Renaissance Quarterly: Volume 72 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 72 - Winter 2019

Contents

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Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500–1700. Walter S. Melion, Joanna Woodall, and Michael Zell, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 48. Leiden: Brill, 2017. xlii + 770 pp. $287.
James Grantham Turner
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27 September 2019, pp. 1020-1021
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La giovinezza di Tintoretto. Guillaume Cassegrain, Augusto Gentili, Michel Hochmann, and Valentina Sapienza, eds. Venice: Lineadacqua, 2017. 232 pp. €50. - Geschichte der venezianischen Malerei, Band 5: Tintoretto und sein Umfeld. Günter Brucher. Vienna: Böhlau Verlag, 2017. 360 pp. €70.
Benjamin Paul
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05 June 2019, pp. 608-611
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Drawing and the Senses: An Early Modern History. Caroline Fowler. Harvey Miller Studies in Baroque Art. Turnhout: Brepols, 2016. vi + 178 pp. €70.
Veronica White
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20 January 2020, pp. 1444-1445
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Leonardo da Vinci. Walter Isaacson. New York: Simon and Schuster, 2017. xx + 602 pp. $35.
Deborah Parker
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07 March 2019, pp. 256-258
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Jacopo de’ Barbari: Künstlerschaft und Hofkultur um 1500. Beate Böckem. Studien zur Kunst 32. Cologne: Böhlau Verlag, 2016. 516 pp. €65.
David H. Price
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07 March 2019, pp. 258-260
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Le mythe de l'art antique. Emmanuelle Hénin and Valérie Naas, eds. Collection “Génétique.” Paris: CNRS Éditions, 2018. 486 pp. + 64 color pls. £25.
Arthur J. DiFuria
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27 September 2019, pp. 1021-1023
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The Italian Renaissance Nude. Jill Burke. New Haven, CT: Yale University Press, 2018. 240 pp. $60.
Julie Beckers
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20 January 2020, pp. 1445-1446
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Giorgio Vasari: La casa, le carte, il teatro della memoria. Atti del Convegno Firenze-Arezzo (24–25 novembre 2011). Silvia Baggio, Paola Benigni, and Diana Toccafondi, eds. Biblioteca Storica Toscana: Serie I 74. Florence: Olschki, 2015. x + 266 pp. €35.
Liana De Girolami Cheney
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05 June 2019, pp. 611-612
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The Collector of Lives: Giorgio Vasari and the Invention of Art. Ingrid Rowland and Noah Charney. New York: W. W. Norton, 2017. xii + 420 pp. $29.95.
David Cast
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05 June 2019, pp. 613-614
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Voir l'au-delà: L'experience visionnaire et sa representation dans l'art Italien de la Renaissance. Andreas Beyer, Philippe Morel, and Alessandro Nova, eds. Études Renaissantes 22. Turnhout: Brepols, 2017. 420 pp. €80.
Maria Vittoria Comacchi
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27 September 2019, pp. 1023-1024
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Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Leah R. Clark. Cambridge: Cambridge University Press, 2018. xiv + 326 pp.+ 10 color pls. $99.99.
Gail Feigenbaum
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20 January 2020, pp. 1447-1448
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Colorito: La technique des peintres vénitiens à la Renaissance. Michel Hochmann. Turnhout: Brepols, 2015. 396 pp. €150.
Antonella Fenech Kroke
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07 March 2019, pp. 260-261
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L'uomo con la borsa al collo: Genealogia e uso di un'immagine medievale. Giuliano Milani. La storia: Temi 59. Rome: Viella, 2017. 298 pp. + 8 b/w pls. + 16 color pls. €30.
Elizabeth Coggeshall
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07 March 2019, pp. 261-263
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The Lives of Paintings: Presence, Agency and Likeness in Venetian Art of the Sixteenth Century. Elsje van Kessel. Studien aus dem Warburg-Haus 18. Berlin: De Gruyter; Leiden: Leiden University Press, 2017. 348 pp. $91.99.
Jodi Cranston
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27 September 2019, pp. 1025-1026
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The Realism of Piero della Francesca. Joost Keizer. Visual Culture in Early Modernity. London: Routledge, 2018. xii + 146 pp. $150.
John Hendrix
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20 January 2020, pp. 1448-1449
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The Holy Name: Art of the Gesù. Bernini and His Age. Linda Wolk-Simon and Christopher M. S. Johns, eds. Exh. Cat. Early Modern Catholicism and the Visual Arts 17. Philadelphia: Saint Joseph's University Press, 2018. xvi + 640 pp. $50.
Clare Robertson
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05 June 2019, pp. 614-615
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Art et société à Tours au début de la Renaissance. Marion Boudon-Machuel and Pascale Charron, eds. Études Renaissantes. Turnhout: Brepols, 2016. 256 pp. €75.
Laura Weigert
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05 June 2019, pp. 615-617
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Exporting Caravaggio: The Crucifixion of Saint Andrew. Erin E. Benay. Cleveland Masterwork Series 4. Cleveland: Cleveland Museum of Art, 2017. xiv + 170 pp. $28.95.
Sally Hickson
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20 January 2020, pp. 1450-1451
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The Primacy of the Image in Northern European Art, 1400–1700: Essays in Honor of Larry Silver. Debra Taylor Cashion, Henry Luttikhuizen, and Ashley D. West, eds. Brill's Studies in Intellectual History 271; Brill's Studies on Art, Art History, and Intellectual History 22. Leiden: Brill, 2017. xxxviii + 594 pp. $229.
Marisa Anne Bass
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07 March 2019, pp. 263-264
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Drawing after Architecture: Renaissance Architectural Drawings and Their Reception. Carolyn Yerkes. Premio James Ackerman per la storia dell'architettura 8. Venice: Marsilio Editori, 2017. 288 pp. €38.
Krista De Jonge
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27 September 2019, pp. 1026-1027
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Page 5 of 25

