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Chapter 5 explores the logic of UN mediation as an ‘art’, which emphasises the fluid, contingent nature of mediation and prioritises relationships with negotiating parties. This chapter examines two core practices: emotional labour and discretion. The first section describes how UN mediators engage in emotional regulation to facilitate negotiations. The creation of emotional ties relies upon empathy and bonding in informal settings, which creates masculinised spaces that women have trouble accessing. In this case, the practice of empathy can be exclusionary. The second section examines how discretion – the choices mediators make about how to implement their mandates – is a key practice in UN mediation. How a mediator exercises their discretion is tied to their sense of political judgement. As such, using discretion unwisely can affect others' perceptions of a UN mediator's judgement. As WPS, especially the participation of local women, is often framed as showing partiality to one party over others, mediators are reluctant to use their discretion to advance the WPS Agenda. Instead, it is framed as a risk to the mediator's reputation for good political judgement and impartiality.
Perceptualism is a prominent theory analyzing emotions as perceptual experiences of value. A long-standing challenge to perceptualism says that emotions cannot be perceptual because they are subject to normative assessments in terms of reasons and rationality, while perceptual experiences are not. I defend perceptualism from this charge. My argument begins by distinguishing two forms of normative assessment: fundamental and non-fundamental. Perceptualism is compatible with the latter (i.e., non-fundamental reasons and rationality); even sensory experiences are so assessable. I next argue that emotions are only non-fundamentally assessable. Following this argument, I outline a perceptualist-friendly theory of emotions as non-fundamentally normatively assessable.
Existential happiness is happiness that one has a basic life at all. Having a basic life, as I understand it, involves being the subject of experiences and being an agent in some minimal sense. As I argue, existential happiness is a fitting response to having a basic life. To make this argument, I look at two possible accounts of the fittingness of existential happiness: the value of a basic life and attachment to the constitutive elements of one’s life. I also consider a few possible sources of existential happiness, including encounters with death, counterfactual thinking, and hedonically positive feelings of awe directed toward one’s own consciousness.
The idea that imagination is everywhere in our lives, and that reality is an illusion, may sound absurd to the concrete mind. This book will try to convince you that imagination manifests in different 'phases,' encompassing even the most fundamental ideas about what is real (ontology) and what is true (epistemology). It is present in the contents (e.g., images) and the acts (e.g., fantasy) of our minds. Imagination helps us remove barriers through conscious planning and finds ways to fulfill unconscious desires. The many words related to imagination in the English language are part of a unified web and share a “family resemblance.” The first section of this book deals with imagination in everyday life, the second focuses on aesthetic imagination, and the third discusses scholarly approaches that incorporate both imagination types. The fourth section proposes a unified model integrating the diverse ways that imagination is manifested in our culture.
The rise of UKIP began in the 1990s under the leadership of Nigel Farage, another admirer of Powell. From the 1990s on, prominent Conservative Party figures spoke against what they regarded as the foreignization of Britain, sometimes overtly sometimes by insinuation. The latter approach was continued in the malevolent poster slogans of the Conservative campaign during the 2005 general election. After the Conservatives gained power, this activity continued in the even more aggressive ‘hostile environment’ campaign. By the time of the 2016 referendum, anti-immigrant sentiment was mobilised in various ways that included hints and allusions, the citing of misleading statistics, emotive metaphor and barefaced reiteration of untruths. The most blatant example was the pro-Leavers’ assertions that Turkey was about to join the EU, contrary to the well-known fact that Turkey’s application was indefinitely stalled because of its human rights record. In Brexit propaganda, the danger of Turkish accession was tacitly racist, and represented in terms of an ‘invasion’ of the British Isles. The workings of these various types of truth-twisting are examined in depth in this chapter.
