In linguistic/semiotic landscape (LSL) studies, overall, time and temporalities have occupied a curious space between visibility and invisibility, resulting in time and temporalities being treated as an optional, additive, subordinate, or separate dimension in the linguistic and semiotic study of place-making. The term semiotic timescape serves as a heuristic concept which endeavours to centre time and its imbrication with space/place, with an explicit focus on the semiosis of ‘temporalized place-making’. The five articles in this special issue highlight the ‘complex and multiplex’ dimensions of time (Adam 2008) interconnected with spaces/places, as important aspects in understanding social realities and practices, via entanglements with multimodal meaning-making, materialities, embodiment, and politics of social actors and communities. (Semiotic timescapes, interconnectedness of time and space, complexities and multiplexities, multimodality, materialities)*

This study explores the emergence and developments through time of a semiotic artefact, the shield, used by demonstrators in violent anti-government protests in contemporary Venezuela. Drawing on the concept of discourse itineraries (Scollon 2008), the material and semiotic transformations this artefact underwent are mapped through various protest cycles, whilst considering the semiotic enrichment of century-long traditions of shields that inform the various functions they play within current day itineraries. The study concludes by discussing the advantages of using the concept of discourse itineraries for understanding moments in the life cycle of semiotic artefacts in the linguistic landscape and outlines future opportunities to expand the analysis of shields beyond the Venezuelan case. (Linguistic landscape of protest, discourse itineraries, semiotic artefact, shields, Venezuela)*

This article examines struggles related to the recasting of the collective memory connected to Danish colonialism, through analyses of exhibitions in, and communication from, the Danish National Museum. By use of multimodal and semiotic landscape analysis, we show how the Danish National Museum works to reformulate the historical relationship between Greenland and Denmark in ways that avoid the colonizer's language and at the same time describe and construct complex relations of past and present. The analysis demonstrates how a temporal ambiguity is present in the museum exhibitions, not offering a conclusive understanding of the colonial period. At the same time, we show how the presence and absence of colonial language in public space is inscribed into temporal frames legitimizing or problematizing their status. (Semiotic landscape, colonialism, language and nation, temporality)*

This article questions the time of white modernity based on historical periodization and sequential progression, arguing for a more multifaceted approach to time and space in linguistic landscapes (LL). It rethinks the concept of chronotope by examining effects of the African diaspora in Brazil. The experience of radical uprooting it promoted fuses spatiotemporal dimensions that operate in complementary directions. On the one hand, a necrotope sets forth submission and destruction. On the other, visceral resistance to obliteration emerges when the timespace of encruzilhadas ‘crossroads’ is produced in the cracks of colonial power. The LL at Pedra do Sal in Rio de Janeiro suggests that approaching timespace from this perspective captures the juxtaposition of stasis and mobility, oppression and resistance, loss and life, past and present. We argue that thinking of time outside and against the Euro-chronometer requires decolonial epistemologies that have the potential to disrupt racist chronologies. (Chronotope, linguistic landscapes, African diaspora, temporality, race, Rio de Janeiro)*

This article presents two case-study examples of the discursive chronotopes by which domestic waste is organized as a linguistic, spatial, and temporal configuration. Marked by their liminality and temporal laminations, curbside garbage collection and secondhand/thrift shops are major sociomaterial practices in Switzerland. The three discursive chronotopes we address in these contexts are those concerned with regulation, repression, and (re)valuation. By focusing on the temporalities of waste, we complicate how linguistic landscape research typically conceives of, and approaches, both space and language. The language of waste is not always visible or even expressed. Indeed, waste is often deliberately rendered invisible—under the cover of darkness, behind closed doors, sent elsewhere—and thereby functions as an act of discursive suppression. For these reasons, we endorse a hauntological approach to linguistic landscapes. (Waste, linguistic landscape, discursive chronotope, temporal lamination, hauntology)*

This article explores racial ‘privilege’ through the lens of temporalized landscapes. Specifically, I examine chronotopes of class-inflected ‘Chinese’ privilege on advertising hoardings for ‘Jadescape’, a condominium development in multiracial Singapore. Two chronotopic dimensions are discussed. The first, pertaining to representations inscribed on the hoardings, manifest a ‘chronotopic bricolage’, involving the fusion of a ‘traditional racial-cultural chronotope’ of a historicised ‘Chineseness’, and a ‘modern cosmopolitan chronotope’ of contemporariness and transnationalism. Embedded in this mix are further multiplicities of time, which altogether create a Sinocentric ‘neo-traditional’ aesthetic. The second dimension relates to the impermanence of the semiotic-materiality of the hoardings installed along the perimeter of the construction site only while the condominium is being built. The temporariness of hyper-visible representability of ‘Chineseness’, read against other similar media and communication practices in multiracial public spaces, secures a ‘semiotic-material immunity of privilege’, which renders racialized Chinese privilege in Singapore both elusive and normalised. (Chronotopes of privilege, ‘Chinese privilege’, ‘chronotopic bricolage’, neo-traditional aesthetic, condominium advertising, critical semiotic landscape studies)*