Theatre Research International: Volume 20 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 20 - Autumn 1995

Contents

Page 3 of 6

Reviews

Die Verstädterung der Oper: Paris und das Musiktheater des 19. Jahrunderts. By Anselm Gerhard. Stuttgart and Weimar: Verlag J. B. Metzler, 1992. Pp. 491. DM 78.
Sol Gittleman
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23 January 2009, p. 58
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Shakespeare in Performance: A Midsummer Night's Dream. By Jay L. Halio. Manchester and New York: Manchester University Press, 1995. Pp. viii + 148 + illus. £35.
David Ian Rabey
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23 January 2009, p. 285
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Shakespeare Survey 47: Playing Places for Shakespeare. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1994. Pp. x + 286. £40/$64.95.
Richard A. McCabe
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23 January 2009, pp. 285-286
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Shakespeare In Performance: King John. By Geraldine Cousin. Manchester & New York: Manchester University Press & St Martin's Press, 1994. Pp. xii + 152 + illus. £29.99.
David Ian Rabey
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23 January 2009, pp. 165-166
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Theatre and Fashion: Oscar Wilde to The Suffragettes. By Joel H. Kaplan and Sheila Stowell. Cambridge: Cambridge University Press, 1994. Pp. xiii + 220. £30; $49.95.
Jan McDonald
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23 January 2009, pp. 58-59
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Georg Büchner: The Shattered Whole. By John Reddick. Oxford: Clarendon Press, 1994. Pp. x + 395. £40.
Sol Gittleman
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23 January 2009, pp. 286-287
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In the Theatre of Romanticism: Coleridge, Nationalism, Women. By Julie A. Carlson. Cambridge: Cambridge University Press, 1994. Pp. xiv + 267. £30; $49.95.
Jane Milling
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23 January 2009, p. 166
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Jacques Copeau ou le mythe du Vieux-Colombier. Biographie. By Paul-Louis Mignon. Paris: Julliard, 1993, Pp. 348. 140 FF.
Maria Shevtsova
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23 January 2009, pp. 59-60
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The Theatrical Life of George Henry Boker. By Thomas M. Kitts. New York: Peter Lang, 1994. Pp. 204. $44.95.
Don B. Wilmeth
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23 January 2009, pp. 287-288
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Robert Atkins: An Unfinished Autobiography. Edited by George Rowell. (With contributions from J. C. Trewin and A. C. Sprague). London: The Society for Theatre Research, 1994. Pp. x + 154. £15; $30.
Russell Jackson
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23 January 2009, pp. 166-167
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Artaud and the Gnostic Drama. By Jane Goodall. Oxford: Clarendon Press, 1994. Pp. 230. £27.50.
Ross Birrell
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23 January 2009, pp. 60-62
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Elizabeth Robins: Staging A Life, 1862–1952. By Angela V. John. London: Routledge, 1995. Pp. xiv + 283 + illus. £25.
Ian McDonald
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23 January 2009, p. 288
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Is Comrade Bulgakov Dead? Mikhail Bulgakov at the Moscow Art Theatre. By Anatoly Smeliansky. (Translated by Arch Tait). London: Methuen, 1993. Pp. x + 374. £20.
Vera Gottlieb
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23 January 2009, pp. 167-168
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The Boys: A Double Biography. By Christopher Fitz-Simon. London: Nick Hern Books, 1994. Pp 320. £17.99/9.99.
Nesta Jones
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23 January 2009, pp. 62-63
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Shakespeare and The Birmingham Repertory Theatre, 1913–1929. By Claire Cochrane. London: The Society for Theatre Research, 1993. Pp. vi + 181 + illus. £15; $30.
David Ian Rabey
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23 January 2009, p. 63
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The Cambridge Companion to Brecht. Edited by Peter Thomson and Glendyr Sacks. Cambridge: Cambridge University Press, 1994. Pp. xxxii + 302. £35/11.95; $59.95/16.95.
Anna-Marie Taylor
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23 January 2009, pp. 168-169
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Revolutionary Theatre. By Robert Leach. London: Routledge, 1994. Pp. xxii + 229. £40.
Steve Nicholson
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23 January 2009, p. 289
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The Actor's Ways and Means. By Michael Redgrave. London and New York: Nick Hern Books and Routledge, 1995. Pp. xiv + 130 + illus. £9.99.
Nigel Warrington
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23 January 2009, pp. 289-290
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Luigi Pirandello in the Theatre: A Documentary Record. Edited by Susan Bassnett and Jennifer Lorch. Philadelphia: Harwood Academic Publishers GmbH, 1993. Pp. xxii + 204. £14; $26 Pb.
Richard Allen Cave
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23 January 2009, pp. 63-64
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Critical Thought Series No 4: Critical Essays on Samuel Beckett. Edited by Lance St John Butler. Aldershot, Hants ampampsemicolon Brookfield, Vermont: Scholar Press, 1993. Pp. xii + 376. £29.50.
Anna Mcmullan
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23 January 2009, p. 169
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Page 3 of 6