This chapter offers an exposition of Collingwood’s theory of imagination as presented in the commonly overlooked Book Two of The Principles of Art. I show how the standard objections to Collingwood’s view are relatively superficial, and also how the account in Book Two should be understood in the light of Collingwood’s remarks concerning the imagination in his earlier writings (especially Speculum Mentis and Outlines of a Philosophy of Art). For Collingwood, sense perception inseparably involves the imagination of possible objects of perception in any perceptual experience. Moreover, the imagination makes the sensory object thinkable – a position that blends Kantian and Humean motifs. Additionally, the crucial mark of the imaginary object is self-containment (“monadism”), a notion serving to clarify both Collingwood’s claim that the imagination is indifferent to reality or unreality and the conceptual connection, on his view, between imagination and art.
Threat perception provokes a range of behaviour, from cooperation to conflict. Correctly interpreting others’ behaviour, and responding optimally, is thought to be aided by ‘stepping into their shoes’ (i.e. mentalising) to understand the threats they have perceived. But IR scholarship on the effects of attempting this exercise has yielded mixed findings. One missing component in this research is a clear understanding of the link between effort and accuracy. I use a US-based survey experiment (study N = 839; pilot N = 297) and a novel analytic approach to study mentalising accuracy in the domain of threat perception. I find that accurately estimating why someone feels threatened by either climate change or illegal immigration is conditional on sharing a belief in the issue’s overall dangerousness. Similar beliefs about dangerousness are not proxies for shared political identities, and accuracy for those with dissimilar beliefs does not exceed chance. Focusing first on the emotional states of those who felt threatened did not significantly improve accuracy. These findings suggest that: (1) effort does not guarantee accuracy in estimating the threats others see; (2) emotion understanding may not be a solution to threat mis-estimation; and (3) misperception can arise from basic task difficulty, even without information constraints or deception.
This chapter focuses on emotions and affects in Greek epic. Leven demarcates the difference between emotion and affect in this context: emotions are defined as complex phenomena that involve embodied minds, gendered individuals and their societies, as well as instincts, cognition and values; and affects are understood as more ineffable feelings, which lie ‘beneath’ the surface: the innumerable microevents that bodies and selves undergo in their experience of the world around them, rarely indexed in conventional language. The chapter then starts by outlining the main questions that have divided scholarship on ancient emotions in general, and epic emotions in particular, with special focus on two cases, anger and fear. It then turns to episodes featuring what Leven calls ‘scenes of affect’ and argues, first, that epic is not in fact solely dominated by ‘big emotions’ but is rather shaped by a multitude of affects. Focusing on representative passages of the Odyssey, the Argonautica, and the Posthomerica, the chapter ultimately shows that epic provides its own tools to conceptualise these affects.
This book reassesses the place of politics and emotion within Romantic music aesthetics. Drawing together insights from the history of emotions, cultural history, and studies of philosophical idealism, 'affective relationality' – the channelling of emotion through music's social and cultural synergies – emerges as key to Romantic aesthetic thought. Now familiar concepts such as theatrical illusion, genius, poetic criticism, and the renewed connection of art to mythology and religion opened new spaces for audiences' feelings, as thinkers such as Rousseau, Herder, Germaine de Staël, Joseph Mainzer, Pierre Leroux and George Sand sought alternatives to the political status quo. Building on the sentimental tradition in eighteenth-century art and politics, the Romantics created ways of listening to music imbued not just with melancholic longing for transcendence but also with humour, gothic fantasy, satire, and political solidarity. The consequences have extended far beyond the classical concert hall into numerous domains of popular culture from melodrama, romances and political songwriting to musical theatre and film.
This chapter addresses some of the scientific, philosophical and theological arguments brought to bear on the debates surrounding human–robot relationships. Noting that we define robots through our relationships with them, it shows how factors such as emotion and agency can indicate things such as a theory of mind that condition users to expect reciprocal relationships that model a sense of partnership. These factors are important in ‘lovotics’, or a trend in social robotics to produce robots that people want to develop relationships with. Such relationships, however, at least given current capabilities in robotics, will always fall short of conditioned expectations because robots, rather than being full partners, are largely reducible to the self or user. The chapter introduces the notions of anthropomorphism and anthropocentrism to demonstrate these critiques, and then moves on to consider alternative figurations of relationships – drawing in particular on articulations of relationality – that may enable us to rethink how we image and imagine robots.
