Renaissance Quarterly: Volume 65 - Issue 2

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 65 - Issue 2 - Summer 2012

Contents

Page 5 of 6

Reviews

Gordon Braden and Robert Cummings, eds. The Oxford History of Literary Translation in English. Volume 2, 1550–1660. Oxford: Oxford University Press, 2010. xiii + 600 pp. £131. ISBN: 978–0–19–924621–2.
Guyda Armstrong
Published online by Cambridge University Press:

20 November 2018, pp. 615-617
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Nandini Das. Renaissance Romance: The Transformation of English Prose Fiction, 1570–1620. Farnham: Ashgate Publishing Limited, 2011. xii + 242 pp. $99.95. ISBN: 978–1–4094–1013–3.
Reid Barbour
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20 November 2018, pp. 617-618
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Wendy Beth Hyman, ed. The Automaton in English Renaissance Literature. Literary and Scientific Cultures of Early Modernity. Farnham: Ashgate Publishing Limited, 2011. x + 210 pp. $99.95. ISBN: 978–0–7546–6865–7.
Yan Brailowsky
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20 November 2018, pp. 618-620
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Ryan Netzley. Reading, Desire, and the Eucharist in Early Modern Religious Poetry. Toronto: University of Toronto Press, 2011. viii + 288 pp. $70. ISBN: 978–1–4426–4281–2.
Eugene R. Cunnar
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20 November 2018, pp. 620-621
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Stephen Orgel. Spectacular Performances: Essays on Theatre, Imagery, Books, and Selves in Early Modern England. Manchester: Manchester University Press, 2011. xix + 284 pp. $80. ISBN: 978–0–71908–168–2.
David Bevington
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20 November 2018, pp. 622-623
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Mark Bayer. Theatre, Community, and Civic Engagement in Jacobean London. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2011. xii + 258 pp. $39.95. ISBN: 978–1–60938–039–7.
Malcolm Smuts
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20 November 2018, pp. 623-625
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Kathryn M. Moncrief and Kathryn R. McPherson, eds. Performing Pedagogy in Early Modern England: Gender, Instruction and Performance. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. xvi + 248 pp. $99.95. ISBN: 978–0–7546–694–18.
Pamela Allen Brown
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20 November 2018, pp. 625-626
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Peter Hyland. Disguise on the Early Modern English Stage. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. 170 pp. $99.95. ISBN: 978–0–7546–4152–0.
Eric Leonidas
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20 November 2018, pp. 626-628
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Natasha Korda. Labors Lost: Women’s Work and the Early Modern English Stage. Philadelphia: University of Pennsylvania Press, 2011. 334 pp. $69.95. ISBN: 978–0–8122–4344–4.
Amy M. Froide
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20 November 2018, pp. 628-630
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Ronda Arab. Manly Mechanicals on the Early Modern English Stage. Selinsgrove: Susquehanna University Press, 2011. 226 pp. $72.50. ISBN: 978–1–57591–159–5.
Keith M. Botelho
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20 November 2018, pp. 630-632
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Mario DiGangi. Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley. Philadelphia: University of Pennsylvania Press, 2011. viii + 296 pp. $65. ISBN: 978–0–8122–4361–1.
David L. Orvis
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20 November 2018, pp. 632-633
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Christopher R. Wilson. Shakespeare’s Musical Imagery. Continuum Shakespeare Studies. London: Continuum, 2011. xi + 260 pp. $120. ISBN: 978–1–84706–495–0.
F. W. Brownlow
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20 November 2018, pp. 634-635
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Evelyn B. Tribble. Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2011. xv + 200 pp. £52. ISBN: 978–0–230–11085–4.
F. Elizabeth Hart
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20 November 2018, pp. 635-637
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Raphael Lyne. Shakespeare, Rhetoric and Cognition. Cambridge: Cambridge University Press, 2011. viii + 268 pp. $90. ISBN: 978–1–10700–747–5.
Amy Cook
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20 November 2018, pp. 637-638
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Kristen Poole. Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama. Cambridge: Cambridge University Press, 2011. xiii + 290 pp. $90. ISBN: 978–1–107–00835–9.
Marion Gibson
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20 November 2018, pp. 639-640
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Kathryn Schwarz. What You Will: Gender, Contract, and Shakespearean Social Space. Philadelphia: University of Pennsylvania Press, 2011. xii + 304 pp. $55. ISBN: 978–0–8122–4327–7.
Amanda Bailey
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20 November 2018, pp. 640-641
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Catherine Richardson. Shakespeare and Material Culture. Oxford Shakespeare Topics. Oxford: Oxford University Press, 2011. xii + 222 pp. $27.95. ISBN: 978–0–19–956227–5.
Juana Green-Nicoletta
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20 November 2018, pp. 642-643
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Andreas Höfele. Stage, Stake, and Scaffold: Humans and Animals in Shakespeare’s Theatre. Oxford: Oxford University Press, 2011. xii + 315 pp. $80. ISBN: 978–0–19–956764–5.
Erica Fudge
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20 November 2018, pp. 643-644
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Robert Huntley Bell. Shakespeare’s Great Stage of Fools. New York: Palgrave Macmillan, 2011. x + 186 pp. $80. ISBN: 978–0–230–11511–8.
Vicki K. Janik
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20 November 2018, pp. 645-646
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Christopher Hodgkins, eds. George Herbert’s Travels: International Print and Cultural Legacies. Newark: University of Delaware Press, 2011. xxviii + 272 pp. $75. ISBN: 978–1–61149–338–2.
Chauncey Wood
Published online by Cambridge University Press:

