This article is based on the Erasmus Lecture that I delivered at the 2014 Annual Meeting of the Academia Europaea in Barcelona. I will discuss my early fascination for the field, as well as algorithms, programs, laws of computation, the double role of informatics as a mathematical and engineering discipline, and my effort to teach informatics to non-majors and the general public.

Robots are no longer confined to factories; they are progressively spreading to urban, social and assistive domains. In order to become handy co-workers and helpful assistants, they must be endowed with quite different abilities from their industrial ancestors. Research on service robots aims to make them intrinsically safe to people, easy to teach by non-experts, able to manipulate not only rigid but also deformable objects, and highly adaptable to non-predefined and dynamic environments. Robots worldwide will share object and environmental models, their acquired knowledge and experiences through global databases and, together with the internet of things, will strongly change the citizens’ way of life in so-called smart cities. This raises a number of social and ethical issues that are now being debated not only within the Robotics community but by society at large.

In the first part of this paper the molecular epidemiological evidence linking HPV to cervical cancer and other genital cancers is reviewed based mainly on the research work of the author. In the second part, the implications of the epidemiological findings for the prevention of cervical cancer are discussed in two areas: in primary prevention by the use of prophylactic HPV vaccines and in secondary prevention by increasing the accuracy of cervical cancer screening.

Virology has undergone a profound transformation with the incorporation of quasispecies theory to the understanding of the composition and dynamics of viral populations as they cause disease. RNA viral populations do not consist of a genome class with a defined nucleotide sequence but of a cloud or swarm or related mutants due to high mutation rates (number of incorrect nucleotides introduced per nucleotide copied) during replication. DNA and RNA viruses whose multiplication is catalysed by a low fidelity polymerase replicate close to an error threshold for maintenance of their genetic information. This means that modest increases in mutation rate jeopardize their genetic stability. Realization of this important corollary of quasispecies theory has opened new approaches to combating viral disease. One of these approaches is lethal mutagenesis that consists of forcing virus extinction by an excess of mutations evoked by virus-specific mutagenic agents. This article summarizes the origin and current status of this new antiviral approach.

In the 16th and 17th centuries, London became an international centre of commerce. The trade in exotic luxury goods played a significant part in this process. In contemporary society, the taste for luxury and the economic, social and cultural changes it embodied were viewed with both fascination and distrust. The new shopping centres where luxury goods were on display were thus accused of corrupting public morality and damaging national trade. The public debate about luxury was in part conducted on the stage of the commercial Elizabethan theatre, especially in the new genre of so-called city comedies that portrayed, parodied and criticized social life in the expanding city. Ben Jonson was a master of this genre and his most famous comedy, Volpone or the Fox (1606), dealt with the contested issue of luxury. In contrast to many previous readings that have interpreted the play in terms derived from later liberal and Marxist economic thinking, this article analyses the theme of luxury in relation to contemporary economic and moral debates. I will argue that the play depicts the main character Volpone’s taste for luxury and the way he acquires it as both morally and economically damaging for an economy such as the English one, which at the time was built on personal debt and credit and therefore heavily reliant on credibility and reciprocal social obligations. However, this lesson is complicated by the fact that Volpone itself was in fact part of the economic relations Jonson criticized, since it was a commodity – and, in the eyes of many contemporaries, indeed a luxury commodity – on London’s thriving theatre market. I argue that Jonson is aware of this contradiction without being able to resolve it. Ultimately, then, Volpone is an ambivalent comedy intended to provoke reflection in the audience about their consumption of spectacular luxury both inside and outside the theatre.

Political theater is a trend that, during the avant-garde 1920s, emerged at the intersection of efforts to liberate artistic forms and oppressed groups in society. It was an influence on Slovenian theatrical artists at the Workers’ Stage (Delavski oder) already in the interwar period. A trend towards ‘political theater’, one of the tendencies of politicized performing arts in the period, flourished in Slovenia and other republics of the former Yugoslavia in the 1980s. Against the background of an identity crisis of the Yugoslav state and its ideology, political theater addressed great stories of History and the Revolution in a post-avant-garde manner. During the transition, political theater initially lost its edge but was reborn in the 21st century. As a post-dramatic practice associated with performance, it now parses its own politics. It is a forum for critiquing small, local stories that nonetheless evince the contradictions of a peripheral nation-state in the era of transnational late capitalism.

One can find many proposals for policy responses to global environmental problems. Different disciplines – notably economics, geography, innovation studies, policy and political sciences, psychology and sociology – offer partly inconsistent advice. This undermines the social-political acceptance of policies as voters and politicians are likely to be left confused. To decide about an adequate sustainability policy mix we need to concur on the core problems such a mix has to tackle. I address four of these hereafter. Each one involves important issues of disagreement as well as unresolved questions.