The literature on emotion and risk-taking is large and heterogeneous. Whereas some studies have found that positive emotions increase risk-taking and negative emotions increase risk aversion, others have found just the opposite. In this study, we investigated this question in the context of a risky decision-making task with embedded high-resolution sampling of participants’ subjective emotional valence. Across two large-scale experiments (N = 329 and 524), we consistently found evidence for a negative association between self-reported emotional valence and risk-taking behaviors. That is, more negative subjective affect was associated with increased risk-seeking, and more positive subjective affect was associated with increased risk aversion. This effect was evident both when we compared participants with different levels of mean emotional valence as well as when we considered within-participant emotional fluctuations over the course of the task. Prospect-theoretic computational modeling analyses suggested that both between- and within-participant effects were driven by an effect of emotional valence on the curvature of the subjective utility function (i.e., increased risk tolerance in more negative emotional states), as well as by an effect of within-person emotion fluctuations on loss aversion. We interpret findings in terms of a tendency for participants in negative emotional states to choose high-risk, high-reward options in an attempt to improve their emotional state.
This article is inspired by two of Steven Burns's many philosophical interests — self-deception and Wittgenstein — as well as by a wariness that we share of the analytic-continental divide in contemporary philosophy. I argue here that, despite obvious differences of temperament and concern, Sartre and Wittgenstein share a scepticism about the “epistemic model” of first-person authority. This shared scepticism emerges in a striking way in their challenges to the idea that psychological phenomena should be understood on the model of objects in physical space. Wittgenstein's scepticism is more thorough-going, but emphasizing the similarity allows us to see Sartre as making an important contribution to our understanding of first-person authority, even if we are wary of the voluntarism of his approach.
As an African American deeply impacted by the personal and communal trauma from the police murder of George Floyd in May 2020 and alleged “racial reckoning” that took place globally immediately thereafter, I have personally wrestled with the responses of many non-Black persons to these events. Though the responses came from well-intentioned friends and colleagues trying to be helpful and conciliatory, they resonated as an empty refrain: “I don’t know what it means to be Black, but….” Each time I heard this refrain, I found myself pondering more deeply what and how these folks, and all folks, understand and practice empathy. My experiences and research revealed a similar concern that I witness across many situations in which people think they are being helpful when in fact they are not doing what real empathy requires – being with the person rather than trying to imagine what the person is going through. This article challenges the faulty ways that people have been taught to think about and practice empathy in hopes of offering a model that might facilitate in more meaningful ways ties that bind human hearts and minds.
This article examines the extent to which or how self-identified great powers resort to military aggression following events that challenge their sense of greatness. It problematises the prevalent notion that great powers and events exist and have effects independently of the narratives that constitute them. The article does this by engaging with Ontological Security Studies, Great Power Narcissism, and the psychology of vulnerable and grandiose narcissism, as well as by analysing Japanese identity narratives in two periods seemingly marked by equally challenging events – the Meiji era (1868–1912) and the post-war period (1950–71). It finds that Japan’s military aggression against China in 1894–5 was enabled by vulnerable narratives of shame and insult, while the decision to wage war with Russia a decade later was facilitated more by grandiose narratives. Despite Japan’s overwhelming defeat in the Second World War and the persistent desire among conservative elites for great power status and identity, however, overall post-war narratives did not feature similarly negative emotions and calls for revenge. Japanese great power aspirations were arguably curtailed in this period through intense narrative contestation, notably progressive counter-narratives featuring more self-reflective expressions of guilt and remorse, and even the self-reflexive desire for a non-great power identity.
