Renaissance Quarterly: Volume 72 -

Published on behalf of Renaissance Society of America

Only show content I have access to (32)

Over 3 years (481)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Volume 72 - Winter 2019

Contents

Page 6 of 25

First
« Prev
3
4
5
6
7
8
9
Next »
Last

Reviews

Georges de La Tour and the Enigma of the Visible. Dalia Judovitz. New York: Fordham University Press, 2018. xvi + 158 pp. $20.99.
Martha Hollander
Published online by Cambridge University Press:

05 June 2019, pp. 617-618
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Artemisia Gentileschi in a Changing Light. Sheila Barker, ed. The Medici Archive Project Series 4. Turnhout: Harvey Miller, 2017. 248 pp. €125.
Jacqueline Marie Musacchio
Published online by Cambridge University Press:

20 January 2020, pp. 1451-1453
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Rembrandt's Holland. Larry Silver. Renaissance Lives. London: Reaktion Books, 2018. 214 pp. £15.95.
Catherine B. Scallen
Published online by Cambridge University Press:

07 March 2019, pp. 265-266
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

David Bowie's Tintoretto: Angel Foretelling the Martyrdom of Saint Catherine of Alexandria. Benjamin van Beneden and Nicola Jennings, eds. London: Colnaghi Foundation, 2017. 176 pp. N.p.
Thomas Dalla Costa
Published online by Cambridge University Press:

27 September 2019, pp. 1028-1029
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Sovereign Artist: Charles Le Brun and the Image of Louis XIV. Wolf Burchard. London: Paul Holberton, 2016. 288 pp. £40.
Nicole Bensoussan
Published online by Cambridge University Press:

05 June 2019, pp. 619-620
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Creating Distinctions in Dutch Genre Painting: Repetition and Invention. Angela K. Ho. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2017. 254 pp. €105.
Elisabeth Berry Drago
Published online by Cambridge University Press:

27 September 2019, pp. 1029-1031
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Das Aachener Rathaus: Ein Bauwerk als Zeugnis europäischer Geschichte, Band 2: Die repräsentative Umgestaltung im Barock und Rokoko. Georg K. Helg. Scriptorum Carolinum 4.2. Aachen: Geymüller, 2016. 276 pp. €59.
Barbara Uppenkamp
Published online by Cambridge University Press:

07 March 2019, pp. 266-267
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Art and Violence in Early Renaissance Florence. Scott Nethersole. New Haven, CT: Yale University Press, 2018. 320 pp. $70.
John Paoletti
Published online by Cambridge University Press:

20 January 2020, pp. 1453-1454
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115.
Kirsten Lee Bierbaum
Published online by Cambridge University Press:

20 January 2020, pp. 1454-1456
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Des âmes drapées de pierre: Sculpture en Champagne à la Renaissance. Marion Boudon-Machuel. Renaissance. Tours: Presses Universitaires François Rabelais de Tours; Rennes: Presses Universitaires de Rennes, 2017. 342 pp. €39.
Jean-Marie Guillouët
Published online by Cambridge University Press:

05 June 2019, pp. 620-622
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Die Cranachs: Die Werke des Staatlichen Museums Schwerin. Dirk Blübaum and Tobias Pfeifer-Helke, eds. Exh. Cat. Munich: Deutscher Kunstverlag, 2017. 112 pp. €19.90.
Bonnie J. Noble
Published online by Cambridge University Press:

07 March 2019, pp. 267-269
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Rembrandt's Roughness. Nicola Suthor. Princeton, NJ: Princeton University Press, 2018. 240 pp. $60.
H. Perry Chapman
Published online by Cambridge University Press:

27 September 2019, pp. 1031-1032
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Rembrandt's Religious Prints: The Feddersen Collection at the Snite Museum of Art. Charles M. Rosenberg. Bloomington: Indiana University Press, 2017. xvi + 476 pp. $70.
Shelley Perlove
Published online by Cambridge University Press:

05 June 2019, pp. 622-623
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Erudite Eyes: Friendship, Art and Erudition in the Network of Abraham Ortelius (1527–1598). Tine Luk Meganck. Studies in Netherlandish Art and Cultural History 14. Leiden: Brill, 2017. xxii + 324 pp. $70.
John Cunnally
Published online by Cambridge University Press:

07 March 2019, pp. 269-270
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120.
Jessica Maier
Published online by Cambridge University Press:

20 January 2020, pp. 1456-1457
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

L'imaginaire de l’âge d'or à la Renaissance. Élinor Myara Kelif. Études Renaissantes 21. Turnhout: Brepols, 2017. 508 pp. €90.
Patrick Hunt
Published online by Cambridge University Press:

27 September 2019, pp. 1032-1034
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Venice Illuminated: Power and Painting in Renaissance Manuscripts. Helena Katalin Szépe. New Haven, CT: Yale University Press, 2018. 400 pp. $70.
Lisa Kaborycha
Published online by Cambridge University Press:

