Research Article
The Politics of the Bagatelle: Opera and Smallpox Inoculation in Enlightenment France
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- 02 November 2022, pp. 135-156
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Bellini's Idyllic Endings
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- 01 March 2022, pp. 1-36
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A Mexican Semiramide: García and Rossini in Postcolonial Latin America
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- 06 January 2023, pp. 245-268
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Verismo's Dramatised Deviants: Lombroso's Criminal Anthropology in Tosca
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- 02 December 2022, pp. 269-292
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Censoring the Muses: Opera and Creative Control in Nicholas's Russia (1825–1855)
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- 23 February 2022, pp. 37-66
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Verdi, Auber and the Aida-type
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- 25 July 2022, pp. 157-182
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An ‘Execution’ at the Hofoper: Czech Perspectives on the Viennese Premiere of Dvořák's The Cunning Peasant
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- 21 July 2022, pp. 67-96
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Performing Ot(h)ello: Verdi, Salvini and the Stage Manual
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- 23 December 2022, pp. 293-308
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Gina Oselio and Opera in Fin-de-Siècle Norway
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- 22 July 2022, pp. 183-210
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Ideologies of Voice Type and Ravel's L'heure espagnole
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- 20 September 2022, pp. 211-234
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‘In my end is my beginning’: Peter Grimes and Death in Venice
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- 29 July 2022, pp. 97-123
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The Operatic Roots of Performativity: Bodies Decontextualised in Butler, Brecht and Busoni
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- 09 December 2022, pp. 309-337
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Review Article
Spectral Mechanics and the Technical Failures of the Monograph
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- 02 November 2022, pp. 235-244
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Research Article
The Mask of Bourgeois Masculinity and Franz Schreker's Die Gezeichneten
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- 06 January 2023, pp. 338-363
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Review Article
The Importance of Being Serious
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- 26 July 2022, pp. 124-134
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Research Article
Reconfiguring Voice in The End: Virtuosity, Technological Affordance and the Reversibility of Hatsune Miku in the Intermundane
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- 19 December 2022, pp. 364-379
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Front Cover (OFC, IFC) and matter
OPR volume 34 issue 2 Cover and Front matter
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- 10 November 2022, pp. f1-f2
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OPR volume 34 issue 1 Cover and Front matter
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- 31 August 2022, pp. f1-f2
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Back Cover (IBC, OBC) and matter
OPR volume 34 issue 1 Cover and Back matter
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- 31 August 2022, pp. b1-b2
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Review Article
Quel Plaisir! Quel Plaisir? – On Bodies in Performance
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- 14 February 2023, pp. 380-389
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