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This chapter charts the processes by which deceptive sex came to be regarded as potentially constituting rape. Through tracing these developments, the chapter shows how doctrinal features of the law, such as the way consent and deception are thought to be related and the modes of deception punished by law, were important to this process. Yet the chapter also argues that to fully appreciate how and why the changes occurred, it is necessary to pay attention to the array of interests the law has sought to protect and how these have shaped the range of topics of deception that might ground a charge of rape. This argument leads to the conclusion that, in the context of deceptive sex, deception has not been considered wrongful because it invalidates or precludes consent, as is commonly thought; rather, deception has invalidated or precluded consent because it has sometimes been considered wrongful. The chapter ends by introducing some reasons why this insight is important to ongoing debates regarding the criminalisation of deceptive sex.
This chapter explores the civil wrong of seduction to establish its nature and parameters and draw out its associations with deception. It argues that, as the earliest legal response to deceptive sex, seduction is in some senses the civil law analogue of later criminal laws. The chapter then shows how the action of seduction was rooted in the idea that deception was wrongful because it was one way of leading a woman off the ‘right’ path and that the harms it caused reflected the gendered significance of marriage and other ‘moral’ forms of intimacy. Furthermore, it highlights how these features of the action provided a framework within which the range of qualifying deceptions was limited and the temporal dimensions of the wrong were set. Finally, the chapter offers some reflections on how the distinctions between private and public introduced in Chapter 1 bore on the decision to keep seduction a civil wrong before foregrounding how these observations, and those made throughout the rest of the chapter, are pertinent to contemporary discussions about criminalising deceptive sex.
This chapter analyses crimes involving procuring sex, including procuring sex by deception. It argues that to appreciate the nature of these offences, and their place within this book, it is necessary both to understand how the verb ‘to procure’ was interpreted, including when and why it required deception, and to pay attention to the acts whose procurement was proscribed by law. The chapter provides elucidation on both fronts, showing how the procuring offences were geared towards prohibiting ‘illicit’ (i.e., immoral) sexual activities and therefore criminalised the use of deception to lure others into committing such acts. In demonstrating this point, the chapter argues that a culturally sensitive vision of what makes intimacy valuable shaped and constrained the use of the procuring offences. Finally, the chapter argues that the demise of the procuring offences set the stage for the expansion of the crime of rape by deception and that examining how the procuring offences worked yields important lessons for those attempting to engage critically with this development.
Around 30% of women worldwide have been subjected to either physical or sexual intimate partner violence (IPV) in their lifetimes. In Europe, one in 20 women over the age of 15 has been raped. Meanwhile gross misogyny and sexual violence against women is becoming more normalised in society. When women have been victims of physical, sexual violence, emotional abuse or coercive control the impact on their mental health can be severe.The sense of shame can be overwhelming. Mental health problems are not an inevitable consequence of IPV but anxiety, depression, post-traumatic stress disorder, psychosis, self-harm, substance misuse and getting a diagnosis of borderline personality disorder (BPD) are all more common. Domestic violence can also result in suicide and is linked to murder-suicide and ‘honour’ killing. However, women who have killed abusive men have been repeatedly denied justice. Mental health services need training about IPV and sexual violence and to make strong links with organisations in the community. Each of us needs to ensure that we would know what we would do to help a friend, family member or colleague who is experiencing domestic violence or sexual assault.
Writing in the first century ce, Columella delineates farming practice based on personal experience and observation. Roman attitudes towards slavery, truth, and torture are highlighted in a particularly graphic description of preparing the soil for sowing.
Through the energetic work of the reformer John Calvin, the small city-state of Geneva became the so-called Protestant Rome in the sixteenth century. Calvin created a morals court, the Consistory, which worked in conjunction with the city council to attack a wide range of ‘sins’, including illicit sexuality, defined as all sexual activity outside of marriage. In Calvin’s time, authorities pursued male and female fornicators (including fiancés) with the same rigour and on rare occasions sentenced adulterers to death. After Calvin’s death a double standard appeared in the treatment of adultery, most blatant in the fact that sexual relations between female servants and their married masters resulted in more severe penalties for the former than the latter. Same-sex relations were considered crimes against nature, but authorities adjudged those involving men much more severely than those involving women, probably based on a belief that sexual relations between male partners degraded them to the level of women. Although a few men were prosecuted for rape, religious and political authorities largely enhanced patriarchy; given the persistent numbers of people who were summoned, they clearly were also less successful in nurturing self-control among Genevans in their sex lives than in other areas of behaviour.
