Christophe Triau’s chapter accounts for the state of the art of mise en scène in contemporary theatre. Triau explains how contemporary mise en scène is characterized by its marked refusal to construct immediately legible meaning or recognizable reference points on stage. Instead, with reference to the works of four major directors – Claude Régy, François Tanguy and the Théâtre du Radeau, Joël Pommerat, and Gisèle Vienne – Triau argues that stage direction tends to place audience members’ sense of perception under pressure. The stage is transformed into a destabilizing space of uncertainty, dream, hallucination or fantasy, which questions and renews the audience’s experience of perception, opening it out to other possibilities distinct from ordinary perception. In their very different ways, these directors bring into play not only what is seen but how the audience sees: the frameworks and activity of perception both in the theatre and in life.

This chapter discusses the way the contemplation of Intellect and the Forms is related to the experience of the sensible world. Despite the traditional view that Platonism espouses “two worlds”, Plotinus mocks the idea of the sensible and the intelligible as being actually two separated realms. Rather, for him there is only one world but seen from different perspectives by different cognitive activities of the soul. What happens in noetic contemplation is not that the Forms are seen apart from their sensible images, but that they are seen in and through their images, having become transparent to their essences. Or, when the experience is mature, it is rather that the sensible things are seen in and through their intelligible archetypes. To explain that phenomenon, Plotinus uses the continuum of dimness and clarity, and claims that perception is dim intellection, while intellection is clear perception. The contemplation of the transparency of the sensible to the intelligible gives rise to the experience of “bodies in Intellect” or the profound unity of the two realms, where the entire reality of the sensible is to be found in the intelligible.

This chapter discusses the first level of contemplation, namely, psychic contemplation. The point of departure is Plotinus’ view of perception as a multi-level activity and his claim that we perceive external things by virtue of internal images. In the realm of affective experience, we also co-create our emotions rather than receive them passively. The fall is a distortion of the states of knowing (perceptions) and the states of loving (affects) as well as of the sense of the body, the world, and the self. In the first phases of contemplative ascent, virtues purify our experience of the self, and we begin to overcome the sense of the world as external and our emotional enslavement to it. The result is peace and freedom. The analysis of perception and affective experience shows that for Plotinus contemplation is a natural state of our soul. It is not adding something which is not there but recovering our awareness of what is already going on when we perceive experience affects or relate to our body.

The introduction introduces the concept of imagination used in the book, explains the relation of art and of faith to this concept, and discusses the approach and method of the book, highlighting its understanding of theology and theology’s relationship to phenomenology and to other disciplines. The introduction concludes with an overview of the plan of the book.

This chapter moves from the macro-level of social and narrative imagination to the micro-level of speaking and seeing. It continues to consider the interplay of inheritance and originality in these practices: the constitutive underdetermination or equivocity of what we see and say. The chapter illuminates the ways in which even at the smallest levels, we construct the world imaginatively. It then begins to discuss how art and poetry loosen the grasp of automated perception and do not impose an alternative vision but rather grant a double vision of our lives, allowing us to see it from new perspectives or in new ways. The chapter concludes with a consideration of liturgical and biblical renewals of perception.

The Isles of Scilly are an archipelago twenty-eight miles off the south-west coast of England, with a population of c. 2,000 people. The current indigenous population is believed to have descended from 1571, when the islands were repopulated by a member of the aristocracy who leased the islands from the British Crown. The islands’ leasing continued until 1920, when all but one island reverted to the Duchy of Cornwall. Metalinguistic commentary from the sixteenth century onwards suggests that Scillonians are perceived as more cultured, better educated and better spoken than their mainland counterparts. By drawing on oral history data, this vignette will explore the accuracy of these perceptions. To do so, it examines the extent to which phonetic features of Scillonian English relate to traditional varieties of Cornish English, on the one hand, and standard English, on the other. In explaining the patterns of linguistic variation found on the islands, consideration is given to the presence (or not) of the Cornish language on the islands, dialect contact, the ‘feudal-like’ system of governance, the peculiarities of education practices, and the identity factors that affect how and why different groups of Scillonians use distinctive linguistic variants.

The eponymous protagonist of Gwendolyn Brooks’s under-examined 1953 novel Maud Martha becomes acutely attuned to the multisensory dimensions of quotidian experience. As she navigates the intersecting forces of race, gender, class, and color in the public sphere, she begins to conceive of herself as a perceiving subject rather than solely as a perceived object in the private sphere. Drawing on Black feminist scholarship, I theorize synesthetic stillness as an aesthetic strategy that reveals aspects of Black interiority through its exploration of overlapping and intermingling perceptual faculties. In deploying synesthetic stillness, Brooks not only counters dehumanizing sensory stereotypes, but traces a mode of Black resistance that privileges internal sensation rather than external expression.

In ‘Aristotle on the Stages of Cognitive Development’, Thomas Kjeller Johansen examines Aristotle’s contributions to our thinking about concepts from a different perspective, namely in connection to Aristotle’s psychology. He revisits Aristotle’s account of how we acquire universal concepts mainly on the basis of Metaphysics A.1, Posterior Analytics 1.31 and 2.19, and the De Anima. The chapter begins by articulating the following puzzle. On the one hand, Aristotle points out (An. Post. 1.31, 2.19) that we perceive the universal in the particular. On the other, he suggests (Metaph. A.1) that it is only when we have craft and science that we grasp the universal, while perception, memory, and experience all are concerned with the particular. Building on the widespread view that, according to Aristotle, the universal grasped in craft and science is the universal cause, Johansen argues that we should understand perception, memory, and experience teleologically, as stages in the ordering of perceptual information that allows this causal concept to emerge.

This chapter argues that the Epicureans defend a kind of ethical naturalism. The first section of the chapter, focusing on ontology, shows that for the Epicureans justice is conceived of as an accidental property (sumptōma/eventum) and is of the same general sort as the properties that are investigated in science. The second section, turning to moral epistemology, argues that, on the Epicurean view, what is just is directly perceived, showing that the investigation of ethical properties happens in the same general way as investigation in the sciences on the Epicurean view.

Early language exposure is crucial for acquiring native mastery of phonology, and multilingual exposure results in enhanced phonetic/phonological learning ability in adulthood. It remains unclear, however, whether early language exposure has lasting benefits when the quantity and quality of speaking drop dramatically after childhood. We investigate the production and perception of Arabic in fifteen early-interrupted exposure (i.e., childhood) speakers and fifteen late-exposure (i.e., novice) speakers. We compare the production of both groups to that of a control group of fifteen early uninterrupted exposure (i.e., native monolingual) speakers. The experiment included tasks addressing language proficiency, word production, and speech perception. Early-interrupted exposure speakers outperformed late-exposure speakers on all tasks of the language proficiency diagnostic, while also displaying more native-like perception and production. Our study adds further support to the body of work on the measurable long-term benefits of early language experience for an individual’s phonetic and phonological skills, even when language experience diminishes over time.