20 November 2018, pp. 646-647
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Page 5 of 6

Renaissance Quarterly

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Volume 65 - Issue 2 - Summer 2012

Reviews

Gordon Braden and Robert Cummings, eds. The Oxford History of Literary Translation in English. Volume 2, 1550–1660. Oxford: Oxford University Press, 2010. xiii + 600 pp. £131. ISBN: 978–0–19–924621–2.

Nandini Das. Renaissance Romance: The Transformation of English Prose Fiction, 1570–1620. Farnham: Ashgate Publishing Limited, 2011. xii + 242 pp. $99.95. ISBN: 978–1–4094–1013–3.

Wendy Beth Hyman, ed. The Automaton in English Renaissance Literature. Literary and Scientific Cultures of Early Modernity. Farnham: Ashgate Publishing Limited, 2011. x + 210 pp. $99.95. ISBN: 978–0–7546–6865–7.

Ryan Netzley. Reading, Desire, and the Eucharist in Early Modern Religious Poetry. Toronto: University of Toronto Press, 2011. viii + 288 pp. $70. ISBN: 978–1–4426–4281–2.

Stephen Orgel. Spectacular Performances: Essays on Theatre, Imagery, Books, and Selves in Early Modern England. Manchester: Manchester University Press, 2011. xix + 284 pp. $80. ISBN: 978–0–71908–168–2.

Mark Bayer. Theatre, Community, and Civic Engagement in Jacobean London. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2011. xii + 258 pp. $39.95. ISBN: 978–1–60938–039–7.

Kathryn M. Moncrief and Kathryn R. McPherson, eds. Performing Pedagogy in Early Modern England: Gender, Instruction and Performance. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. xvi + 248 pp. $99.95. ISBN: 978–0–7546–694–18.

Peter Hyland. Disguise on the Early Modern English Stage. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. 170 pp. $99.95. ISBN: 978–0–7546–4152–0.

Natasha Korda. Labors Lost: Women’s Work and the Early Modern English Stage. Philadelphia: University of Pennsylvania Press, 2011. 334 pp. $69.95. ISBN: 978–0–8122–4344–4.

Ronda Arab. Manly Mechanicals on the Early Modern English Stage. Selinsgrove: Susquehanna University Press, 2011. 226 pp. $72.50. ISBN: 978–1–57591–159–5.

Mario DiGangi. Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley. Philadelphia: University of Pennsylvania Press, 2011. viii + 296 pp. $65. ISBN: 978–0–8122–4361–1.

Christopher R. Wilson. Shakespeare’s Musical Imagery. Continuum Shakespeare Studies. London: Continuum, 2011. xi + 260 pp. $120. ISBN: 978–1–84706–495–0.

Evelyn B. Tribble. Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2011. xv + 200 pp. £52. ISBN: 978–0–230–11085–4.

Raphael Lyne. Shakespeare, Rhetoric and Cognition. Cambridge: Cambridge University Press, 2011. viii + 268 pp. $90. ISBN: 978–1–10700–747–5.

Kristen Poole. Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama. Cambridge: Cambridge University Press, 2011. xiii + 290 pp. $90. ISBN: 978–1–107–00835–9.

Kathryn Schwarz. What You Will: Gender, Contract, and Shakespearean Social Space. Philadelphia: University of Pennsylvania Press, 2011. xii + 304 pp. $55. ISBN: 978–0–8122–4327–7.

Catherine Richardson. Shakespeare and Material Culture. Oxford Shakespeare Topics. Oxford: Oxford University Press, 2011. xii + 222 pp. $27.95. ISBN: 978–0–19–956227–5.

Andreas Höfele. Stage, Stake, and Scaffold: Humans and Animals in Shakespeare’s Theatre. Oxford: Oxford University Press, 2011. xii + 315 pp. $80. ISBN: 978–0–19–956764–5.

Robert Huntley Bell. Shakespeare’s Great Stage of Fools. New York: Palgrave Macmillan, 2011. x + 186 pp. $80. ISBN: 978–0–230–11511–8.

Christopher Hodgkins, eds. George Herbert’s Travels: International Print and Cultural Legacies. Newark: University of Delaware Press, 2011. xxviii + 272 pp. $75. ISBN: 978–1–61149–338–2.

Renaissance Quarterly

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Volume 65 - Issue 2 - Summer 2012

Reviews