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This edited volume arises from an important, even revolutionary, insight: both legal institutions and law itself are products of deliberate design decisions. By critiquing law’s design, legal designers open up the possibility of alternative approaches to problem-solving for individuals and communities. One strength of legal design as it stands today is its breadth, with relevance to every interaction with law and legal institutions. Legal design crosses boundaries of all sorts, from the international to the hyper-local, constitutional to regulatory law, and litigation to drafting. It even offers opportunities to envision entirely new models for mediating between individuals and society that do not rely on existing conceptions of the rule of law. The contributors to this pathbreaking, agenda-setting volume are the dreamers and doers of the legal design movement. Welcome to the revolution!
Rebecca West’s novel of ideas, The Birds Fall Down, responds to the intense debate around capital punishment that took place in the UK after the Second World War. Partly motivated by the International Military Tribunal in Nuremberg, which West attended as a journalist, this debate led to the introduction of the Criminal Justice Bill in 1947 and the establishment of the Royal Commission on Capital Punishment in 1949. Alongside other public intellectuals, West acted as an honorary member of the National Campaign for the Abolition of Capital Punishment, founded in 1955. In such non-fictional works as Black Lamb, Grey Falcon and A Train of Powder, West reflects on the meaning of justice and the appropriateness of punishment for murder, assassination, and crimes against humanity. In The Birds Fall Down, she extends her reflections to the political utility of assassination and the wisdom required to pass judgment on crimes and criminals.
This chapter takes the philosopher Karl Leonhard Reinhold as a starting point to look at the ways in which critical philosophers sought to cast Kantianism as the heir to Protestantism. In his highly influential Letters on the Kantian Philosophy, Reinhold argues that the “first” Reformation of the sixteenth century was only a “preparation” for the current attempts to purify morality through philosophy. Situated in the context of Friedrich Heinrich Jacobi’s accusation that contemporary philosophy led to atheism (the so-called pantheism controversy or Spinozastreit) it traces Reinhold’s evolution from a proponent of the Catholic Enlightenment to an energetic advocate for Kantian philosophy at the University of Jena. Concluding briefly with Johann Gottlieb Fichte, the chapter shows how the new language of Protestantism discussed in the previous chapters proved fruitful for advocates of the new philosophy.
This work is a history of ideas, not a history of science. It uses the past to answer the questions of whether the Darwinian Revolution comes from ideas already prevalent in Victoria society – or is it a work of rebellion? – and whether the Darwinian Revolution was truly revolutionary – or is this a mistaken judgment made by historians and others?
Darwin was no rebel. Every item in his theory of evolution was drawn from his culture or society. However, Darwin reordered the elements, like a kaleidoscope, to produce a truly revolutionary vision of the world – in science, in philosophy, in religion, and in literature, with major implications for our thinking about social issues.
Chapter 9 looks comparatively within monarchies to assess whether the theory contributes to understanding why some monarchies survived and others were overthrown in the past two centuries. It begins by analyzing two datasets of ruling monarchies from the 1800s to the 1900s, showing that monarchies that shared more power with parliaments were less likely to fall to revolutions. It then uses case studies of the Iranian and Nepali monarchies to illustrate how centralizing monarchs made themselves vulnerable to blame and attracted mass opposition, ultimately leading to their downfalls. The chapter suggests that the theory has implications for understanding historical transitions from monarchy, and it underscores that kings who forego their delegation advantage and monopolize power are also vulnerable to being blamed and facing mass opposition when they govern poorly.
This chapter examines the conditions for revolution, its premises and accelerators, and its unravelling. Between 1959 and 1961, Rwanda made the transition from a Tutsi-dominated monarchy to a Hutu-dominated republic, creating the conditions for the armed return of the Tutsi exiles discussed in Chapter 6.
The war seemed to have destroyed all false hopes. From the very beginning, Jews felt joined with other Germans in the war efforts and uplifted by the promise of total brotherhood, as announced by Kaiser Wilhelm II in the streets of Berlin. But later on, as the war became a rather hopeless trench war, little remained of this sense of togetherness. The Jews felt the atmospheric change in the return of antisemitism. Individuals experienced it directly in their various army units and the community as a whole was finally shocked and irritated by the decision to collect “Jewish Statistics,” measuring their presumably real part in defending the Fatherland, , in October 1916. Later on, Jews were overwhelmed, together with others, by more threatening dangers. After briefly telling the life-story of Albert Ballin, the great ship-owner from Hamburg, a “Kaiser-Jew,” and the way he experienced the lost war, the end of the empire, and the approaching revolution, the chapter moves on to tell of the great hopes entertained by other, less prosperous Jews, who experienced the end of the old order and the imminent establishment of a new republic in a far more positive light.
