Scholars of American identity have typically concluded that Americans more widely endorse civic values than ascriptive ones in surveys, though IATs suggest that there are robust associations between race and American identity. In addition to this apparent contradiction, these studies share similar methodological limitations: the discrepancy between reported attitudes and real-world behavior. Though these methods are well-cited in the wider literature, attitudes are often conflated to be synonymous with behavior in American identity scholarship. I argue that it is necessary to study how Americans conceive of their national identity in different situational contexts. Using the complementary techniques of semi-structured interviewing and qualitative vignettes, I explore and compare the ways in which 10 American graduate students make sense of their national identity in a series of abstract and concrete settings. Results of a multi-method text analysis approach demonstrate that: 1) there are a multitude of components not currently being discussed or measured; 2) the invocation of American identity components depends on their setting; 3) the ways in which components are characterized are just as important as their invocation; and 4) the difficulty expressed by participants to define a singular American identity underscores the continued salience of the multiple traditions thesis.

This research explores how the post-Yugoslav film-makers, in particular Nebojša Slijepčević, Goran Dević, and Srđan Keča, investigate the dilemma of ethnic identity and face the cultural division in the post-conflict societies. The article aims to discuss cinematic representations of the other and conduct a deeper textual analysis of the film Srbenka (2018), in comparison to After the War (2006) and Imported Crows (2004). Also, the article bridges the gap between more conceptual literature on transnational cinema (Stephen Crofts, Steven Rawle, Saša Vojković), nationalism studies (Benedict Anderson, Rogers Brubaker, V.P. (Chip) Gagnon Jr.), as well as history (Tara Zahra) and more empirical analysis providing examples from the contemporary post-Yugoslav cinema. Therefore, the article demonstrates how applying theories from different disciplines enrich film analysis when investigating the otherness.

The last Prime Minister of Yugoslavia Ante Marković was considered by many within the country and in the international community to be Yugoslavia’s last chance for a peaceful transition toward democracy and capitalism. In spite of his popularity, the Reformist party he created failed decisively in the first democratic elections of 1990. We expose the reasons for this failure by analyzing electoral, economic, and sociodemographic data on the level of more than two hundred Yugoslav municipalities where the Reformists put forward their candidates. Our analysis shows that the party’s failure had little to do with the voters’ exposure to the effects of the free market reforms undertaken by Marković’s federal government during this period. Instead, the Reformists’ results were largely determined by the communities’ ethnic makeup and interethnic balance. The Reformists suffered at the hands of a strong negative campaign by the Serbian regime of Slobodan Milošević, and they were squeezed out by the ethnically based parties that benefited from voters behaving strategically in the electoral marketplace dominated by questions of nationalism. The analysis presented here offers important lessons for our understanding of Yugoslavia’s breakup, post-communist transitions in general, and electoral politics in societies on the verge of ethnic conflict.

Drawing upon rhetorical approaches to citizenship, this article analyzes how the contested notion of Bosnian-Herzegovinian (BiH) citizenship has been crafted on the discursive level during two series of social mobilizations taking place in 2013 and 2014. It aims to provide a better understanding of how various actors make sense of BiH citizenship. This study investigates what values were associated with citizenship, how boundaries of membership were drawn, and how the ethno-national dimension and linguistic complexities came into play. It analyzes a corpus of 150 media articles covering the protests in four major printed daily newspapers while methodologically relying on the discourse historical approach developed by Reisigl and Wodak. The analysis demonstrates that discursive articulations of citizenship are generated within the immediate context of social mobilization but are also influenced by historical legacies, institutional preconditions, regional aspects or global narratives. It shows that the decentralized institutional set up combined with the multi-layered and multidimensional meaning of citizenship blur the notion of BiH citizenship as an all-encompassing term and pose an obstacle to the formulation of an alternative vision of the BiH polity to the post-Dayton order.

