The analysis of phytoliths, microscopic pieces of silica formed within the cells of living plants, is a recent addition to archaeobotanical studies in the New World (Carbone, 1977; Pearsall, 1978; Lewis, 1981; Robinson, 1983; Piperno, 1983, 1984, in press, a; Piperno & Clary, 1984). Because these mineralized bodies are very resistant to destruction in soils over long periods of time, they have enormous, and for the most part, untapped potential in ecological reconstruction. However, phytoliths are at the stage in their development as an analytical technique where much of the Easic research into the taxonomy of their bodies, their distribution in soils, and their application to various research problems remains to be resolved. Hence, as various authors have indicated (Pearsall, 1982 ; Rovner, 1983; Piperno, 1983), a considerable amount of baseline research remains to be carried out in order to properly delineate the strengths and limitations of phytolith analysis in paleo-ecological reconstruction

The authors have undertaken a systematic survey of rock art along the Jubbah palaeolake in northern Saudi Arabia and interpret the results using GIS. They conclude that the overwhelming majority of prehistoric rock art sites overlook contemporary early Holocene palaeolakes, and that the distribution of later Thamudic rock art offers insights into human mobility patterns at Jubbah in the first millennium BC.

Mali is a country with a rich history and diverse cultures. Its cultural heritage is, however, threatened by both the pillage of archaeological sites and illicit trade (ICOM 1995; Bedaux & Rowlands, this volunle). Looting has dramatically increased in recent years, especially in the Inland Delta of the Niger, and has obliged Malian authorities to take measures to counteract this destruction. Within the framework of a long-term Malian-Dutch cultural heritage programme, the Rijksmuseum voor Volkenkunde at Leiden recently initiated large-scale excavations in the Inland Niger Delta at Dia, in close cooperation with the Université du Mali, the Institut des Sciences Humaines and the Musée National du Mali in Bamako, the Mission Culturelle in Djenné, the Universities of Paris I and VI, the C.N.R.S., University College London and Leiden University. This excavation, financed principally by the Dutch Ministry of Foreign Affairs, started in 1998 and will continue until 2004. It is a continuation of previous international programmes of site survey and documentation in the Inland Niger Delta, which the Institut des Sciences Humaines in Bamako has co-ordinated over the past two decades (e.g. Raimbault & Sanogo 1991; Dembele et al. 1993; Togola 1996). An initial season of prospection was carried out in 1998 in the Inland Delta, following which the vicinity of Dia was chosen as the principal research zone for the project.

New methods of visualisation offer the potential for a more detailed record of archaeological objects and the ability to create virtual 3D models that can be made widely available online. Here, two different techniques are applied to the impressive Easter Island statue on display in the Wellcome Gallery at the British Museum. Of particular importance are the details revealed of the petroglyphs that decorate its surface.

Tectonic movements – continuously re-moulding the surface of the earth over the inexorable activity of underlying plate motions – are rarely taken into account when assessing landscape change, except as an exotic hazard to human life or a temporary disruption in longer-term trends. Active tectonics also create and sustain landscapes that can be beneficial to human survival. The tectonic history of northwest Greece shows Palaeolithic sites located to take advantage of tectonically created features at both local and regional scales.

Excavations in the rockshelter at Pınarbaşı, 24.5km south-east of Çatalhöyük, have brought to light a sequence of structures and a rich assemblage of animal bones, with some of the bones embedded in plaster objects. The authors argue for a strong link with Çatalhöyük, and propose a hunter-herder site operated by a close-knit group from that settlement, supplying meat to it, but practising their own up-country rituals — so providing a glimpse of the ‘lived landscape’.

Andrew Fleming takes phenomenology by the horns.

The Liyang plain, located in the northwest of Hunan province, is part of the plain on the north of Dongting Lake. It is situated at longitude 111°22′30″E to 111°51′30″E, and latitude 29°35′31″N to 29°47′30″N. It is made up of the Li River, its tributaries and the alluvial plain, and occupies about 600 sq. km in area (FIGURE 1).

The plain is saucer-shaped and surrounded by small hills on three sides, joined at the eastern part to the plain north of Dongting Lake. The area is a classic ‘plate-basin’ structure. Inside its boundaries, the land is broad and flat, with small streams winding in different directions, and lakes and ponds dotting the landscape. It is 32–45 m above sea level, with an incline of 2° to 3°.

The Royal Tombs at Ur have been long famous for their chilling scenario of young soldiers and courtesans who loyally took poison to die with their mistress. The authors investigate two of the original skulls with CT scans and propose a procedure no less chilling, but more enforceable. The victims were participants in an elaborate funerary ritual during which they were felled with a sharp instrument, heated, embalmed with mercury, dressed and laid ceremonially in rows.