Part I centers Italy in British heritage discourse, showing how nineteenth-century writers used Italy (especially Pompeii, Rome, and Florence) to redefine their own historical and political identities. Amid political resurgence and ongoing unification efforts, the long tradition in British writing of depicting Italy as culturally and politically dead faltered. In response to the Risorgimento, British writers deployed fractal and syncretism – two temporal forms that afford nonlinear historicisms. Rather than the timelines that locate Italy in a distant past, fractal and syncretism connect past and present. One result is a redefined political liberty that can transcend national, gender, class, and race boundaries, as I explore through forgotten transnational figures including the writer Susan Horner and the abolitionist Sarah Parker Remond.
Russian Poland was among the most militant tsarist borderlands during the 1905–1907 Revolution in the Russian Empire. However, only a decade later, when revolutionary movements again loomed large and shook the whole region after 1917, Poland remained relatively calm. Forging a new statehood after 1918 rivaled the earlier popular drive toward social revolution. Revolution was aborted in Poland; in other rim regions of the Russian Empire, however, the situation evolved differently, and this scenario should not be taken as self-explanatory. The dynamic of political contention on the ground in the inter-revolutionary decade is the key to understand the pathways of the new state and its society. But the existing accounts deliver only a fragmentary picture, concentrating on the teleology of nation, nation state and its elites or party politics. Meanwhile, the dynamics of labor contention can be hardly squared with unanimous class or national mobilizations. This article addresses this gap drawing from an extensive collection of courses on social unrest and conflict in the Kingdom of Poland based on administrative sources from local Polish and central Russian archives (more than 3300 entries on contentious events). Covering broad available sources, it offers a picture of labor unrest spanning from tinier township workshops, insular, dispersed industrialization of smaller cities harboring quite large mills, to fully-fledged industrial power hubs. The findings show the large heterogeneity of conflict among urban workers. The initial enthusiasm of the 1905 upheaval did not hold sway for long. Workers were tired with the revolutionary mobilization, derailed by the state repression and reluctant to embark on political action again. The lore of 1905 was not an important point of reference for the forthcoming mobilizations. Instead, protests had their own rhythms and spatial patterns, resembling the pre-industrial calendar of festivities turning into insurgencies but also followed pan-imperial causes. Inter-ethnic tensions kicked in: within crews (mostly Polish-Jewish) but above all between rank-and-file workers and foremen, often of German origin. This plurality resulted in various possibilities to build a working class imagined community ranging from a single factory, through branch-wide solidarities, national filiation up to pan-imperial class alliance. Also the tsarist administration, interested in maintaining the basic stability of supply and keep the state going was an important factor. These heterogenous field of tensions did not form any cleavage conductive to singular mobilization. However, it was susceptible to broader political projects binding various claims. Such a project was a new Poland, supported by major parties and perceived by many as nothing less as a revolutionary state for a while promising anti-imperial self-assertion, national rights, political freedom, and social emancipation.
Liberalism is at the heart of modern ‘Western’ history, politics, and international relations. Central to understandings of liberty, freedom, democracy, rights and the rule of law, liberalism has animated debates on abolition and empire, war and peace. This chapter provides an account of liberalism as a contested phenomena that originated at least in the eighteenth century and has had profound international political consequences ever since. To tell this story, the chapter begins by considering how to make sense of the contestations surrounding liberalism, before examining how and why liberalism matters to International Relations at key moments of its development as a discipline: in the age of empires, the inter-war years, during the Cold War and ‘new’ world which ensued, and now in this epoch of endless war.
This chapter draws together the book’s overarching narrative by examining the regional transformations inscribed in the social and material architecture of the Italian care home, the Casa di Riposo, in Alexandria, Egypt. The institution was founded in 1928, at the height of the community’s importance in regional politics. Designed to house over 250 individuals, its inhabitants were fewer than 20 at the time of writing. Within its halls, it contains a locked and abandoned museum, aptly named ’The Time Machine’, which displays the accumulated objects of departed Italians. Walls grew around the building in proportion to Alexandria’s expanding population. During moments of political revolt since 2011, demonstrators’ calls for new futures reverberated in the Casa di Riposo’s emptying halls. Using the Casa di Riposo as an analytical lens, this conclusion suggests that imperial afterlives, even in states of absence and entropy, demonstrate the contested nature of historical temporalities in shaping migration, empire, and decolonisation in the modern Mediterranean.
This chapter argues that instead of being a quiet gap between the noise of the post-Waterloo period and the rise of Chartism, the 1830s has its own under-examined, violently radical character. I concentrate on William Benbow and Francis Macerone, who produced inciting revolutionary works including Grand National Holiday and Defensive Instructions for the People, which pointed to the 1830s being a time of class conflict. During the 1820s, Benbow produced cheap editions of poetry for the working classes. However, Grand National Holiday was designed to promote a general strike that would lead to revolution. Colonel Francis Macerone, a revolutionary ultra-radical, created works that would be banned today, such as Defensive Instructions for the People. This pamphlet shows amateurs how to make pikes, bullets, incendiary devices, and bombs, as well as ways to engage in street-fighting against soldiers. I argue that Benbow and Macerone are central figures in pre-Chartist 1830s radicalism and examine the revolutionary early 1830s through their works published on the eve of the Reform Bill.