This chapter discusses social concepts, notions and assumptions that prevailed in the ancient Near East concerning human sexuality. Its introduction supplies chronological, geographical, and cultural definitions to explicate what is meant by the term ‘ancient Near East’, and expands on the sources of information used in the chapter, their contributions and limitations. The introduction also elaborates on the categories and aspects of human sexuality discussed in the chapter. Subsequently, the chapter is organized thematically. Each theme focuses on a specific category of sexuality, which is discussed according to the pertinent sources of information available to us, including legal, literary, cultic, and others. The categories surveyed in the chapter are: Sex and Reproduction, Sex and the Body, Gender Norms and Inequality, Sex and Marriage, Sex and Slavery, Sex and Politics, Sex and Religious and Cultic Practices, and Sex and Criminal Law. The chapter demonstrates how different textual genres reflect the role of sexuality in ancient Near Eastern societies: official law regulated sexual behaviour, literary texts echoed social norms, and cultic texts related to a variety of matters that involved human sexuality. The chapter highlights topics such as male privilege and gender inequality, social hierarchy, and cultural differentiation.
During the two World Wars sexuality was fundamental to how both conflicts were planned, conducted, and experienced. The sexual body was an ever-present target of military policy as a potential polluter of the race, a danger to colonial order, sexual mores, or gender hierarchy; it was an object of intervention and mutilation, even annihilation. Nonetheless, war also offered opportunities for new, hitherto illicit sexual encounters. Individuals experienced sexuality in two opposing ways: as a source of immense suffering but also of erotic excitement and love. Changes in sexual attitudes, regulation, and practices must be understood through the filters of gender, class, race, sexual orientation, religion, and regional variations. Between 1918 and the `sexual revolution” of the 1960s a profound shift in sexual mores and attitudes took place in all bellicose nations. The millions of deaths on the battlefields, the suffering at home, the unprecedented mass movement within and between countries had sufficiently ruptured the social fabric to unleash a wide-spread liberalisation of sexuality. The steeply declining birthrate was the most dramatic expression of changing ideals. Yet, liberalisation was at best ambivalent as many traditional attitudes and regulations resurfaced and women and queer people struggled to fit back into a state-sanctioned `normal” life.
This chapter charts sexual violence over time and place, showing substantial shifts in thinking about sex as violence, rape as an assault on property, emerging ideas of consent, and changing attitudes towards the victim and the offender. It traces how sexual violence was defined and understood, in both society and law, from the classical world to today, examining case studies that include rape, sodomy and offences against children. It examines the structural impediments to the prevention of sexual violence, and the social and legal barriers to justice when a crime did occur. It highlights the fact that responses to sexual violence vary between individuals and communities, though survivors reveal that many forms of sex might be experienced as violent or traumatic, regardless of whether the acts were normalised or criminalised. Ideas of sexual violence are read through intersectional lenses, highlighting the idea that normative ideas of gender, sexual identity, race and class heightened the potential for sexual exploitation of marginalised groups. Limited, fragmented or unrepresentative sources make it challenging to trace sexual violence in history, but it is imperative to do so, as sexual crimes have had a substantial impact on the life experiences of individuals and their families and communities.
Post-colonialism, an interdisciplinary field that developed in the 1980s, examines the culture of colonialism by re-reading colonial texts through a de-colonizing eye. It provides tools to examine dilemmas of post-colonial societies that are in part tied to their colonial roots, while also offering insights into a spectrum of practices of resistance and accommodation. This chapter outlines some of post-colonial scholarship’s major contributions to understanding sexuality in colonial contexts, including the Americas, Africa, and Asia. Post-colonial scholarship has helped historians write new histories of the discipline and rule of sexual bodies under colonialism. It has emphasized that far from being only a process of economic extraction, colonialism shaped the ways that we see, know, and experience sexuality together with race, gender, and nationality. Post-colonialism continues to provide analytical tools for decolonizing knowledge and debate over sexual issues in formerly colonized societies and their metropoles, including same-sex marriages, transgender identities, and sex as paid labour. It has opened doors for new interpretations of tradition, as many people deploy post-colonial thinking in re-imagining cultural knowledge.
Chapter 7 covers David’s moral downfall and the disastrous implications for his family, including the rape of Tamar and the rebellion of Absalom. The closing pages of 2 Samuel look back and raise further questions about who David was and the kind of God who was involved with him.
This chapter examines works of Pirandello that feature the act of suicide against the backdrop of a historical epoch in which the issue of taking one’s own life was critical and culturally charged. Some of the suicides of the age were heroic self-immolators, as Carlo Michelstaedter appeared to many to be. Some were simply in desperate existential straits. Still others were women suffering intolerably in erotic relationships. The last two groups abound in Pirandello’s literary fictions, and he shares deep sympathy for them in approximately two dozen stories, many of which are analyzed closely here for their ethical and philosophical implications. Even more interesting “Pirandellian suicides” are symbolic ones, like Vitangelo Moscarda and Mattia Pascal in the novels. These characters reject, but do not end, the lives they have known before the narratives take their turns, producing the radical vitality of a non-life by bourgeois standards.