Legal narratives about collective violence have given an outsized explanatory role to propaganda in conflicts such as the Rwandan genocide and the Yugoslav Wars. While post-conflict ethnographies have examined what Rwandans remember about propaganda and collective violence, similar studies have not been undertaken in territories of the former Yugoslavia. The present ethnographic study fills this gap. After introducing the theoretical and empirical problems that have stemmed from recent speech crime trials in international criminal law, I examine the causes of collective violence in the Yugoslav Wars as remembered by former combatants, survivors, and the greater populations of post-conflict regions in Bosnia-Herzegovina, Croatia, and Serbia. I show that remembered causes, including the role of propaganda, vary significantly between former combatants and the greater populations. Nevertheless, local perspectives, especially among former combatants and survivors, converge on the effects of populist movements following Yugoslavia’s economic crisis and the rise of ethnic, religious, and nationalist leaders who engaged in inflammatory rhetoric and misinformation to mobilize war efforts. This article thus corroborates key findings from other post-conflict ethnographies which show that propaganda plays a secondary but significant role in the cultural manufacturing of state-sponsored ethnicity and cultural logics of violence.

While many scholarly contributions have documented the socialist state policies deployed toward the Roma from Central and Eastern Europe, less attention was paid to how discourses and policies have aimed to turn the “non-European,” “backward Roma” into reformed and modernized subjects that were supposed to conform to an “European,” sedentary way of life. Thus, I discuss proletarization and sedentarization not as state policies but as programs and technologies of power, specific to a socialist governmentality. The article interrogates the programs, technologies of power and biopolitical regulations that allowed the state authorities to legitimize their intervention in the daily lives of the Roma, with profound depoliticizing effects. I analyze political programs, governmental reports on Roma and ministry regulations as instruments of governmentality through which the governance of the “Roma question” took shape. Special attention is given to data/knowledge production. Finally, the research pinpoints that the micro-scale and the everyday workings of the socialist technologies of power might explain the different trajectories of socio-economic adaptation among Roma groups, which some studies have revealed during post-socialism.

What factors influence the formation of threat perception among the masses? Can the public perceive that external threats exist yet also feel safe? This article investigates both how threat perceptions form, as well as what factors influence security perceptions, in ethnically diverse countries and societies. While drawing on data from two nationally representative surveys, this article inquires to what extent the views of the government and society align regarding whether Russia represents a security threat to Latvia. We find that the determinants of threat and security perceptions differ. Above all else, the views of our respondents are shaped by their ethnic identities and regional effects. Consumption of different forms of media also influence threat perception. Perceived asymmetry of power is an additional important variable shaping security perception. Importantly, there is a correlation between seeing Russia as a security threat and Russophobia or fear of Russians living in Latvia. Overall, this article demonstrates that threat perceptions differ between Russian-speakers and Latvians, shows that it is important to differentiate between perceptions of threat and security, and identifies key explanatory variables influencing development of these perceptions in ethnically diverse societies.

Three case studies depict different attitudes of anthropologists toward the politics of nationalism promoted by the prewar Polish state. Ethnographer Stanisław Dworakowski, involved in a governmental Committee for the Issues of Petty Nobility in Eastern Poland, elaborated a study on this social stratum. Although based on reliable field research, it can hardly be considered scientific work, as it has many features of political propaganda. Quite opposite is the case of folklorist Joachim Chajes, secretary of the Ethnographical Commission of YIVO. Contemporary Soviet folklore was one of the fields of his research, which Polish anticommunist and antisemitic authorities found suspicious. Accused of communist activity, he was imprisoned. Social anthropologist Józef Obrębski can be situated between those two extremes. His field research among East Slavic peasants in Eastern Poland, concerning their developing national identity, although conducted within a national scientific program and financed by the state, is an example of intellectual independence. By revealing the negative attitude of the peasants toward Polish authorities, Obrębski achieved an outcome, which did not fulfill the official political expectations. These three trajectories show competitive coexistence of the meta-field of power and the scientific field, focused on their respective stakes: power and recognition.

Image and reputation are key factors in how nations are perceived by global audiences. Current and historical issues can pose as challenges to a nation’s reputation prompting the need to save face. The Armenian genocide is one of the most critical issues the Republic of Turkey has had to manage in terms of its global image and reputation. While the vast body of literature on the subject borrows from history and political science focusing on the mechanism of denial, this paper offers a communication framework to understand the rhetoric of Turkey’s image repair. Turkey’s crisis communication strategies vis-à-vis the centennial of the Armenian genocide are analyzed by employing Benoit’s image repair theory through a content analysis of official statements and declarations by the heads of state given in 2014 and 2015. In response to the emerging political crisis, the Turkish government primarily employed image repair strategies of evading responsibility and reducing offensiveness with the aim to appeal to international audiences.

