New Theatre Quarterly: Volume 18 - Issue 4

New Theatre Quarterly

Only show content I have access to (0)

Over 3 years (25)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To send this article to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
New Theatre Quarterly
ISSN: 0266-464X

EISSN: 1474-0613

URL: /core/journals/new-theatre-quarterly
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

New Theatre Quarterly

Refine listing

Actions for selected content:

Volume 18 - Issue 4 - November 2002

NTQ Book Reviews

Making Theatre: from Text to Performance by Peter Mudford, London; New Brunswick: Athlone Press, 2000. 236 p. £45.00 (hbk), £15.99 (pbk). ISBN: 0-4851-1551-4 (hbk), 0-4851-2158-1.

African American Performance and Theatre History: a Critical Reader by Harry J. Elam, Jr., and David Krasner, ed., Oxford; New York: Oxford University Press, 2001. 367 p. £40.50 (hbk), £17.95 (pbk). ISBN: 0-19-51274-2 (hbk), 0-19-512725-0 (pbk).

American Theatre: a Chronicle of Comedy and Drama, 1969–2000 by Thomas S. Hischak, Oxford; New York: Oxford University Press, 2001. 504 p. £48.00. ISBN: 0-19-512347-6.

Siting the Other: Re-visions of Marginality in Australian and English–Canadian Drama by Marc Maufort and Franca Bellarsi, ed., Brussels: P.I.E.–Peter Lang, 2001. xi, 374 p. £29.00. ISBN: 90-5201-934-7.

New Theatre Quarterly

Refine listing

Actions for selected content:

Save Search

Volume 18 - Issue 4 - November 2002

NTQ Book Reviews

Making Theatre: from Text to Performance by Peter Mudford, London; New Brunswick: Athlone Press, 2000. 236 p. £45.00 (hbk), £15.99 (pbk). ISBN: 0-4851-1551-4 (hbk), 0-4851-2158-1.

African American Performance and Theatre History: a Critical Reader by Harry J. Elam, Jr., and David Krasner, ed., Oxford; New York: Oxford University Press, 2001. 367 p. £40.50 (hbk), £17.95 (pbk). ISBN: 0-19-51274-2 (hbk), 0-19-512725-0 (pbk).

American Theatre: a Chronicle of Comedy and Drama, 1969–2000 by Thomas S. Hischak, Oxford; New York: Oxford University Press, 2001. 504 p. £48.00. ISBN: 0-19-512347-6.

Siting the Other: Re-visions of Marginality in Australian and English–Canadian Drama by Marc Maufort and Franca Bellarsi, ed., Brussels: P.I.E.–Peter Lang, 2001. xi, 374 p. £29.00. ISBN: 90-5201-934-7.