Critics have long argued over Beatrice Cenci’s guilt and moral responsibility in relation to her murder of her father and rapist, as Shelley himself anticipated they would. Far less attention has been paid, however, to Count Cenci’s program for corrupting his daughter and turning her, at least in part, into a mirror version of himself. Count Cenci engineers a perverse kind of empathic identification, one that Shelley calls, in Prometheus Unbound, “loathsome sympathy.” This chapter presents “loathsome” sympathy in turn as an extreme or inverted form of the sympathy that plays so crucial a role in Shelley’s poetic and ethical theories, theories he develops from passages in various eighteenth-century moral philosophers including Hume, Rousseau, Burke, and Adam Smith. Twenty-first-century research on empathy and “mirror neurons” provides a number of partial and provocative analogies with eighteenth-century sympathy theory that are used heuristically to provide a novel perspective on the tradition that leads from Hume to Shelley. The chapter looks especially at how mirror neuron research emphasizes the embodied, visual, intersubjective, and unconscious workings of empathy. Shelley, the chapter argues, develops a comparable sense of sympathy, one that, in its “perverse” version, informs The Cenci.
This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should “naturally” feel intolerable shame.
Roman concepts and institutions have been formative for Western political forms and the Romans’ thinking about power has had a deeper influence on Western traditions of political thought than is recognized in political theory. Recent developments have sparked the interest of political theorists in genres and artefacts that convey thinking about politics through means besides distinct argumentation. At the same time, the political turn in the study of Latin literature has opened the field to theoretical questions beyond the range of usual literary training. This chapter surveys issues, such as freedom, institutions, and foundation, which are central to Roman political thought, and maps a variety of methods for approaching how the Romans thought about politics. These include: close reading, rhetorical analysis, conceptual history, comparison with other media and cultural artefacts, and metaphorology. Illustrative interpretations span art and inscriptions, poetry and prose, with excurses on the reception and transformation of Roman political thinking in Augustine and Machiavelli. A sample reading of the death of Turnus in the Aeneid argues for a broad intellectual toolkit.
Despite recent criminal law reforms to define rape through the lack of consent, practical questions remain about how to regulate different kinds of violations of sexual autonomy. Many common law scholars have found it eye-opening how much more extensive and easily accepted the protection of property rights is compared to the protection of sexual autonomy. But when the rationale of criminalization resides in human rights, such a comparison is alien; protecting human dignity appears separate from protecting instrumental property rights. Considering rape a subversion of our ownership rights to our bodies (the property model of rape) is rightly regarded as problematic. This article argues that comparing sexual crimes and property crimes is not predicated on the property model but rather on autonomy itself. Comparisons based on autonomy could help resolve practical dilemmas of consent-based rape laws while respecting human dignity and thus be fruitful research pursuits within a human rights tradition.
This chapter explores the development of a distinctive Faulknerian ontology in relation to the mimetic information paradigm we have explored. I begin by exploring two characters – Dilsey and Miss Quentin – from The Sound and the Fury who provide a paradigm of autonomous personhood that is able to survive within a coercive plantation network. I extend this analysis to Darl Bundren in As I Lay Dying whose narrative arc vividly evokes both the development and dissolution of the mimetic self. Here, Faulkner anticipates a major theme in a number of his later novels, namely, alienation as a facet of modernity, one that compromises the possibility of sensuous or emotional access to others. Finally, I demonstrate how Sanctuary articulates this mimetic dilemma both in the rape of Temple Drake and on a larger social scale, in the hyper-mimetic quality of information flow through complex social systems that rely more on abstraction than on sensuous interpersonal bonds.
The Cambridge Edition of Tender Is the Night declares that it “chronicles the rise and fall of Dick Diver, a promising young psychiatrist, and his wife, Nicole, who is one of his patients.” Likewise, Penguin describes the book as “the account of a caring man who disintegrates under the twin strains of his wife’s derangement and [their] lifestyle.” This chapter challenges the androcentric, victim-blaming nature of these long-accepted readings and argues that we have not paid sufficient attention to the sexual violence that permeates Fitzgerald’s novel. More specifically, it explores the conceptual, contextual, and formal ways that the book creates sympathy for Dick Diver, and then it asks readers to consider how our understanding of the text might change if we shift our attention to Nicole, whose adolescent violation is both the inciting event of the novel and occupies its center, literally and figuratively. Taking into consideration Fitzgerald’s literary aspirations alongside the novel’s formal complexity, the chapter argues that Tender Is the Night shares some of the modernist qualities of Fitzgerald’s contemporaries as well as their intensifying anxieties over female sexuality and concludes that by tending to Nicole’s trauma, Tender is as much a novel of recovery and redemption as one of dissipation and decline.
Sexual violence is a significant problem within many Western militaries. Despite international attention to the issue and global #MeToo and #TimesUp movements highlighting the impact of sexual violence, rates of sexual violence are going up in many militaries. This book uses feminist theories of 'rape culture' and institutional gaslighting to identify the key stories, myths, and misconceptions about military sexual violence that have obstructed addressing and preventing it. It is a landmark study that considers nearly thirty years of media coverage of military sexual violence in three case countries – the US, Canada and Australia. The findings have implications not only for those seeking to address, reduce, and prevent sexual violence in militaries, but also for those hoping to understanding rape culture and how patriarchy operates more broadly. It will appeal to students, scholars and general readers interested in gender, feminism and the military.