Epilepsy remains the most common neurologic disorder in childhood and adolescence, with certain epilepsy syndromes such as childhood absence epilepsy (CAE) and juvenile myoclonic epilepsy (JME) being more common in girls. Psychiatric disorders are a common comorbidity in children with epilepsy, especially two behavioral conditions: attention deficit hyperactivity disorder (ADHD) and autism spectrum disorder. In addition, psychosocial issues of stigma, bullying and violence remain potent disruptors of patients’ development at this stage in their lives. Emerging information on how cultural, ethnical and gender diversity may affect care should also be taken into consideration and proactively addressed. As the care of children and adolescents with epilepsy has grown more complex over the past decades, the transition from pediatric to adult care systems needs to become purposeful, such as the medical, psychosocial, educational and vocational needs of young adults with long-term medical conditions are actively

In this chapter we focus on associations between intrusive parenting, the parent–adolescent relationship, and adolescents’ information management strategies. Theoretically, parenting that threatens adolescents’ autonomy leads to suboptimal adolescent adjustment. We discuss when overprotective parenting, psychological control, behavioral control, and helicopter parenting may be intrusive and how they are associated with the parent–adolescent relationship and adolescent information management. We also consider parental intrusiveness and adolescents’ information management in two specific contexts, namely in relation to adolescents’ sexuality and media use. We suggest that an intrusive parenting environment is not the optimal way to promote healthy adolescent information management.

The third chapter traces the linkages between evolutionary science and aestheticism through the work of popular science writer Grant Allen and the arch aesthete Oscar Wilde, who shared a penchant for socialist politics as well as a firm belief in the truth of both Charles Darwin’s and Herbert Spencer’s evolutionary theories. More importantly, Allen and Wilde were similarly repulsed by the cultural implications of social Darwinism, and for that reason looked to sexual selection – and, by extension, aesthetics – for a life-affirming alternative to the pressures of Darwinian competition. In their fiction and critical prose from the 1880s and 1890s, this chapter argues, both Allen and Wilde eventually arrived at a markedly utopian aesthetics that posited individual self-culture, through the emancipated pursuit of pleasure, as the key to radical social change. This chapter thus sheds light on aestheticism’s late-century polemical turn, which made it a lightning rod in the sexual controversies of the fin de siècle.

This chapter explores Sanhe gods’ hybridized masculinity across rural–urban and class boundaries. It also discusses their online and offline sexual discourses, desires, and involvement in paid sex.

This chapter uses contemporary Haitian fiction by feminist authors to explore the Haitian uses of the erotic. Emmelie Prophète’s Un ailleurs à soi (2018) and Kettly Mars’s Je suis vivant (2015) offer rich examples of how representations of same-sex desire map feminist geographies that foreground the relationship between the body, intimacy, and identity. I begin with a brief discussion of how representations of the erotic have evolved in Haitian literature, then continue with close readings of Prophète and Mars’s women-loving-women protagonists physical and verbal interactions. Guided by Caribbean feminist methodologies, I argue that these authors actively amplify the erotic as a source of freedom that can be powerfully ordinary and quietly mundane which is especially significant in the context of twenty-first-century literature.

A significant percentage of older adults remain sexually active. Studies have shown that sexual activity in older adults is associated with better cognitive and mental health and better sleep. Major neurocognitive disorders are a common cause of sexually inappropriate behavior. Despite the few studies discussing sexual aspects in MNCD, existing reports indicate that up to 25% of patients suffering from Alzheimer’s disease have inappropriate sexual behavior, including increased sexual urge and hypersexuality. The ability of patients to consent to sexual relations may be underestimated by healthcare staff. Therefore, the issue of consent is an important point of discussion among staff members and each case should be assessed separately. Long-term care facilities should have policies in place that address the evaluation of a patient’s capacity to consent to sexual activity.

More women are surviving gynecological cancer with advancements in screening, diagnosis, and treatment. Survivorship care of gynecological cancer includes surveillance for recurrence of disease, monitoring for late effects of treatment, reducing the risk and early detection of other cancer, and assessment of psychosocial function. Even if the surveillance of gynecological cancer survivors has some common features, non-invasive and invasive breast, cervical, endometrial, and ovarian cancer will require an individualized therapeutic approach. Many survivors of gynecologic cancer will have long lasting effects on bone and sexual heath, so these areas should be addressed on a regular basis. In addition, it is important to use every encounter as an opportunity to assess the risk of other cancer and provide appropriate early detection. Survivorship care will also incorporate strategies to decrease the risk of other cancer through lifestyle modifications. Many female cancer survivors will have lifelong issues related to distress, body image, finance, and social support. Assessment of psychosocial issues and referral to appropriate services should be performed at every patient encounter.

Across centuries and continents, the Irish essay has captured impressions and insights triggered by socio-political transformations across the island, and the form’s malleability has allowed writers to puzzle out the contours of Irish identity, often highlighting its deliberate performativity. Shaped by the culture’s oral tradition, the Irish essay frequently imbricates with storytelling, theatrical performance, and public lectures, live events that underscore its performative qualities. Writers often gear their impressions and inquiries self-consciously to audiences real and imagined, assuming the essay plays a meaningful role in public dialogue. In the twenty-first century, personal and lyric essays focused on rapidly changing perceptions of bodies and sexuality exemplify this trait. This alertness to performance and audiences helps to explain the Irish essay’s ready adaptation to new forms, technologies, and platforms in pursuit of readers, listeners, and viewers at home and abroad.