The nationwide prominence of Russian oppositional artists has inspired a fair number of studies analyzing the political aspects of their creative output. We argue that the new generation of Russian musicians, whose art became popular in the end of 2010s, brings political engagement to a qualitatively new level. Following Jacques Rancière, we reject the assumption that critical art can bring about political mobilization by exposing social evils. Instead, we juxtapose politics and police, distinguishing between transformative moments of discursive confrontation and the mundane activity centered on distributing places and roles. In this article, we look at three popular Russian musical collectives – IC3PEAK, Shortparis, and Monetochka – whose art disrupts the police order in a novel and subversive manner. Some of their works became even more timely with the outbreak of Russia’s large-scale aggression against Ukraine. We have performed multimodal discourse analysis of their audio and video clips, aimed at identifying the ways in which these artworks create the conditions of possibility for new politics by re-articulating the connection between the political and the universal.

This article explores the national identity argument in unsettled times by using the COVID-19 pandemic as a test case. It uses a longitudinal survey among Jewish Israelis to examine whether the pandemic influenced levels of national identity and solidarity and whether it altered their relationship. The findings indicate a clear reduction in levels of solidarity, national attachment, and national chauvinism over time. They also show that the positive connection between national attachment and solidarity grew stronger, while the connection between national chauvinism and solidarity became weaker and insignificant. These findings provide complex evidence for the national identity argument.

Jelena Subotić’s book is an important contribution to memory studies scholarship because it shows how the mechanism of memory appropriation connects state-led remembrance practices with the processes of national identity formation. Through the comparative analysis of Serbia, Croatia, and Lithuania, Subotić argues that Holocaust remembrance in these states is less about remembering the Holocaust – or acknowledging the states’ own responsibilities for the forced displacement and mass killing of the Jewish population on their territories – and more about the political use of the memory of the Holocaust in the context of the postcommunist transition and national identity insecurities. Yellow Star, Red Star, and particularly its chapters on Serbia and Croatia, nicely complement the existing literature – such as the work of Keith Brown, Siniša Malešević, Vjekoslav Perica, Dejan Jović, Emil Kerenji, Vjeran Pavlaković, Jelena Đureinović, Tamara Banjeglav, and Ana Ljubojević, among others – analyzing linkages between nationalism and state-sponsored memorialization practices in the post-Yugoslav states.

Jelena Subotić’s Yellow Star, Red Star: Holocaust Remembrance after Communism has already received such broad recognition and numerous awards that its invaluable contribution to memory studies likely does not need repeating. It is not only a study of Holocaust remembrance in particular, but contributes broadly to our understanding of memory appropriation by the state, through a careful and vivid analysis of its transformation over time in several Eastern and Central European countries. Subotić provides a study of how memory can serve as a strategic tool for reinforcing state interests. The central argument of the book is that the states in question – Croatia, Lithuania, and Serbia – engage in memory appropriation in order to qualify their ontological insecurities (14). The strategies include “memory inversion,” appropriating the Holocaust to emphasize crimes against them (primarily in Serbia), “memory divergence,” placing blame for the genocide on German Nazis (Croatia), or “memory conflation,” wherein Holocaust memory is combined and equated with Communist crimes (Lithuania, 15). These appropriation strategies, which overlap and are combined in the various states, allow states to paint themselves as the ultimate victims, absolving them of responsibility for their role in Holocaust crimes. The danger, of course, is that this not only set ups the false equivalence between victims of Communism and of the Holocaust, allowing for the relativization of Nazi collaboration as anti-Communist resistance, but also because it banalizes and trivializes the specific suffering of the Jewish population.

There is no greater honor for an author than to respond to such generous and thoughtful engagement with one’s work such as the two commentaries by Mila Dragojević and Tamara Trošt. These commentaries are that much more appreciated as both Dragojević and Trošt have contributed tremendous scholarship on memory politics and historical narratives in the Western Balkans and in many ways Yellow Star, Red Star builds on their own work.