Theatre Research International: Volume 20 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 20 - Autumn 1995

Contents

Page 4 of 6

Reviews

Twentieth-Century European Drama. Edited by Brian Docherty. New York: St. Martin's Press, 1994. Pp. 228. $39.95
David Bradey
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23 January 2009, pp. 64-65
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Acting Between The Lines: The Field Day Theatre Company and Irish Cultural Politics 1980–1984. By Marilynn J. Richtarik. Oxford: Clarendon Press, 1995. Pp. 356. £35.
Christopher Murray
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23 January 2009, pp. 290-291
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Kicking Against the Pricks: A Theatre Producer Looks Back. By Oscar Lewenstein. London: Nick Hern Books, 1994. Pp. xiv + 210. £17.99.
Bill Naismith
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23 January 2009, pp. 169-170
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Joan's Book: Joan Littlewood's Peculiar History As She Tells It. By Joan Littlewood, London: Methuen, 1994. Pp. xx + 796. £20.
Steve Nicholson
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23 January 2009, p. 65
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African American Theatre: An Historical and Critical Analysis. By Samuel A. Hay. Cambridge: Cambridge University Press, 1994. Pp. xiii + 287. £35/13.95; $54.95/18.95.
David Krasner
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23 January 2009, pp. 170-171
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The Plays of David Hare. By Carol Homden. Cambridge: Cambridge University Press, 1995. Pp. xii + 262. £35/$59.95 Hb; £10.95/$16.95Pb.
Robert Wilcher
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23 January 2009, pp. 291-292
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Theatre and Drama in Francophone Africa. By John Conteh-Morgan. Cambridge: Cambridge University Press, 1994. Pp. xii + 243. £35/$59.95.
Martin Banham
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23 January 2009, p. 292
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The Cambridge Guide to African and Caribbean Theatre. Edited by Martin Banham, Errol Hill and George Woodyard. Cambridge: Cambridge University Press, 1994. Pp. viii + 261 + illus. £35; $39.95.
James Gibbs
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23 January 2009, pp. 171-172
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Double Binds: Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson. By Johan Callens. Amsterdam & Atlanta: Rodopi, 1993. Costerus New Series 87. Pp. 261. £30.75.
Alfred Nordmann
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23 January 2009, pp. 66-67
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The World Encyclopedia of Contemporary Theatre: Volume 1: Europe. Edited by Don Rubin. London and New York: Routledge, 1994. Pp. xii + 1052. £100/$149.95.
Martin Banham
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23 January 2009, pp. 292-293
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Theatre and Performance in Africa: Intercultural Perspectives. Edited by Eckhard Breitinger. Bayreuth African Studies 31, 1994. Pp. 216.
Martin Banham
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23 January 2009, pp. 172-173
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Theatre on Trial: Samuel Beckett's Later Drama. By Anna McMullan. London and New York: Routledge, 1993. Pp. vi + 156. £30.
Gordon Armstrong
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23 January 2009, pp. 67-68
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The Cambridge Illustrated History of British Theatre. Edited by Simon Trussler. Cambridge: Cambridge University Press, 1994. Pp. xii + 404 + illus. £24.95/$39.95.
Edward Braun
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23 January 2009, pp. 293-294
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Woman's Theatrical Space. By Hanna Scolnicov. Cambridge: Cambridge University Press, 1994. Pp. xiv + 177. £30; $49.95.
Jacky Bration
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23 January 2009, p. 173
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Conversations with Pinter. By Mel Gussow. London: Nick Hern Books, 1994. Pp. 158. £12.99.
Bill Naismith
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23 January 2009, pp. 68-69
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Performing Woman: Female Characters, Male Playwrights, and the Modern Stage. By Gay Gibson Cima. Ithaca, NY: Cornell University Press, 1993. Pp. 233. $28.95.
Kim Marra
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23 January 2009, pp. 173-175
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True Lies: The Architecture of The Fantastic in The Plays of Sam Shepard. By Jim McGhee. New York: Peter Lang, 1993. Pp. 224. £28.
Paul Whiteley
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23 January 2009, p. 69
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Shakespeare as Prompter: The Amending Imagination and The Therapeutic Process. By Murray Cox and Alice Theilgaard. London: Jessica Kingsley Publishers, 1994. Pp. xxvi + 454. £22.50.
Jennifer McMahon
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23 January 2009, p. 294
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The Paper Canoe: A Guide to Theatre Anthropology. By Eugenio Barba. Translated by Richard Fowler. London: Routledge, 1994. Pp. x + 187. £35; 10.99.
David Wiles
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23 January 2009, pp. 294-295
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Converging Realities: Feminism in Australian Theatre. By Peta Tait. Paddington, NSW: Currency Press, 1994. Pp. 276. AUS $19.95.
Rachel Fensham
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23 January 2009, p. 175
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Page 4 of 6