First
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6
7
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Next »
Last

Renaissance Quarterly

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Volume 72 - Winter 2019

Reviews

Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500–1700. Walter S. Melion, Joanna Woodall, and Michael Zell, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 48. Leiden: Brill, 2017. xlii + 770 pp. $287.

La giovinezza di Tintoretto. Guillaume Cassegrain, Augusto Gentili, Michel Hochmann, and Valentina Sapienza, eds. Venice: Lineadacqua, 2017. 232 pp. €50. - Geschichte der venezianischen Malerei, Band 5: Tintoretto und sein Umfeld. Günter Brucher. Vienna: Böhlau Verlag, 2017. 360 pp. €70.

Drawing and the Senses: An Early Modern History. Caroline Fowler. Harvey Miller Studies in Baroque Art. Turnhout: Brepols, 2016. vi + 178 pp. €70.

Leonardo da Vinci. Walter Isaacson. New York: Simon and Schuster, 2017. xx + 602 pp. $35.

Jacopo de’ Barbari: Künstlerschaft und Hofkultur um 1500. Beate Böckem. Studien zur Kunst 32. Cologne: Böhlau Verlag, 2016. 516 pp. €65.

Le mythe de l'art antique. Emmanuelle Hénin and Valérie Naas, eds. Collection “Génétique.” Paris: CNRS Éditions, 2018. 486 pp. + 64 color pls. £25.

The Italian Renaissance Nude. Jill Burke. New Haven, CT: Yale University Press, 2018. 240 pp. $60.

Giorgio Vasari: La casa, le carte, il teatro della memoria. Atti del Convegno Firenze-Arezzo (24–25 novembre 2011). Silvia Baggio, Paola Benigni, and Diana Toccafondi, eds. Biblioteca Storica Toscana: Serie I 74. Florence: Olschki, 2015. x + 266 pp. €35.

The Collector of Lives: Giorgio Vasari and the Invention of Art. Ingrid Rowland and Noah Charney. New York: W. W. Norton, 2017. xii + 420 pp. $29.95.

Voir l'au-delà: L'experience visionnaire et sa representation dans l'art Italien de la Renaissance. Andreas Beyer, Philippe Morel, and Alessandro Nova, eds. Études Renaissantes 22. Turnhout: Brepols, 2017. 420 pp. €80.

Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Leah R. Clark. Cambridge: Cambridge University Press, 2018. xiv + 326 pp.+ 10 color pls. $99.99.

Colorito: La technique des peintres vénitiens à la Renaissance. Michel Hochmann. Turnhout: Brepols, 2015. 396 pp. €150.

L'uomo con la borsa al collo: Genealogia e uso di un'immagine medievale. Giuliano Milani. La storia: Temi 59. Rome: Viella, 2017. 298 pp. + 8 b/w pls. + 16 color pls. €30.

The Lives of Paintings: Presence, Agency and Likeness in Venetian Art of the Sixteenth Century. Elsje van Kessel. Studien aus dem Warburg-Haus 18. Berlin: De Gruyter; Leiden: Leiden University Press, 2017. 348 pp. $91.99.

The Realism of Piero della Francesca. Joost Keizer. Visual Culture in Early Modernity. London: Routledge, 2018. xii + 146 pp. $150.

The Holy Name: Art of the Gesù. Bernini and His Age. Linda Wolk-Simon and Christopher M. S. Johns, eds. Exh. Cat. Early Modern Catholicism and the Visual Arts 17. Philadelphia: Saint Joseph's University Press, 2018. xvi + 640 pp. $50.

Art et société à Tours au début de la Renaissance. Marion Boudon-Machuel and Pascale Charron, eds. Études Renaissantes. Turnhout: Brepols, 2016. 256 pp. €75.

Exporting Caravaggio: The Crucifixion of Saint Andrew. Erin E. Benay. Cleveland Masterwork Series 4. Cleveland: Cleveland Museum of Art, 2017. xiv + 170 pp. $28.95.

Drawing after Architecture: Renaissance Architectural Drawings and Their Reception. Carolyn Yerkes. Premio James Ackerman per la storia dell'architettura 8. Venice: Marsilio Editori, 2017. 288 pp. €38.

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Volume 72 - Winter 2019

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