The conclusion situates this volume in its wider historical context and assesses the gains derived from the methodology it employs. Unlike its situation after 1948, during the last decades of Ottoman rule Gaza was in no way an anomaly but rather an integral part of the Ottoman Empire. This contrast helps better understand depictions of Gaza in current day discourse: it was never integrated into any modern nation-state, and more closely resembles a relic of the pre-nation-state period. Countering the widespread fallacy that Gaza does not fit into any meaningful historical narrative, this work reimagines Gaza without the cumulative effects of the successive catastrophic events since WWI and the strictures of the Gaza Strip, but rather in terms of its multiple connections in time and space as they evolved over the centuries. Its reliance on an empirical, source-driven GIS-supported methodology constitutes a major advance that highlights the centrality of political factionalism for the city and its region and sheds light on the lifeworlds of Gaza’s commoner population. Overall, this work provides a rich terrain for formulating new hypotheses on social strategies in Gaza’s society and examining the strategic constructedness of claims found in contemporary texts.

In Carl Lavery and Rezvan Zandieh’s chapter Artaud is afforded further examination. By adopting a hyphenated notion of a ‘re-turn’, Lavery and Zandieh challenge a historiography that would describe Artaud’s impact as being on the medium or discipline of theatre alone. Their ‘re-turn’ is not predicated on restoring an originary Artaud, nor does it aim to provide yet another reading or interpretation of his artistic work. By proposing a particular mode of arranging bodies and objects in time and space, Artaud’s theatricality overspills its disciplinary enclosure and informs other artforms. They posit Artaud as a performance theorist whose ideas allow for a unique take on the indeterminate borderline existing between theatre, conceptualism and installation art. To investigate that liminal fold, they place Artaud in dialogue with artist Christian Boltanski, whose relationship with theatre and performance they tease out.

This chapter begins with the contrasting narratives of the Third Indochina War from the perspectives of Singapore and Cambodia which serves as the springboard to the study of the Cambodia conflict. It then proceeds to describe the debates on the war in Cambodia, following which the chapter outlines the objectives of the book and provides a historiography of the existing literature.

This chapter concerns Lucian’s presentation of the contemporary display of literate knowledge and the practice of criticism and scholarship. That presentation is often obviously satirical, but Lucian’s tone and purpose also often remain elusive; Lucian’s voice is never easy to capture. Examples include Lucian’s account of the art of reading in On the Ignorant Book-Collector, and the posturing philosophers and ignorant grammarians of the Symposium; this latter case illustrates how Lucian’s concern with ‘the culture of criticism’ is always part of the ever-present negotiation with classical models which is a hallmark of his work, as of any major figure of the Second Sophistic. The same is true of the satire on Atticism in Lexiphanes. The final part of the chapter considers Lucian’s presentation of artistic technai, whether that be that art of writing history or the treatise on pantomime, On the Dance.

This chapter delves into the profound interplay between Haitian revolutionary history, literature, and the broader context of global romanticism. Drawing on the pivotal work Le Romantisme en Haïti: La vie intellectuelle, 1804-1915 by Dolcé, Dorval, and Casthely, it critiques the dominance of Western thought and the triumph of Eurocentrism in global romanticism. Through a meticulous exploration of Haiti’s post-independence history and its relationship to French colonialism, it asserts the emergence of a distinctly national form of romanticism deeply entrenched in the country’s intellectual and literary evolution. Tracing the trajectory of Haitian romanticism from its roots in the Haitian Acte de l’Indépendance to the commencement of the US Occupation, it argues that Haitian poets’ blending of politics, history, and literary creation resonated with, at the same time as it transcended, romantic ideals popular in the British and French traditions. Fusing historical scholarship and literary critique, the chapter aims to reshape perceptions of Haitian intellectual history, unearthing the obscured ties between revolutionary actions, poetic expression, and the global romantic movement.

Traditional study of Roman military communities has ignored or erased women and their families from daily military life. Archaeological and documentary evidence reveal the inescapable fact that residents of extended military communities interacted inside and outside Roman forts through habitation, commercial endeavors, and social obligations. As a result of having been segregated by historians into external communities women have been acknowledged as existing, but otherwise ignored. Not only have their social and economic contributions been disregarded, but even their identities have been overlooked. This chapter reviews the basic reasons historians have removed women from our conception of life in military contexts and then discusses the evidence for the presence and contributions of military women. The chapter closes with discussion of how the volume is organized. As becomes clear, the presence of women, children, and families within the forts and in the extramural settlements of the Roman army is beyond doubt, thanks to the diligent and sometimes contentious work of scholars over the last thirty years.

