupings. We include examples, both old and new, to illustrate variation according to these factors.