This chapter examines the sense of uncertainty fostered by postwar geopolitics. It looks at how the political orientations shaped during the interwar period were dislocated from postwar Italo-Egyptian relations and from emergent Mediterranean constellations. The fall of the fascist government in Rome in 1943 and the creation of the Egyptian republic in 1953 made uncertainty a defining condition of life for Italian residents in Egypt after the war. Their experiences no longer resonated with the political aspirations of the post-fascist state, nor did they align with Egypt’s accelerating movement towards national sovereignty. The material and symbolic exchange of two deposed kings – Vittorio Emanuele III in 1946 and Faruk in 1953 – and the establishment of the Italian and Egyptian Republics paved the way for new industrial and economic ties. Political-economic relations tightened around this kinship of exchange, and the Italian state sought to reinforce Egypt’s military government. Yet, as this chapter demonstrates, many Italian residents fell into greater duress, coming to understand departure as their only possible future.
The final chapter investigates the nature of the 1918 transition from Empire to Republic. It opens with the lack of street lighting which persisted in the postwar years and symbolized the slow change from war to peace, and from old regime to democracy. The continuity between the two regimes and the continuation of wartime conditions were both visible in urban space. Prague’s unfinished transformation exacerbated the disappointed expectations of reward for war sacrifices and new life in the republic. Social uncertainty prevailed in the postwar city in an atmosphere of diffuse revolutionary spirit. The discourse of revolution, very present at the time, could refer to either the rupture of 1918 or the changes yet to come. Popular interpretations of revolution at the local level shed new light on 1918 as a turning point in twentieth-century Europe beyond its traditional interpretation as either an aftershock of the Bolshevik revolution or a victory of national self-determination.
This article analyzes the sketches of Ernesto “Che” Guevara and fellow guerrillas made by the Argentine Ciro Bustos during his captivity in Bolivia in 1967. Many of the references to Bustos in biographies of Guevara and in writings about the latter’s failed Bolivian campaign depict Bustos, because of those sketches, as “the man who betrayed Che.” The tensions and discrepancies in those accounts suggest instead that Bustos’s sketches should be seen not merely as documents of betrayal but as artworks embedded in the period’s wider revolutionary visualities. The article argues that Bustos’s drawing of Che Guevara, who is usually depicted visually as “heroic guerrilla” or “saintly martyr,” introduces an affective, intimate gaze of armed struggle in all its complications.
Prague entered the First World War as the third city of the Habsburg empire, but emerged in 1918 as the capital of a brand new nation-state, Czechoslovakia. Claire Morelon explores what this transition looked, sounded and felt like at street level. Through deep archival research, she has carefully reconstructed the sensorial texture of the city, from the posters plastered on walls, to the shop windows' displays, the badges worn by passers-by, and the crowds gathering for protest or celebration. The result is both an atmospheric account of life amid war and regime change, and a fresh interpretation of imperial collapse from below, in which the experience of life on the Habsburg home-front is essential to understanding the post-Versailles world order that followed. Prague is the perfect case study for examining the transition from empire to nation-statehood, hinging on revolutionary dreams of fairer distribution and new forms of political participation.
This chapter introduces the essay collection Mobility and Coercion in an Age of Wars and Revolutions: A Global History, c. 1750 – 1830. It argues that the history of exclusion and forced removal must be put center stage in order to understand the era often described as the cradle of political modernity. The collection argues against a dichotomy between free and unfree mobility, rather regarding them as points on a continuum of varying degrees of coercion. It emphasizes both the circular and multidirectional nature of human mobility across the planet and the counterforces that kept people in place. It draws together hitherto separated scholarship on the mobilities of enslaved individuals, convicts, soldiers and war prisoners, refugees, and displaced Indigenous communities. The result is a set of entangled histories that together break down assumptions about geographies and chronologies, and interrogate the dynamic interplay between systems of forced removal and the individuals who negotiated them.
At a time when Cuban immigrants are seeking political asylum at historically unprecedented rates, most press and scholarly accounts consistently mirror earlier portrayals of Cubans’ mass exodus from the island in one key aspect: they ascribe to refugees a primarily economic reason for their decision to leave and offer little discussion of political factors. To illuminate the need for such analysis, this article examines the Mariel Boatlift of 1980, when approximately 125,000 Cubans, most of them thirty years old or younger, left Cuba. No other exodus of Cubans was more demonized than the Mariel, both by Cuba’s supporters and leadership and by exile opponents of the communist state. Exploring how the intensification of ideological criteria for inclusion in the Cuban Revolution undermined the quality of Cubans’ liberation under socialism prior to Mariel, this article explores state policies and the deep politicization of everyday life and identity. Key political factors explain many young people’s alienation and the degree to which the Cuban state sanctioned and directed extreme measures of repression to discredit those who wanted to leave as lazy, sexually degenerate escoria (human trash).