This paper describes four methodological proposals for rescuing from oblivion and highlighting women writers in Graeco-Roman Antiquity. In workshops employing a variety of active methodologies, students become acquainted with Greek writers like Sappho, Diotima of Mantinea and Aspasia, and their Roman counterparts, including Sulpicia and Agrippina the Younger, while also becoming aware of the authorship of these women writers and their lack of visibility. The proposals take the shape of activities aimed at fostering a vocation for science among baccalaureate students in Spain but can also be easily adapted to secondary and even higher education in other educational contexts.

This is a review of the activities and successes of the 4th East London Classics Summer School, which took place in Hackney from Monday 29th July to Friday 2nd August 2024. Specifically, it covers our typical teaching arrangement, lectures and trips, and it also acknowledges the generosity of those supporting our initiative.

Virtual Reality is regularly heralded as a tool which will revolutionise teaching and education, yet little research has been done into its use and, in particular, into its use with secondary school students. Through a case study of a Year 13 Classical Civilisation class this article investigates student perceptions of the use of Virtual Reality in the Classics classroom and its impact upon their learning. This study demonstrated students' positive attitudes towards the use of Virtual Reality and that it appeared to have a positive and lasting impact upon their understanding of Ancient Greek sanctuaries. The study is limited in its scale – both in terms of student numbers and time period – but it can, I hope, offer encouragement for greater use of, and research into, Virtual Reality within the secondary Classics classroom.

Before I started teacher training, my default approach to a story in a Latin textbook was to translate it into English. I assumed that this was how you best understood what was happening in the story, and how you showed that you understood. Although I had done other things as a learner myself, including comprehension exercises, my prevailing memory was of translation. Translation is a highly valued and prioritised skill, as seen in the weight given to it in examinations and assessments – though in my school placements I regularly see ‘translations’ that are near-incomprehensible ‘translationese’ rather than fluent English. This means that often after translating a sentence or passage – a very time-consuming activity – you can ask a student, ‘So, what does that mean? What's going on here?’ and that student will struggle to explain. I therefore wanted to investigate other ways to approach Latin stories. I will not claim that we were reading Latin in the truest sense of reading (left to right, at normal speed, comprehending the Latin in Latin and not needing recourse to English), but the three approaches we explored did engage with the texts without requiring literal English translation.

This is a review of the activities and successes of the 44th residential JACT Latin Summer School, run in July–August 2024. Specifically, it covers our typical teaching arrangement, lectures, trips and events and acknowledges the generosity of our sponsors.

The Initial Teacher Training (ITT) Common Core Framework (CCF) requires all teachers to adapt classroom teaching to support all students (Department for Education, 2024). While the Department for Education's previously-encouraged concept of ‘differentiation’ was well-intentioned, in that tasks were meant to be graded to support and develop all students' learning in a class where there were many different levels of prior attainment, it tended to mean that in practice in the classroom different tasks were often set to cater to the supposed different learning attributes of students. Differentiation has now been superseded by the concept of ‘adaptive teaching’. Adaptive teaching is characterised by teaching that takes account of the range in prior attainment of students and anticipates barriers to learning by providing resources or specific support so that they may all achieve the same intended outcomes. Classics teaching is often characterised by the reading of large amounts of text, both in the original languages of Latin or ancient Greek or in translation. Students in the Classics classroom contain a wide range of prior attainment, cultural experiences and may have barriers to learning, such as Special Educational Needs and Disabilities. This article presents findings of how the use of a blended language approach, involving the digital parsing tools in the Cambridge Latin Course and Suburani Latin course books, improved the quantity of translation of Latin achieved by students of mixed prior attainment and encouraged a more effective use of classroom time to develop deeper comprehension and understanding of the translated texts.

This article investigates dictionary usage with Year 7 students of Latin. During my lesson observations I noticed how much students relied on looking up words in the dictionary when working on translation from Latin to English. I wanted to find out if there was the potential for a more interactive and/or memorable way for students to work with their dictionaries. This action research project was carried out in an all-boys, secondary, selective school. I noticed that when students were set to work on translation from Latin to English, they spent a significant amount of time looking up words in the dictionary at the back of the booklet. Often by the time they had looked up the word in question and then turned back to the translation, they had already forgotten the meaning of the word they had looked up. Additionally, the words they were looking for were words that they had already encountered several times but forgotten the meaning of since the last time they had looked it up or seen it. The research confirmed that merely copying the words that students looked up down multiple times helped them recall the vocabulary better than if they simply looked the words up.

This research aims to explore the ways in which creative writing may be used as a pedagogical tool in the Latin language classroom, in particular how creative writing may benefit students in Latin prose composition. The lesson sequence delivered as part of this research was undertaken in an academically-selective, independent coeducational school in an affluent, inner-metropolitan area. The sequence of four 60-minute lessons formed part of the language (as opposed to literature) portion of timetabled Latin lessons for a group of nine Year 12 students (aged 16–17). As part of their language lessons, the students had been following a course of study in prose composition based upon Andrew Leigh's (2019) Latin Prose Composition: A Guide from GCSE to A Level and Beyond1. The lesson sequence was intended to build on this work by making use of, and thus consolidating, grammatical constructions and vocabulary which the students had already encountered in the context of prose composition. The sequence was designed in such a way that students were required to apply their linguistic knowledge in new and creative ways. Students' responses to the various activities were positive and they expressed enjoyment in the methodologies.

The study concerns the use made by Year 8 pupils of Latin using the ‘Explorer’ digital learning tool (part of the digital learning resources of the Cambridge Latin Course). Through close attention to transcripts of students working in pairs using the tool, which provides vocabulary and language analysis of continuous Latin prose narratives, the author notes its value in promoting inter-pupil discussion and collaborative learning. Recommendations include that teachers should consider the positive value of the tool as a means to promote discussion, but that pupils also need to be taught how to use the language analyser.