Smith’s chapter focuses on the continued influence of the idea of Weimar Berlin in contemporary popular culture. The chapter takes as its starting point recent cultural expressions, such as the television series Babylon Berlin, focusing on previously unexplored aspects of how Weimar is depicted as a modern Babylon. Smith identifies two particularly salient aspects in these depictions: first, that the portrait of right-wing political cultures within Weimar are given more depth and nuance than are afforded center-left and left-wing ones; and, second, how the depiction of sex and violence leads us back to Alfred Döblin’s Berlin Alexanderplatz and its apocalyptic vision of Weimar, along with Anglo-American visions of Weimar that have particularly long staying power, in particular Christopher Isherwood’s depiction of 1930s Berlin and its iterations and adaptations on stage and screen. The chapter demonstrates the ways in which Weimar retains its grip on aspects of our contemporary popular culture and how the particular forms these cultural expressions take may tell us about the lessons drawn from Weimar.

This chapter argues that the New York School of Poets occupy a complex transitional moment in relation to both the history of sexuality and the history of poetry and modern art. Their work is governed by both the epistemology of the closet that shapes high modernism from earlier in the twentieth century and, looking forward to Stonewall and Gay Liberation, also presents utopian potentialities in its experimental forms of sociability.

Attending to the tropological imagination of Progressive Era U.S. immigration, this chapter maps what Michel Foucault calls “the organization of ‘erotic zones’ in the social body” to narrate a queer history of the social body itself. In so doing, the chapter animates a variety of period figurations of mass immigration—including racial indigestion and race suicide—to trace a new genealogy of the literary erotics of Asian, Italian, and Jewish immigrants, the ethnic groups that most threatened the whiteness of the social body. Reading across representations of immigration in the works of Henry James, Israel Zangwill, Charles Warren Stoddard, Yone Noguchi, Sui Sin Far, Jennie June, Emanuel Carnevali, and Emma Lazarus, this chapter shifts the history of sexuality from one located in individual bodies to theorize a sexuality of the population.

This chapter considers queer relations of identification and desire in nineteenth-century sentimental American literature, especially as they relate to the (re)production of the increasingly privatized, middle class, white, family. It considers how texts queer the substitutions of others for mothers (and fathers, and brothers, and sisters) in order to maintain and queer the normative family. The chapter moves from paradigmatic examples to ones that appear to revel in queer visions of identificatory erotics. It then draws upon queer of color critique to examine how white supremacy defines the human and/as normative gender and sexuality, such that Black and other people of color are placed as queer others in order to preserve a fantasy of white gender and sexual purity. This racialized version of queer as non-normative complicates any ideal of a solely celebratory or even neutral taxonomizing of identifications, desires, and their accompanying kinship structures.

This volume’s introduction traces the longstanding interdigitation between American literature and sexuality studies broadly imagined, mapping the inseparability between queer American literature and the history of sexuality. In so doing, it offers an institutional history of gay and lesbian studies, queer studies, and trans studies and grapples with the theoretical question of how to understand queer American literature. Examining the mutual imbrication of “queer,” “American,” and “literature,” it provides an overview of the volume’s theoretical investments, conceptual choices, and organization in order to introduce the reader to the volume as a whole.

This chapter adopts techniques from historical poetics to understand the queerness of American poetry before 1850. It suggests a set of techniques and methods as descriptive of queer historical poetics. It places poetry in its historical context to determine how queerness has changed across early American history. By examining poetry from Puritan New England, eighteenth-century American satires, verse of the American Revolution, and poetic collaborations from the early Republic, this chapter shows how poetry was understood to be queer in colonial American and the early republic. It suggests a relationship between queerness and formalism that looks for the ways queer sociabilities and ordinary queerness appeared in traditions of American poetry, and how these forms might challenge our idea of queer poetry as always intent on being radical, deviant, or innovative. Queer historical poetics restores sexuality to discussions of the formalist and poetic traditions of American poetry before 1850 while borrowing from queer studies the demand for relevancy.

“’Flung out of Space’: Class and Sexuality in American Literary History" explores the relationship between class and queer sexuality in American literary history, suggesting how neither of these histories can be understood without accounting for the other. Reading literary texts such as Patricia Highsmith’s The Price of Salt and Richard Bruce Nugent’s “Smoke, Lilies and Jade” alongside queer theory and LGBTQ history, Lecklider suggests how class structures queer literature throughout American history, particularly since the 19th century. Particularly emphasizing how labor structures desire, this chapter argues that working-class sexualities – and their intersections with race and gender – must be taken seriously in order to fully appreciate both the contributions of queer literature and the legibility of labor in American history.

Chapter 33 analyses the challenges to normative definitions of family, gender and love posed by Goethe’s works. In Goethe’s time, such norms were a crucial factor in what Michel Foucault has called the ‘mechanisms of power’. The chapter demonstrates that Goethe defied conventions through his depiction of desire: there are many examples of same-sex attraction in his work, and desire is often also portrayed as fluid, shifting and non-exclusive. Further, the chapter highlights the importance of adoptive relations, which Goethe presents as being of the same order of validity as biological connections.