New Theatre Quarterly: Volume 34 -

New Theatre Quarterly

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New Theatre Quarterly
ISSN: 0266-464X

EISSN: 1474-0613

URL: /core/journals/new-theatre-quarterly
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New Theatre Quarterly

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Volume 34 - November 2018

NTQ Book Reviews

Andy Lavender Performance in the Twenty-First Century: Theatres of Engagement London; New York: Routledge, 2016. 236 p. £26.99. ISBN: 978-0-4155-9235-2.

Emine Fişek Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris Evanston, IL: Northwestern University Press, 2017. 240 p. £37.50. ISBN: 978-0-8101-3566-6.

Elizabeth L. Wollman A Critical Companion to the American Stage Musical London: Bloomsbury, 2017. 312 p. £21.99. ISBN 978-1-4725-1325-0.

Georgina Guy Theatre, Exhibition, and Curation: Displayed and Performed London: Routledge, 2016. 212 p. £115. ISBN: 978-1-138–3287-9.

Leo Cabranes-Grant From Scenarios to Networks: Performing the Intercultural in Colonial Mexico Evanston: Northwestern University Press, 2016. 193 p. $34.95. ISBN: 978-0-8101-3391-4.

Siân Adiseshiah and Louise LePage, ed. Twenty-First Century Drama: What Happens Now London: Palgrave Macmillan, 2016. 348 p. £69.99. ISBN: 978-1-137-48402-4.

Claire Warden Migrating Modernist Performance: British Theatrical Travels through Russia London: Palgrave Macmillan, 2016. xi, 223 p. £72. ISBN: 978-1-137-38569-7.

Elfriede Jelinek, trans. Gitta Honegger Charges (The Supplicants) London: Seagull Books, 2016. 200 p. £14. ISBN: 978-0-857-42330-6.

Kimberly Jannarone, ed. Vanguard Performance Beyond Left and Right Ann Arbor: University of Michigan Press, 2015. 334 p. $70. ISBN 978-0-472-11967-7.

Clare Finburgh Watching War on the Twenty-First Century Stage: Spectacles of Conflict London; New York: Bloomsbury, 2017. 355 p. £75. ISBN: 978-1-4725-9866-0.

Karen Eliot Albion's Dance: British Ballet during the Second World War Oxford; New York: Oxford University Press, 2016. 218 p. £56. ISBN 978-0-1993-4762-9.

Marianne Novy Shakespeare and Feminist Theory London; New York: Bloomsbury Arden Shakespeare, 2017. 211 p. £75.00. ISBN: 978-1-472-56707-9. - Oliver Ford Davies Shakespeare's Fathers and Daughters London; New York: Bloomsbury Arden Shakespeare, 2017. 213 p. £19.99. ISBN: 978-1-350-03846-2.

Harriet Curtis and Martin Hargreaves, ed. Kira O'Reilly: Untitled (Bodies) Bristol; Intellect, 2018. 320 p. £25.00. ISBN: 978-1-78320-832-6.

Laura Edmondson Performing Trauma in Central Africa: Shadows of Empire Bloomington: Indiana University Press, 2018. 248 p. $90. ISBN: 978-0-253-03247-8.

Mark Crossley and James Yarker Devising Theatre with Stan's Cafe London: Bloomsbury, 2017. 280 p. £21.99. ISBN: 978-1-4742-6704-5.

Bryce Lease After ‘89: Polish Theatre and the Political Manchester: Manchester University Press, 2016. 224 p. £70.00. ISBN: 978-1-7849-9295-8.

Adam Alston and Martin Welton, ed. Theatre in the Dark: Shadow, Gloom, and Blackout in Contemporary Theatre London; New York: Bloomsbury Methuen, 2017. 283 p. £75. ISBN: 978-1-4742-5118-1.

Gay Morris and Jens Richard Giersdorf, ed. Choreographies of Twenty-first Century Wars Oxford: Oxford University Press, 2016. 384 p. £74. ISBN: 978-0-190-20166-1.

Penny Farfan Performing Queer Modernism Oxford: Oxford University Press, 2017. 138 p. £22.99. ISBN: 978-0-19-067970-5.

Miriam Haughton Staging Trauma: Bodies in Shadow London: Palgrave Macmillan, 2018. 260 p. £79.00. ISBN: 978-1-137-53662-4.

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Volume 34 - November 2018

NTQ Book Reviews