This article discusses houses on the periphery of Barcelona and in particular in the El Carmel neighbourhood, which were built by poor country-to-city migrants from southern Spain in the post-World War II period. They were constructed following two typologies: barracas (sheds), one-storey huts on an irregular street plan, and coreas (‘Korea houses’), more formally looking one- to three-storey structures lined up on orderly laid-out streets. Based on archival documents, contemporaneous publications and interviews with former autoconstructores (self-builders), the article analyses both social conditions and physical structures. While these buildings were often unauthorized and constructed by informal means, they were just as often built with the landowner’s consent, involving architects and building professionals, and retroactively legalized. The article concludes that in this respect Barcelona’s ‘informal neighbourhoods’ in fact straddled the realms of the formal and the informal, to the extent that the habitual distinction between formal and informal architecture has to be considered inadequate.

This article suggests that the post-colonial viewpoint could be valuable in understanding Beijing during the colonial crisis between 1900 and 1928. Through the examination of urban space in the Legation Quarter, it pays attention to the emerging special types and forms, as well as the mechanisms behind them, and explains the transposition of a foreign modern cityscape to the local context. The Europeanized district in Beijing was a symbol of Western civilization and the uneven power dynamics in the city, and was regarded as both a spatial model and a competitor for the Chinese government's attempts to create a modern capital.

This article delves into the post-war urban planning of Racibórz (Ger. Ratibor), a mid-size city in Poland, shedding light on the socialist city’s historical roots and its adherence to socialist urbanism models. Using planning maps and other archival documents, it examines the reconstruction process that aimed at creating green spaces and quality housing, while at the same time revealing its medieval past. The article also investigates the city’s deviation from known recovery patterns and highlights a lesser known approach to creating a city with a national form and socialist content. Overall, this research offers a comprehensive exploration of a reconstruction process in a mid-size city, enriching the understanding of European post-war urban history.

Republican Shanghai was a renowned art capital. This article is based on a large-scale digital mapping project of the residential locations of 1,349 Shanghai artists. We analysed the transformative spatial distribution patterns of artists in relation to the city's social and urban conditions, and developed an artists’ habitation approach to elucidating the issues of Republican-period Shanghai urban and art history from the perspective of Chinese cosmopolitanism. We mapped areas of high artist concentration and identified a higher percentage of artists residing in the concessions (compared with the Shanghai general population) and the incremental convergence of art clusters in the concessions. We argue that the concessions provided a favourable environment for cultural diversity and the ungovernable, elite spirit of the literati tradition. The mainstream Shanghai art practices, known as haipai, were modern, as they were rooted in the urban modernity of the concessions and embodied Chinese cosmopolitanism.

This article studies how people, especially the business community, in the southern Chinese city of Canton, responded to the government's fund-raising campaigns in the early phase of the War of Resistance against Japan (1937–45). It challenges the conventional views that the whole city of Canton had wholeheartedly united together in the face of their encroaching enemy, and that people from all walks of life displayed a high degree of patriotism with their self-denying participation in the city's war efforts. Despite the common concern about the threat of looming attack on Canton by the Japanese, this commonality, however, did not help cement the populace into a nationalistic whole with great solidarity, as the state and its publicists hoped. This article also reveals the problem with interpreting socio-political events in this turbulent time through the narrow lens of Chinese nationalism.

Between 1964 and 1969, the Ford Foundation developed the Community Facilities Program in Chile, which articulated technical and financial assistance in the field of architecture and the training of local experts, in addition to its action in the renovation of state structures related to housing and urban planning. In this context, the design strategy introduced innovations based on architectural research that were a pedagogical novelty, which contributed to the discussion on the role of technical assistance in the Southern Cone, redefining the relationship between philanthropy, state and University.

The article is a critical investigation of the role played by the Palermo left-wing newspaper L'Ora in uncovering the Sicilian Mafia's urban affairs and property speculation during the sack of Palermo in the 1960s. It pays particular attention to L'Ora's complex narrative concerning the urban Mafia and the many obstacles that the newspaper encountered in its attempt to defend the city. The article aims to explain L'Ora's account of the Mafia as an intersection of violent crime, politics and business. This study uses investigative series and archival sources to explain the emergence of ‘antimafia’ as both concept and political practice in the urban history of Palermo.