The topic of women in Roman military communities (i.e., military women) did not suddenly appear in the late twentieth century. One could say its emergence is the result of the novel idea that women were present in most aspects of life in the ancient world. Women have been around the military much longer than the general or professional reader might realize. As a topic, military women have not generally been a group to which anyone paid sustained attention until the last decades of the twentieth century. The topic gained interest as social and cultural history became welcome components of historians’ toolboxes and as archaeological fieldwork has yielded new evidence and innovative methodologies have led to updated analyses of old artifacts. This chapter reviews the historiography of the debate over the long duration of Roman studies. In particular, the authors focus on how research into these military women and their families has slowly diversified and grown over the last three decades. The field is strong and growing to provide a more complete understanding of the Roman military.

Chapter 1 introduces the problems to which this book responds and proposes alternative pathways for understanding the archaeology of the Roman Empire. It shows how particular colonial ways-of-knowing continue to shape the stories told of North Africa’s people and their traditions of worship under the Roman Empire, setting these within the binary of “Romanization” or “resistance.” While approaches to the archaeology of other parts of the Roman Empire have begun to embrace New Materialism as a way of moving beyond “Romanization,” this chapter argues that semiotic approaches offer a more productive means of engaging with and explaining the material dimensions of imperial hegemony.

The introductory chapter provides an overview of the book’s focus as a whole and explores its relation to existing historiography, including its engagement with decolonial and postcolonial theory and scholarship in Indigenous Studies and Latin American Studies. In highlighting the book’s unique arguments, contributions, and perspectives, the Introduction explains the concept and double meaning of "troubling encounters" and provides the book’s thematic organization. Noting that some chapters adopt a local perspective, others a national one, and yet others draw attention to transnational and even global domains, the Introduction reflects upon the variety of scales for interpreting and troubling the history of encounters in the human sciences. For the authors, the legacies of those scales are read in the myriad interactions of expedition science, in the relationality implied in fieldwork or the logic of settler colonial custodial institutions, and finally in the resulting theories about human nature and behavior that circulated globally within scientific circles and beyond.

As the recovery of the rich history of the expansive Byzantine Commonwealth pushes forward, we must renew our emphasis on the sturdy multi- and cross-cultural foundation upon which it was constructed. Christian Caucasia was a charter member of the Byzantine Commonwealth, but its social fabric and cultural orientation remained locked on the Iranian world for centuries to come. The fundamentally Iranic, or Persianate, nature of Christian Caucasian society is a reminder of the intense cross-cultural connections of Rome-Byzantium and Iran across late antiquity and into the medieval period.

Uncle Tom’s Cabin, Harriet Beecher Stowe’s antislavery novel, was a tremendous success and the source of intense polemic when it first appeared in 1852. Since then, the novel has never entirely disappeared from the scene and has remained the locus of heated discussion on the representation of race and on race relations in the United States. This chapter will attempt to trace the role Uncle Tom’s Cabin – Stowe’s novel, but also its rewritings, tie-ins, and adaptations – has played in discussions of race in the United States since the 1850s. The first part will investigate the inception of the novel, its strategies, publishing circumstances, and immediate reception. The second part will focus on the afterlife of Uncle Tom’s Cabin, both in terms of scholarly commentary and popular appropriations.

Although notoriously imprecise designations dating from the nineteenth century, ‘the Balkans’ and ‘Ruritania’ have played surprisingly prominent roles in configurations of identity in modern British literature and culture. Building on existing research into cultural representations, this chapter seeks to provide a survey of British engagement with the region, real or imagined, from early modern to recent times. Drawing on a range of examples and taking into account travel accounts and historiographical texts as well as fiction, cinema, and theatre, it argues that representation of these purported regions straddled fact and fiction, as well as high and popular culture. British images of the Balkans and/or Ruritania reflected both shifts in literary currents and modes, and changes in Britain’s relationship to Europe and the world as a whole.

In this essay I consider what myths are, and provide a very short sketch of Darwin’s life and work. I also suggest some possible reasons about the mythology around him, paving the way for the chapters to follow.