I use the term ‘expelled’ to describe a diversity of conditions. They include the growing numbers of the abjectly poor, of the displaced in poor countries who are warehoused in formal and informal refugee camps, of the minoritized and persecuted in rich countries who are warehoused in prisons, of workers whose bodies are destroyed on the job and rendered useless at far too young an age, of able-bodied surplus populations warehoused in ghettoes and slums. But I also include the fact that pieces of the biosphere are being expelled from their life space – and I insist that the tame language of climate change does not quite capture the fact, at ground level, of vast expanses of dead land and dead water. My argument is that this massive and very diverse set of expulsions is actually signaling a deeper systemic transformation, one documented in bits and pieces in multiple specialized studies but not quite narrated as an overarching dynamic that is taking us into a new phase of global capitalism – and global destruction. As an analytic category, expulsion is to be distinguished from the more common ‘social exclusion’: the latter happens inside a system and in that sense can be reduced, ameliorated, and even eliminated. As I conceive of them,1 expulsions happen at the systemic edge. At this time, I see the proliferation of such systemic edges deep inside national territories as more significant than the borders of the interstate system – which are open for some and closed for others. In brief, the types of complex systems that are the focus of the larger research project of which the present article forms a part contain multiple systemic edges: they partly reflect the multiplying of negative conditions in the diverse domains contained in such systems, from prisons and refugee camps to financial exploitations and environmental destructions. None of this is new, but the sharp escalation towards negative outcomes since the 1980s in much of the world does invite a question as to the sustainability of it all.

If we look at the Mediterranean only as a space, a dissonant geography is obvious. Its diversity is mistakenly reduced in a process of ‘diorthosis’, a cognitive and operational approach that starts from assuming the nature of things and functionality modes rather than arriving at a proper image via actual analysis.1 The study of flows, of networks – i.e. the circulation of ideas, people, finances, and so on – challenges the continuous representation of the Mediterranean between homogeneity and otherness, and re-posits it as both a post-colonial imbricate site of encounters and currents and as a site of new hegemonic and counter-power discourse(s) and alliances. This paper explores the ‘mobility’ paradigm as an initial approach to contemporary geographies of the Mediterranean. The latter are being created not only by the media, powers and ideologies, but also by everyday people’s inter-ethnic, inter-cultural, and emotional interactions in places and digital communication channels. Such interactions are often characterized by blockages of inter-ethnic or inter-cultural exchanges, as well as by inequalities. They present and discuss initial paths of new encounters structuring North–South relationships, and vice versa, but also circular and East–West ones since they are typified by a variety of personal and virtual mobilities in terms of gender, motivations, emotional geographies, impacts, and circulation rather than origin/destination, and so on. It seems to me that the internet and people’s spatial mobility underline a deep process of change for the Mediterranean. A dialectic of diaspora politics, circuits of funds, weapons, empowerments, and emotions, challenge the boundaries of political communities in transformation. The Mediterranean thus appears as a global space of confrontation, emulation, opposition, dialectics, and change. Places, flows, wires and digital TV are the loci for all this. There is no assumption of ‘Mediterranean as a bridge of cultures’; instead, we all are actors in networking communities

A new leading actor has been added to the Cyprus Conflict. The winner of the Presidential elections held on the morning of Sunday, 26 April 2015, in the Turkish Republic of Northern Cyprus (Kuzey Kıbrıs Türk Cumhuriyeti – TRNC) was the independent candidate Mustafa Akıncı. Both Nicos Anastasiades, who was elected President of the Republic of Cyprus in 2013, and Akıncı are rare leaders supporting the Fifth Annan Plan, which was rejected in a referendum by the Greek Cypriots in 2004. One of the most vital catalysts that could play a role in the resolution of the Cyprus Conflict is a charismatic leader who aims for the resolution of the conflict. Whether the current Presidents have this personality and can change the current balances that are monopolized by the conservatives-nationalists on the Island will be revealed as a result of the negotiations. This article briefly tackles the UN parameters relative to the Cyprus Conflict and addresses the problems awaiting Presidents Anastasiades and Akıncı during the peace negotiations that have started anew.

It has long been known that the vast majority of the Annunciation pictures show the Virgin on their right. All former studies, including one by the present author, treat this as a problem of left-right or mirror symmetry. This is not correct: this symmetry exchanges the right and left hands and such a transformation is not permitted: Gabriel, must always be represented as right-handed. That this is so emerged from the study of a database that we have created, which contains 1007 Annunciations from C3 to 1750. Details of this database, which the author intends to put in the public domain in due course, and of other results, will be left for a further paper. It is a sufficient example here that from C3 to 1400 Gabriel shows his right hand to the Virgin in 62 items out of 93, and the left hand in only two. Even from 1401 to 1750 the Angel shows his right hand to the Virgin 278 times and only 22 for the left. A brief pictorial study of the evolution of the Annunciation paintings from C3 onwards shows why the right-handedness of Gabriel made it easier for the painter to present him on the left. A summary table of the results obtained from the database is provided. This study offers some explanation of the fact pointed out in a former paper that sculptural representations of the Annunciation are often variant, with the Virgin on the left.

For many European cities, a key motivation in developing event strategies is to use an event as a catalyst for urban regeneration. One type of event that is particularly used as a means of urban development is the European Capital of Culture (ECOC) initiative. Based on a case study of the 2008 ECOC Liverpool, this article aims at conceptualising the significance of this major event for a city’s economic, cultural and social regenerations. In terms of economic regeneration, the role of the ECOC has been central in creating Liverpool’s visitor economy and reshaping the city’s image. Liverpool planned different themes for eight consecutive years as a way to ensure economic sustainability. As far as cultural regeneration is concerned, the ECOC contributed to the cultural regeneration of Liverpool by stimulating cultural participation and interest from the demand side, as well as improving cultural provision and collaboration in the cultural sector from the supply side. As for social regeneration, Liverpool treated access development as a policy guideline and considered the ECOC as an opportunity to enhance the sense of place. The most significant lesson learned from Liverpool is its long-term planning and the efforts made to integrate the ECOC into the overall urban development strategy. As a result, a more balanced and long-term effect on urban regeneration could be achieved.