The ability to manipulate brain function through the communication between the microorganisms in the gastrointestinal tract and the brain along the gut-brain axis has emerged as a potential option to improve cognitive and emotional health. Dietary composition and patterns have demonstrated a robust capacity to modulate the microbiota-gut-brain axis. With their potential to possess pre-, pro-, post-, and synbiotic properties, dietary fibre and fermented foods stand out as potent shapers of the gut microbiota and subsequent signalling to the brain. Despite this potential, few studies have directly examined the mechanisms that might explain the beneficial action of dietary fibre and fermented foods on the microbiota-gut-brain axis, thus limiting insight and treatments for brain dysfunction. Herein, we evaluate the differential effects of dietary fibre and fermented foods from whole food sources on cognitive and emotional functioning. Potential mediating effects of dietary fibre and fermented foods on brain health via the microbiota-gut-brain axis are described. Although more multimodal research that combines psychological assessments and biological sampling to compare each food type is needed, the evidence accumulated to date suggests that dietary fibre, fermented foods, and/or their combination within a psychobiotic diet can be a cost-effective and convenient approach to improve cognitive and emotional functioning across the lifespan.
This chapter considers neuroanatomy in terms of the way in which cognitive processes and emotions are organised. Rather than using a strict localisationist approach, with specific cognitive functions being concentrated in particular anatomical areas, emphasis is placed on a more contemporary view of the brain as organised as a series of circuits. The main areas of cognition are considered, namely perception, language, memory, executive function, and attention. Differences between common terms are explained, such as grey and white matter, cortical and subcortical. This chapter also makes use of illustrations.
Use of partisan media is often associated with political misperceptions but little research has investigated whether partisan media can change beliefs and, if so, the mechanism through which that process occurs. This Element argues that political anger provides one key theoretical link between partisan media use and political misperceptions. Using three-wave panel survey data collected in the United States during the 2020 election, I show that people who use more partisan media are more angry and misinformed than less frequent or non-users. More importantly, consuming partisan media-particularly conservative media-can make people angrier about politics over time and this anger subsequently reduces the accuracy of political beliefs. While audiences for partisan media remain small, the findings indicate that partisan media play an important role in shaping political emotions and beliefs and offer one promising explanation for why their audiences are more likely to hold more inaccurate beliefs about politics.
Prosody includes the pitch, timing and loudness in speech, which can convey meaning and emotion. This study examines whether prosodic categories affect novel noun learning and whether the referent characteristic influence learning. Previous research showed that emotional prosody interfered with adults’ noun learning (West et al., 2017), but it had no effect on children (West et al., 2022). However, these researchers varied their method across ages, including animacy and complexity of the referent, and it is unclear if the results extend beyond the three emotional prosodies tested. Participants in the current set of studies heard novel words presented in five prosodic categories (within-subject) in order to learn the label for either animate or inanimate objects (between-subject). Study 1 compared inanimate objects and aliens, with better noun learning performance for inanimate objects. Study 2 compared inanimate objects with the same objects with faces added, but there was no difference in noun learning by object type. Both studies showed differences in noun learning by the prosodic category, with warning less accurate than naming. These results demonstrate how extralinguistic factors like prosody, attention and referent complexity influence noun learning.
The concluding chapter of this volume maps the contributions of the book as a whole, articulates possible future directions for further research, and offers a humanities lens to this conversation about youth mental health. Directions for further exploration include expanding the frame to encompass studies of affect and emotions (not just mental health), investigating the cultural politics of emotions (not just the importance of inner well-being) by situating emotions within political landscapes, enlarging the vocabulary of climate emotions (beyond the language of mental health), and queering climate emotions research.
This preregistered study replicates and extends studies concerning emotional response to wartime rally speeches and applies it to U.S. President Donald Trump’s first national address regarding the COVID-19 pandemic on March 11, 2020. We experimentally test the effect of a micro-expression (ME) by Trump associated with appraised threat on change in participant self-reported distress, sadness, anger, affinity, and reassurance while controlling for followership. We find that polarization is perpetuated in emotional response to the address which focused on portraying the COVID-19 threat as being of Chinese provenance. We also find a significant, albeit slight, effect by Trump’s ME on self-reported sadness, suggesting that this facial behavior served did not diminish his speech, instead serving as a form of nonverbal punctuation. Further exploration of participant response using the Linguistic Inventory and Word Count software reinforces and extends these findings.