Theatre Research International

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Volume 20 - Autumn 1995

Reviews

Die Verstädterung der Oper: Paris und das Musiktheater des 19. Jahrunderts. By Anselm Gerhard. Stuttgart and Weimar: Verlag J. B. Metzler, 1992. Pp. 491. DM 78.

Shakespeare in Performance: A Midsummer Night's Dream. By Jay L. Halio. Manchester and New York: Manchester University Press, 1995. Pp. viii + 148 + illus. £35.

Shakespeare Survey 47: Playing Places for Shakespeare. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1994. Pp. x + 286. £40/$64.95.

Shakespeare In Performance: King John. By Geraldine Cousin. Manchester & New York: Manchester University Press & St Martin's Press, 1994. Pp. xii + 152 + illus. £29.99.

Theatre and Fashion: Oscar Wilde to The Suffragettes. By Joel H. Kaplan and Sheila Stowell. Cambridge: Cambridge University Press, 1994. Pp. xiii + 220. £30; $49.95.

Georg Büchner: The Shattered Whole. By John Reddick. Oxford: Clarendon Press, 1994. Pp. x + 395. £40.

In the Theatre of Romanticism: Coleridge, Nationalism, Women. By Julie A. Carlson. Cambridge: Cambridge University Press, 1994. Pp. xiv + 267. £30; $49.95.

Jacques Copeau ou le mythe du Vieux-Colombier. Biographie. By Paul-Louis Mignon. Paris: Julliard, 1993, Pp. 348. 140 FF.

The Theatrical Life of George Henry Boker. By Thomas M. Kitts. New York: Peter Lang, 1994. Pp. 204. $44.95.

Robert Atkins: An Unfinished Autobiography. Edited by George Rowell. (With contributions from J. C. Trewin and A. C. Sprague). London: The Society for Theatre Research, 1994. Pp. x + 154. £15; $30.

Artaud and the Gnostic Drama. By Jane Goodall. Oxford: Clarendon Press, 1994. Pp. 230. £27.50.

Elizabeth Robins: Staging A Life, 1862–1952. By Angela V. John. London: Routledge, 1995. Pp. xiv + 283 + illus. £25.

Is Comrade Bulgakov Dead? Mikhail Bulgakov at the Moscow Art Theatre. By Anatoly Smeliansky. (Translated by Arch Tait). London: Methuen, 1993. Pp. x + 374. £20.

The Boys: A Double Biography. By Christopher Fitz-Simon. London: Nick Hern Books, 1994. Pp 320. £17.99/9.99.

Shakespeare and The Birmingham Repertory Theatre, 1913–1929. By Claire Cochrane. London: The Society for Theatre Research, 1993. Pp. vi + 181 + illus. £15; $30.

The Cambridge Companion to Brecht. Edited by Peter Thomson and Glendyr Sacks. Cambridge: Cambridge University Press, 1994. Pp. xxxii + 302. £35/11.95; $59.95/16.95.

Revolutionary Theatre. By Robert Leach. London: Routledge, 1994. Pp. xxii + 229. £40.

The Actor's Ways and Means. By Michael Redgrave. London and New York: Nick Hern Books and Routledge, 1995. Pp. xiv + 130 + illus. £9.99.

Luigi Pirandello in the Theatre: A Documentary Record. Edited by Susan Bassnett and Jennifer Lorch. Philadelphia: Harwood Academic Publishers GmbH, 1993. Pp. xxii + 204. £14; $26 Pb.

Critical Thought Series No 4: Critical Essays on Samuel Beckett. Edited by Lance St John Butler. Aldershot, Hants ampampsemicolon Brookfield, Vermont: Scholar Press, 1993. Pp. xii + 376. £29.50.

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Volume 20 - Autumn 1995

Reviews