Renaissance Quarterly: Volume 65 - Issue 2

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Volume 65 - Issue 2 - Summer 2012

Reviews

Helen Smith and Louise Wilson, eds. Renaissance Paratexts. Cambridge: Cambridge University Press, 2011. xiv + 274 pp. $90. ISBN: 978–0–521–11739–5.

Stéphanie Deprouw, Olivier Halévy, and Thierry Crépin-Leblond, eds. Geoffroy Tory: Imprimeur de François Ier, graphiste avant la lettre. Exh. Cat. Ecouen: Musée de la Renaissance. Paris: Editions Rmn-Grand Palais, 2011. 160 pp. €35. ISBN: 978–2–7118–5810–1.

Susan Dackerman, ed. Prints and the Pursuit of Knowledge in Early Modern Europe. Exh. Cat. Cambridge, MA: Harvard University Art Museums, 2011. 442 pp. $60. ISBN: 978–0–300–17107–5.

Hélène Diebold. Maurice Scève et la poésie de l’emblème. Bibliothèque de la Renaissance 5. Paris: Classiques Garnier, 2011. 492 pp. €59. ISBN: 978–2–8124–0273–9.

Luba Freedman. Classical Myths in Italian Renaissance Painting. Cambridge: Cambridge University Press, 2011. xvi + 292 pp. $95. ISBN: 978–1–107–00119–0.

Antonella Fenech Kroke. Giorgio Vasari: La fabrique de l’allégorie: culture et fonction de la personnification au cinquecento. Biblioteca dell’Archivum romanicum, Serie I: Storia, Letteratura, Paleografia 380. Florence: Leo S. Olschki, 2011. xxi + 554 pp. €59. ISBN: 978–88–222–6055–0.

Larry Feinberg. The Young Leonardo: Art and Life in Fifteenth-Century Florence. Cambridge: Cambridge University Press, 2011. xii + 204 pp. $95. ISBN: 978–1–107–00239–5.

Katja Burzer. San Carlo Borromeo: Konstruktion und Inszenierung eines Heiligenbildes im Spannungsfeld zwischen Mailand und Rom. I Mandorli 15. Munich: Deutscher Kunstverlag, 2011. 288 pp. €48. ISBN: 978–3422–07066–0.

Yvan Loskoutoff. Un art de la Réforme catholique: la symbolique du pape Sixte-Quint et des Peretti-Montalto (1566–1655). Bibliothèque d’histoire moderne et contemporaine 39. Paris: Honoré Champion Éditeur, 2011. 598 pp. €110. ISBN: 978–2–7453–2164–0.

Stephanie C. Leone. Pamphilj and the Arts: Patronage and Consumption in Baroque Rome. Exh. Cat. Boston College, 15–16 October 2010. Boston: Boston College McMullen Museum, 2011. 330 pp. $45. ISBN: 978–1–892850–17–1.

Marco Calafati. Bartolomeo Ammannati: I Palazzi Grifoni e Giugni; La nuova architettura dei palazzi fiorentini del secondo Cinquecento. Fondazione Carlo Marchi Studi 28. Florence: Leo S. Olschki, 2011. xxiii + 398 pp. €140. ISBN: 978–88–222–6042–0.

Deborah Howard. Venice Disputed: Marc’Antonio Barbaro and Venetian Architecture, 1550–1600. New Haven: Yale University Press, 2011. xiii + 286 pp. $65. ISBN: 978–0–300–17685–8.

Nicholas Temple. Renovatio Urbis: Architecture, Urbanism, and Ceremony in the Rome of Julius II. The Classical Tradition in Architecture. London: Routledge, 2011. xvi + 350 pp. $130. ISBN: 978–0–415–47385–9.

Bartolomeo Taegio. La Villa. Ed. and trans., Thomas Edward Beck. Penn Studies in Landscape Architecture. Philadelphia: University of Pennsylvania Press, 2011. x + 298 pp. $65. ISBN: 978–0–8122–4317–8.

Sabine Frommel, ed. Bomarzo: Il Sacro Bosco. With collaboration of Andrea Alessi. Architettura e Architetti Classici. Milano: Electa architettura, 2009. 352 pp. €90. ISBN: 978–8–83706392–4.

Erik Inglis. Jean Fouquet and the Invention of France: Art and Nation after the Hundred Years War. New Haven: Yale University Press, 2011. xi + 280 pp. $75. ISBN: 978–0–300–13443–8.

Yvette Bruijnen. Jan Rombouts: The Discovery of an Early Sixteenth-Century Master in Louvain. Trans., Michael Hoyle. Ars Nova: Studies in Late Medieval and Renaissance Northern Painting and Illumination. Turnhout: Brepols Publishers, 2011. 312 pp. €120. ISBN: 978–2–503–52569–3.

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Volume 65 - Issue 2 - Summer 2012

Reviews