The author shows how better recovery techniques have allowed the early history of the Mediterranean olive to be rewritten. Small scale exploitation is detectable in the Neolithic, and is widespread by the Early Bronze Age. Users appear to be first attracted by the olive wood, the fruit benefitting from the pruning effect as the olive bush becomes a tree. This process eventually results in domestication—but this is an unintended consequence of a production process driven by demand. The story now aligns better with the model put forward in Colin Renfrew's thesis of 1972.

The current campaign to return to Athens the Parthenon sculptures that have been in the British Museum since the early 19th century highlights the profoundly dual nature of Greek architectural and sculptural heritage, as emblems of both Greek and global attachment. Classical relics in particular have become symbols of Greek attachment to the homeland; underscoring links between past and present, they confirm and celebrate Greek national identity. Other elements of Greek heritage – language, literature, religion, folklore – likewise lend strength to this identity, but material remnants of past glories, notably temples and sculptures from the times of Phidias and Praxiteles, assume an increasingly important symbolic role (Cook 1984; Hitchens 1987).

Determination of the provenance of material culture by means of chemical analysis has a long and distinguished history in archaeology. The chemical analysis of archaeological objects started in the intellectual ferment of late-eighteenth-century Europe (Caley 1948, 1949, 1967; Pollard 2013), almost as soon as systematic (gravimetric) means of chemical analysis had been devised (Pollard in prep.). Many of the leading scientists of the day, such as Vauquelin, Klaproth, Davy, Faraday and Berzelius, carried out analyses of archaeological objects as part of their interests in the contents of the ‘cabinets of curiosities’ of the day (Pollard&Heron 2008). The subject moved frommere curiosity to systematic and problemorientated study with the work of G¨obel (1842),Wocel (1854), Damour (1865) and Helm (1886), who essentially formulated the idea of ‘provenance studies’—that some chemical characteristic of the geological rawmaterial(s) provides a ‘fingerprint’ which can bemeasured in the finished object, and that if an object from a remote source is identified at a particular place, then it is evidence of some sort of direct or indirect contact and ‘trade’ between the two places.

How did enslaved African people in North America use material culture to create and signal their own identity? In a paper that has much significance for many other periods and places, the authors draw on archaeological and documentary evidence to show how African spiritual spaces were created in houses and gardens in the form of coded landscapes that were often hidden – though in view.

Two conflicting theories put the introduction of bronze into Southeast Asia 1000 years apart, one (before China) at 2000 BC, the other at 1000 BC. Both were drawn from radiocarbon dates, the first of pottery, the second of bone. The authors cut the Gordian Knot by showing the earlier dates to be unreliable — but their study has implications way beyond Thailand. The direct dating of pottery, it seems, is full of pitfalls…

The sanctuary on the island of Keros takes the form of deposits of broken marble vessels and figurines, probably brought severally for deposition from elsewhere in the Cyclades. These acts of devotion have now been accurately dated, thanks to Bayesian analyses of the contemporary stratigraphic sequence on the neighbouring islet of Dhaskalio. The period of use—from 2750 to 2300 cal BC—precedes any identified worship of gods in the Aegean and the site is among the earliest ritual destinations only accessible by sea. The authors offer some preliminary thoughts on the definition of these precocious acts of pilgrimage.

Distinctive patterns in the nature and composition of early metal objects in Israel and Jordan make it possible to find a chronological order in the celebrated, and hard-to-date, copper-mining sites of the region.

The Etruscan city states flourished in westcentral Italy from the late 8th century BC until their conquest and absorption by the emergent state ofRome in the 4th century BC. In 1985 Italy celebrated the century or so of work on its oldest civilization with a series of major exhibitions under the slogan, ‘Buongiorno Etruschi’ (‘Good morning, Etruscansi!’). There were eight major exhibitions in Tuscany displaying over 5000 objects from all the major collections in the region, designed to cover most aspects of Etruscan culture – settlement systems, domestic and religious architecture, religion, everyday life, crafts, and artistic achievement. As the sponsors FIAT wrote in their preface to the splendid catalogues produced for the project (e.g. Camporeale 1985; Carandini 1985; Cristofani 1985; Stopponi 1985), the intention of this massive undertaking was to convey to the Italian public that the Etruscans were not just a dead civilization known above all for the way of death of its élite, but ‘a lively culture of ordinary people, merchants, and craftsmen’.