20 January 2020, pp. 1458-1459
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Federico Barocci: Inspiration and Innovation in Early Modern Italy. Judith W. Mann, ed. Visual Culture in Early Modernity. London: Routledge, 2018. xviii + 194 pp. $149.95.
Ian Verstegen
Published online by Cambridge University Press:

07 March 2019, pp. 271-272
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Animating Empire: Automata, the Holy Roman Empire, and the Early Modern World. Jessica Keating. University Park: Pennsylvania State University Press, 2018. xiv + 170 pp. $69.95.
Wenrui Zhao
Published online by Cambridge University Press:

27 September 2019, pp. 1034-1036
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Playful Letters: A Study in Early Modern Alphabetics. Erika Mary Boeckeler. Impressions: Studies in the Art, Culture, and Future of Books. Iowa City: University of Iowa Press, 2017. xiv + 286 pp. $75.
John T. McQuillen
Published online by Cambridge University Press:

05 June 2019, pp. 623-625
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Page 6 of 25

First
« Prev
3
4
5
6
7
8
9
Next »
Last

Renaissance Quarterly

Refine listing

Actions for selected content:

Volume 72 - Winter 2019

Reviews

Georges de La Tour and the Enigma of the Visible. Dalia Judovitz. New York: Fordham University Press, 2018. xvi + 158 pp. $20.99.

Artemisia Gentileschi in a Changing Light. Sheila Barker, ed. The Medici Archive Project Series 4. Turnhout: Harvey Miller, 2017. 248 pp. €125.

Rembrandt's Holland. Larry Silver. Renaissance Lives. London: Reaktion Books, 2018. 214 pp. £15.95.

David Bowie's Tintoretto: Angel Foretelling the Martyrdom of Saint Catherine of Alexandria. Benjamin van Beneden and Nicola Jennings, eds. London: Colnaghi Foundation, 2017. 176 pp. N.p.

The Sovereign Artist: Charles Le Brun and the Image of Louis XIV. Wolf Burchard. London: Paul Holberton, 2016. 288 pp. £40.

Creating Distinctions in Dutch Genre Painting: Repetition and Invention. Angela K. Ho. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2017. 254 pp. €105.

Das Aachener Rathaus: Ein Bauwerk als Zeugnis europäischer Geschichte, Band 2: Die repräsentative Umgestaltung im Barock und Rokoko. Georg K. Helg. Scriptorum Carolinum 4.2. Aachen: Geymüller, 2016. 276 pp. €59.

Art and Violence in Early Renaissance Florence. Scott Nethersole. New Haven, CT: Yale University Press, 2018. 320 pp. $70.

Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115.

Des âmes drapées de pierre: Sculpture en Champagne à la Renaissance. Marion Boudon-Machuel. Renaissance. Tours: Presses Universitaires François Rabelais de Tours; Rennes: Presses Universitaires de Rennes, 2017. 342 pp. €39.

Die Cranachs: Die Werke des Staatlichen Museums Schwerin. Dirk Blübaum and Tobias Pfeifer-Helke, eds. Exh. Cat. Munich: Deutscher Kunstverlag, 2017. 112 pp. €19.90.

Rembrandt's Roughness. Nicola Suthor. Princeton, NJ: Princeton University Press, 2018. 240 pp. $60.

Rembrandt's Religious Prints: The Feddersen Collection at the Snite Museum of Art. Charles M. Rosenberg. Bloomington: Indiana University Press, 2017. xvi + 476 pp. $70.

Erudite Eyes: Friendship, Art and Erudition in the Network of Abraham Ortelius (1527–1598). Tine Luk Meganck. Studies in Netherlandish Art and Cultural History 14. Leiden: Brill, 2017. xxii + 324 pp. $70.

Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120.

L'imaginaire de l’âge d'or à la Renaissance. Élinor Myara Kelif. Études Renaissantes 21. Turnhout: Brepols, 2017. 508 pp. €90.

Venice Illuminated: Power and Painting in Renaissance Manuscripts. Helena Katalin Szépe. New Haven, CT: Yale University Press, 2018. 400 pp. $70.

Federico Barocci: Inspiration and Innovation in Early Modern Italy. Judith W. Mann, ed. Visual Culture in Early Modernity. London: Routledge, 2018. xviii + 194 pp. $149.95.

Animating Empire: Automata, the Holy Roman Empire, and the Early Modern World. Jessica Keating. University Park: Pennsylvania State University Press, 2018. xiv + 170 pp. $69.95.

Playful Letters: A Study in Early Modern Alphabetics. Erika Mary Boeckeler. Impressions: Studies in the Art, Culture, and Future of Books. Iowa City: University of Iowa Press, 2017. xiv + 286 pp. $75.

Renaissance Quarterly

Refine listing

Actions for selected content:

Save Search

Volume 72 - Winter 2019

Reviews