The excavation of the ‘House of the Frescoes’, discovered in 1923 by Sir Arthur Evans to the north-west of the Palace at Knossos, revealed a large deposit of fresco fragments from floral and faunal compositions in Room E on the ground floor. From the broken pieces Evans's Swiss draughtsman, E. Gilliéron fils, was able to reconstruct three ‘panels’: these show a blue monkey on a red backgroundin a rocky and floral setting (PM II, pl. x, opp. p. 447; here called ‘panel A’); a blue monkey on an unpainted white ground in a papyrus thicket (ibid. 451, fig. 264, here ‘panel B’); and a blue bird perched on a rocky outcrop surrounded by wild flowers (ibid., pl. xi, opp. p. 454, here ‘panel C’). Evans thought panels A and B in particular contained Nilotic elements, and he suggested that the monkeys might have been depicted as hunting for birds' eggs, possibly of waterfowl. In addition, Evans published designs for the restoration of pancratium lily, myrtle and ‘jet d'eau’ compositions, and illustrations of fragments showing the head of a third monkey and part of a second ‘jet d'eau’.
The ‘House of the Frescoes’ was constructed after the earthquake at the end of M.M. IIIB and was destroyed in L.M. IA, as shown by pottery of that period on the floors of the house. The paintings therefore belonged to a single period of occupation, and evidently formed in some way a unified system of decoration ‘in the same style, by the same hands and executed at the same time’.