Theatre Research International

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Volume 20 - Autumn 1995

Reviews

Twentieth-Century European Drama. Edited by Brian Docherty. New York: St. Martin's Press, 1994. Pp. 228. $39.95

Acting Between The Lines: The Field Day Theatre Company and Irish Cultural Politics 1980–1984. By Marilynn J. Richtarik. Oxford: Clarendon Press, 1995. Pp. 356. £35.

Kicking Against the Pricks: A Theatre Producer Looks Back. By Oscar Lewenstein. London: Nick Hern Books, 1994. Pp. xiv + 210. £17.99.

Joan's Book: Joan Littlewood's Peculiar History As She Tells It. By Joan Littlewood, London: Methuen, 1994. Pp. xx + 796. £20.

African American Theatre: An Historical and Critical Analysis. By Samuel A. Hay. Cambridge: Cambridge University Press, 1994. Pp. xiii + 287. £35/13.95; $54.95/18.95.

The Plays of David Hare. By Carol Homden. Cambridge: Cambridge University Press, 1995. Pp. xii + 262. £35/$59.95 Hb; £10.95/$16.95Pb.

Theatre and Drama in Francophone Africa. By John Conteh-Morgan. Cambridge: Cambridge University Press, 1994. Pp. xii + 243. £35/$59.95.

The Cambridge Guide to African and Caribbean Theatre. Edited by Martin Banham, Errol Hill and George Woodyard. Cambridge: Cambridge University Press, 1994. Pp. viii + 261 + illus. £35; $39.95.

Double Binds: Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson. By Johan Callens. Amsterdam & Atlanta: Rodopi, 1993. Costerus New Series 87. Pp. 261. £30.75.

The World Encyclopedia of Contemporary Theatre: Volume 1: Europe. Edited by Don Rubin. London and New York: Routledge, 1994. Pp. xii + 1052. £100/$149.95.

Theatre and Performance in Africa: Intercultural Perspectives. Edited by Eckhard Breitinger. Bayreuth African Studies 31, 1994. Pp. 216.

Theatre on Trial: Samuel Beckett's Later Drama. By Anna McMullan. London and New York: Routledge, 1993. Pp. vi + 156. £30.

The Cambridge Illustrated History of British Theatre. Edited by Simon Trussler. Cambridge: Cambridge University Press, 1994. Pp. xii + 404 + illus. £24.95/$39.95.

Woman's Theatrical Space. By Hanna Scolnicov. Cambridge: Cambridge University Press, 1994. Pp. xiv + 177. £30; $49.95.

Conversations with Pinter. By Mel Gussow. London: Nick Hern Books, 1994. Pp. 158. £12.99.

Performing Woman: Female Characters, Male Playwrights, and the Modern Stage. By Gay Gibson Cima. Ithaca, NY: Cornell University Press, 1993. Pp. 233. $28.95.

True Lies: The Architecture of The Fantastic in The Plays of Sam Shepard. By Jim McGhee. New York: Peter Lang, 1993. Pp. 224. £28.

Shakespeare as Prompter: The Amending Imagination and The Therapeutic Process. By Murray Cox and Alice Theilgaard. London: Jessica Kingsley Publishers, 1994. Pp. xxvi + 454. £22.50.

The Paper Canoe: A Guide to Theatre Anthropology. By Eugenio Barba. Translated by Richard Fowler. London: Routledge, 1994. Pp. x + 187. £35; 10.99.

Converging Realities: Feminism in Australian Theatre. By Peta Tait. Paddington, NSW: Currency Press, 1994. Pp. 276. AUS $19.95.

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Volume 20 - Autumn 1995

Reviews